A writer who is good at writing prose!! Beautifully written prose writers Have you read all of them

Write with emotion, imagination, and new interest, don't go around the bush, don't write nonsense.

Modern Chinese prose writer.

a- Ai Qing, Ai Wu, A-Ying.

b- Ba Jin, Ba people, Bai Cai, Bingxin, Bai Wei.

c- Kawashima, Cheng Fangwu, Chen Hengzhe, Cao Jinghua, Chen Jingrong, Cao Juren, Cao Ming, Chen Xiying, Chen Xuezhao.

d- Dai Wangshu Ding Ling.

f- Fang Lingru, Feng Wenbing, Feng Xuefeng, Feng Zhifeng Zikai.

g- Guan Lu Guo Moruo.

h- Hu Feng, Hu Qiuyuan, Hu Shi, He Qifang.

J- Ji Xianlin, Jin Yi.

K. Cooling.

l- Liu Bannong, Li Changzhi, Nie Yunxuan, Li Guangtian, Luo Heizhi, Li Jinfa, Lu Jingqing, Li Jianwu, Liao Mosha, Lini, Luo Niansheng, Lao She, Ling Shuhua, Liang Shiqiu, Lou Shiyi, Lin Danqiu, Lin Huiyin, Lu Xun, Lu Yin, Lu Yan, Liang Yuchun, Lin Yutang.

m- Miao Congqun, Mao Dun, Mu Mutian.

Q- Qin Mu Qin Qi Qian Zhongshu.

S- Shen Congwen, Sun Fuxi, Sun Fuyuan, Sun Li, Sima Wensen, Shi Pingmei, Shi Tuo, Su Xuelin, Song Yunbin, Shi Yucun.

T- Tian Han, Tai Jingnong, Tao Jingsun, Tang Tao.

w- Wu Boxi, Wang Yiyi, Wei Suyuan, Wang Tongzhao, Wang Xiyan, Wen Yiduo, Wu Guanyi.

x- Xie Bingying, Xu Chi, Xu Dishan, Xiao Hong, Xiao Jun, Xu Jie, Xu Maoyong, Xiao Qian, Xu Qinwen, Xia Chengzun, Xu Yu, Xia Yan, Xu Zhimo.

y- Yuan Changying, Yu Dafu, Yang Gang, Ye Junjian, Ye Lingfeng, Ye Shengtao, Yao Xueyin, Ye Zi.

Z-Zhang Ailing, Zheng Boqi, Zhong Jingwen, Zang Kejia, Zhao Qingge, Zhou Shoujuan, Zhu Xiang, Zheng Zhenduo, Zhu Ziqing, Zhou Zuoren.

Ba Jin's prose collections include "Journey to the Sea", "Essays on the Journey", "Confession of Life", "Drips", "Caprice", etc.; Shen Congwen's prose collections "Xiangxi" and "Xiangxing Essays", etc.; Shi Yucun's prose collections include "Under the Lamp", "Waiting for Danlu", etc.; Zhu Ziqing's prose collections mainly include "Trace", "Background", "You and Me", "Miscellaneous Notes on European Travel", "Standards and Scales", "On the Appreciation of Elegance and Vulgarity", etc. Zhou Zuoren's prose collections include "My Own Garden", "Book on a Rainy Day", "Ze Epsom Collection", "Talking about the Dragon", "Talking about the Tiger", "Eternal Day Collection", "Watching the Clouds", "Night Reading and Copying", "Bitter Tea Essays", "Bitter Tea Miscellaneous", "Wind and Rain Talk", "Melon Bean Collection", "Bing Candle Talk", etc.; Zhong Jingwen's prose collections include "Lychee Sketches", "West Lake Wandering", "Essays on the Lake", etc.; Li Guangtian's essay collections "Gallery Collection", "Silver Fox Collection", "Sparrow Collection", "Shrub Collection", etc.; Liang Yuchun's prose collection "Spring Mash Collection", "Tears and Laughter", etc.; Liang Shiqiu's prose collection "Yashe Sketches", "Autumn Room Miscellaneous Memories", "Literary Cause", etc.; Lin Yutang's prose collections "Cutting and Whisking", "The Great Wilderness", and "My Own Words"; Xu Zhimo's essay collections "Falling Leaves", "Roulette", "Scales and Claws of Paris", "Self-Section", etc.;

The prose authors include Zhu Ziqing, Lu Xun, Sanmao, Bingxin, Jia Pingwa, etc.

1, Jia Pingwa is known as a ghost talent, his achievements in **, that is obvious to all, up to now, he has published a total of 16 novels**, and each of them has caused a huge response. He is also a master of prose, and his prose, with its simple language, has a different taste to read. In fact, it can be said that his prose is better than his**, and every one of his essays is full of philosophy.

2. Yu Qiuyu can be said to be a prose master, he also has contributions to prose, creating a great prose era, such as his "Cultural Journey", "Mountain House Notes" and other works, which can be regarded as one of the best contemporary classics, I believe that many people have read his works.

3. Lin Qingxuan is also a great essayist, most of his works are prose, and his prose is also full of philosophy, so that people can always have unexpected gains after reading it. Many of Lin Qingxuan's prose works, which are also included in textbooks, you must know that the works that can enter the textbooks must be high-quality, there is no doubt that many of Lin Qingxuan's works are rare masterpieces in contemporary times.

4. The prose in Yu Guang is also very well written, of course, in addition to writing prose, then he also writes poetry, and his poems are also very good, but speaking of which, his prose is better. His prose works are written smoothly and read very smoothly.

5. Liu Liangcheng is a writer I personally like very much, many of his works have been included in textbooks, his more famous works are "One Man's Village", "In Xinjiang" and so on, these prose works, which are also rare contemporary masterpieces.

Prose" and "**", both ancient and modern, Chinese and foreign, are important genres that are in charge of their own affairs. For 20th-century readers, the status of ** may be far above prose; However, in the long history of Chinese literature, the importance of "prose" as a central genre is far from being comparable to that of "not being elegant".

The so-called prose that goes hand in hand with Wu Zheng, poetry, and drama is the result of embracing and transforming the Western "Introduction to Literature" after the May Fourth Movement.

The May Fourth Literary Revolution began with the promotion of vernacular writing and the overthrow of classical Chinese, which not only included the linguistic controversy between literary and white, but also implied a change in the level of literary genres, that is, "prose" retreated from the center to the periphery.

Before talking about ** learning, first it was the article, and then the poem; As for ** and opera, it is dispensable. Since then, the world has been turned upside down, **, the drama has been in the limelight, and the article has been dwarfed.

In ancient China, the concept of "**" was rather ambiguous. The word "**" has appeared in "Zhuangzi Foreign Objects", but it is not a literary concept. Bangu's "Hanshu, Art and Literature Chronicles" includes **15 and defines them:

**The flow of the family, covered by the barnyard officials, the street talk, and the people who listen to the scribbles. ”

The concept of ancient Chinese literary language ** greatly exceeds the "**" in the sense of modern literary genre, that is, in the eyes of modern people, many literary languages ** cannot be regarded as "**"; The concept of ancient Chinese vernacular ** is smaller than "**" in the sense of modern literature, for example, in the Song Dynasty, there were four speakers, and "**" was only one of them.

Ancient China was divided into two systems, literary and vernacular, not only because in the eyes of Chinese literati before the 19th century, the two could not be confused; More importantly, the difference between the two is not only the difference in language media, but also includes different literary origins (if the former is mainly based on historical biography and dictionaries, the latter is more due to popular preaching and storytelling), different literary systems (the former is close to the short story in the modern literary sense**, and the latter is particularly excellent in the long story**), as well as a set of different expressions and aesthetic ideals that adapt to it.

The relatively independent parallel development of literary and vernacular is a major feature of Chinese history.

The literary revolution from the late Qing Dynasty to the "May Fourth" period changed the overall appearance of Chinese prose. In this literary revolution, the enlightenment of Western literature is of great importance, but the creative transformation of tradition cannot be ignored either. And the two are often entangled and difficult to separate.

For example, the dialogue between Xiao Mo's filial piety and prose is a major driving force for the transformation of these two major genres.

Excerpted from Chen Pingyuan's "A Little History of China".

I can't remember so many essay collections, so I mainly recommend a few essays that I think are better.

Yu Qiuyu's "Cultural Journey" This is a must-read.

Liu Yong's "Life and Death" and "Grasp the Tremor of the Heart".

Zhu Ziqing's "Spring", "Moonlight on the Lotus Pond", "Hurry", "Qinhuai River in the Sound of Oars and Lights", "Back";

Xu Zhimo's "The Kangqiao I Know", "Fei Leng Cui Mountain Dwelling Gossip";

Xie Bingying, "Love Evening Pavilion";

Bingxin's prose is also very beautiful.

Zhang Ailing, "Genius Dream", "Love in a Fallen City".