Ancient Chinese Five Tone Songs Music Please Urgent All Five Tone Songs Song Titles

When singing, some people sing out of tune, often out of tune, unable to grasp the seven scales of do, re, mi, fa, sol, la, and ti, and singing becomes a "chanting song" or "shouting song" with no beautiful melody to speak of. In the karaoke hall, everyone has this kind of torture experience, and everyone laughs at the rapper's lack of artistic talent, "incomplete five notes". It's obviously a "seven-tone" but it's called a "five-tone", what's going on?

This brings us to the concept of "five tones". China is an ancient civilization, and the development of the first country also has a long history, but the ancient music is a pentatonic scale, which is different from the West. If we compare it with the seven scales of Western music, the "five tones" of ancient Chinese music are equivalent to do, re, mi, sol, and la, and the semitones of "fa" and "ti" are missing.

Of course, the five-tone solfège of ancient Chinese music cannot be the same as the name of "Duo, Lai, Mi, Suo, La" of Western music, and in the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used; In more ancient times, it used "palace, Shang, jiao, 徵 (pronounced zhǐ sound), feather". Therefore, if we pay a little attention, there are no two scales of "fa" and "ti" in authentic ancient Chinese music. For example, the Jiangnan minor tune "Jasmine" that is still heard from time to time is one of the ancient songs, if the whole song is hummed with a roll call, there are only "do, come, mi, so, pull", and there are no two tones of "hair and thin"; Famous ancient songs, so is Yue Feici's "Man Jianghong".

By the way, if you find that the ** song called "ancient Chinese song" has a "hair, thin" scale solfège, then it is either an imposter or has been transformed by today's people. The five tones are the basic scale of ancient Chinese music, so there is an idiom of "incomplete five tones".

Blue and white porcelain, chrysanthemum terrace, The Wizard of Oz, Ranhong, Half Moon Qin,

The five tones of Gongshangjiao Zhengyu are the basic scales of ancient Chinese music, which are different from those in the West. If we compare it with the seven scales of Western music, the "five tones" of ancient Chinese music are equivalent to do, re, mi, sol, and la, and the semitones of "fa" and "ti" are missing. Of course, the five-tone solfège of ancient Chinese music cannot be the same as the name of "Duo, Lai, Mi, Suo, La" of Western music, and in the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used; In ancient times, it was used as "gong, shang, jiao (decisive sound), 徵 (pronounced zhǐ sound), and feather".

Therefore, if you pay a little attention, there are no two scales of "fa" and "ti" in authentic ancient Chinese music. For example, the Jiangnan minor tune "Jasmine" that is still heard from time to time is one of the ancient songs, if the whole song is hummed with a roll call, there are only "do, come, mi, so, pull", and there are no two tones of "hair and thin"; Famous ancient songs, so is Yue Feici's "Man Jianghong".

It should be Gong, Shang, Jiao, Zheng, and Yu The five-tone Luo Lu Chronicles says; The palace people, in the middle, live in the first four directions, and sing the path of the four voices. Businessmen, chapters, and things are clear. The horns are touched, the yang energy is stupid, and all things are born when they touch the ground.

The conscript, the blessing, the prosperity of all things. Feather, Yu also, the collection of things is gathered in the universe of the complex. This is an explanation of the meaning of the pentatonic sound, and it is explained from a natural biochemical point of view, in terms of auditory sensations.

The palace sound is thick and voiced, and in the long run, it is loud and high to hear the business sound, agitated and horn sound, and the horn sound is harmonious but not angry, moist but not dry, and the sound of the sign is anxious and dry, such as the sound of fire, the feather sound is round and clear, and the article is smooth.

Tunes, singing tunes, tones, rhymes, word tunes

The five tones of the chimes are also known as the "five tones". It refers to the five tones of Gong, Shang, Jiao, Zheng, and Yu in the Chinese pentatonic scale. The intervals between the two adjacent tones in the five tones are all major seconds, except for the minor third between the horn and the sign, and the feather and the palace (the palace of the higher octave).

1. The classical ** in ancient China is a pentatonic scale. In the Zhou Dynasty, the "micro" (fa) and "changgong" (si) were added to form the seven-tone scale, because at that time, the "three-point profit and loss method" had been perfected, so that the five tones and twelve rhythms were used in the actual ** activities.

Five tones: Gong, Shang, Jiao, Wei, and Yu are approximately equal to the simple score

The twelve laws are further divided into:

The six laws of yang sound -- Huang Zhong and Tai Tuan are about equal to the simple spectrum; Gu wash, Ruibin, Lei, no shot. 3、##

Yin sound six Lu - Lin Zhong, Nan Lu, about equal to the simple spectrum; Ying Zhong, Da Lu, Jia Zhong, Zhong Lu. 7、#

Seven laws: palace, business, horn and other simple scores; Change emblem, emblem, feather, change palace, palace

Wuyin (ancient Chinese pentatonic scale) generally refers to the pentatonic scale.

The pentatonic scale is according to the order of the five degrees of symbiosis, starting from the palace sound to the feather sound, in order: palace - Shang - horn - sign - feather; If arranged in order of pitch, it is: 1 2 3 5 6 Gong Shang Jiao Zheng (zhǐ) Yu.

In the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used.

The pentatonic scale, which is often referred to in ancient texts as "pentatonic scale", "pentatonic scale", etc. Traditional Chinese music theories often reveal the connotation of the modern concept of "scale" from different perspectives such as "tone", "rhythm" and "sound".

Ancient Musical Arts.

Wusheng] is also known as "Wuyin", that is, the five tones of Gong, Shang, Jiao, Zheng (zhi) and Yu in the ancient pentatonic scale in China. Like the ancient so-called yin and yang five elements, five flavors, five colors, five senses, five grains and other simple theoretical forms, the five tones are the early holistic aesthetic concept of our country, and are regarded by Westerners as the basic form of the entire East. "Warring States Policy: Jing Ke Assassinates the King of Qin":

Gao gradually left the building, Jing Ke and sang, for the sound of change, the soldiers wept and wept. The "change" in the text is the sound close to the sign between the horn and the sign, and the tone is sad.

There are five scales of gong, shang, jiao, zheng (zhi), and yu.

The five tones refer to the five scales of Gong, Shang, Jiao, Zheng, and Yu.

The Book of Rites says: "The sound is the sound of the text." The number of tones is five. "The five tones refer to the palace, Shang, horn, sign, and feather.

The Chronicles of the Law says; The palace people, in the middle, live in the first four directions, and sing the path of the four voices. Businessmen, chapters, and things are clear. The horns are touched, the yang energy is stupid, and all things are born when they touch the ground.

The signeur is also prosperous, and all things are prosperous. Feather, Yu also, the collection of things is gathered in the universe of the complex. This is an explanation of the meaning of the pentatonic sound, and it is explained from a natural biochemical point of view, in terms of auditory sensations.

It is a deep and voiced palace sound. In the long run; The business voice is loud and high, agitated and harmonious; The horn sound is harmonious but not harsh, moist but not dry, and the sound is anxious and dry. Like the sound of fire; The feather sound is round and clear, and the strip is smooth;

Refers to the five tones of palace, business, horn, sign and feather.

The "five tones" of ancient Chinese music are equivalent to do, re, mi, sol, and la, without the semitones of ascending "fa" and "ti". Of course, the five-tone solfège of ancient Chinese music cannot be the same as the name of "Duo, Lai, Mi, Suo, La" of Western music, and in the Tang Dynasty, "He, Four, B, Ruler, and Gong" were used; In more ancient times, it used "gong, shang, jiao, 徵 (pronounced zhǐ sound), feather".