May I ask what aspects of Mr. Wen Yiduo s three beauties are embodied? Are there any examples?

Search: May I ask what aspects of Mr. Wen Yiduo's "three beauties" are embodied? Are there any examples?

1. Smell a lot.

The three beauties created by poetry.

The proposition refers to: **Beauty, dry macro draft painting beauty, architectural beauty.

2. The core of Wen Yiduo's poetry theory is to pay attention to the (three beauties) and :* beauty of poetry: it mainly refers to the harmony of syllables and rhymes, and pursues the sense of rhythm of poetry; Painting Beauty:

It mainly refers to the rhetoric of Hua Wu Xiaoli, paying attention to the visual image and intuitiveness of the poem; Architectural beauty: It mainly refers to the overall appearance of the poem, paying attention to the symmetry of stanzas and the neatness of lines and lines.

Smell a lot. The proposed "three beautiful brothers" are "** beauty, painting beauty, and architectural beauty", which is a new school of poetry.

theoretical basis. It overcame and corrected the May Fourth Movement to a certain extent.

Since then, vernacular new poetry has been too loose and casual, and has made a unique contribution to the healthy development of modern Chinese new poetry.

In terms of specific letter and dust difference, "** beauty" emphasizes "there is a sound ruler, there is a flat foot, and there is a rhyme"; "The beauty of painting" emphasizes that the choice of words should be beautiful, distinct, and have a sense of color; Each line of poetry can form a picture that exists independently. "Architectural beauty" emphasizes "the symmetry of the knots and the uniformity of the sentences". Its main purpose is to have beauty in both the content of the poem and the format of the poem.

The "three beauties" are "** beauty, painting beauty, and architectural beauty".

Wen Yiduo's poetics advocated the Three Beauties laid the theoretical foundation of the New Rhythm Poetry School, which overcame and corrected the shortcomings of the vernacular new poetry since the May Fourth Movement to a certain extent, and made a unique contribution to the healthy development of modern Chinese new poetry.

The Rhythm of Poetry is the most important article in Mr. Wen Yiduo's series of poems. In this article, he systematically proposed that "the strength of poetry includes not only the beauty (syllables) of **, the beauty of painting (rhetoric), but also the beauty of architecture (the symmetry of the stanzas and the uniformity of the sentences)." This proposition of the "three beauties" of the new poetry became the theoretical program of the new school of poetry.

Smell a lot. Proposed "Poetics Three Beauties."

They are "** beauty, painting beauty, architectural beauty". "**Beauty" emphasizes "there is a sound ruler, there is a flat foot, and there is a rhyme"; "The beauty of painting" emphasizes that the choice of words should be strong, distinct, and have a sense of color; Each line of poetry can form a picture that exists independently. "Architectural beauty" Zheng Lu emphasized that "there is a symmetry of the knots, and there is the uniformity of the sentences".

Its main purpose is to have beauty in both the content of the poem and the format of the poem.

Wen Yiduo's "Three Beauties" new poetry thought laid the foundation for the new rhythm poetry school.

To a certain extent, it overcomes and corrects the tendency of scattered white wheel cong old poetry and prose culture, and the "three beauties" poetic theory can better reflect Wen Yiduo's purpose of establishing the standardization of Chinese new poetry art forms.

Smell a lot of three beauties: **beauty, painting beauty, architectural beauty.

1. The beauty of painting

1. The whole poem chooses words such as "grass, green pine, sunshine, and breeze" to express natural scenes. Through the chirping of frogs, the flight of bats, and the turning of earthworms, the reader is given an auditory and visual dynamic imagination.

2. The whole poem has a flowing picture beauty, such as plucking and brushing.

Second, ** beauty.

1. From the point of view of rhyme: full poetry rhyme. The rhyme is: tired, sleeping, flying, eyebrows, sleeping, water, beauty, sleeping, flying.

2. From the point of view of rhythm: the syllables of the poem are harmonious and the sense of rhythm is strong.

3. Architectural beauty:

1. From the point of view of the number of words: "Maybe" has four sections, two sentences per section, and nine words per sentence.

2. From the point of view of arrangement: the whole poem is neatly arranged and the pauses are orderly.

**Beauty, painting beauty, and architectural structure beauty are the theoretical propositions of the "three beauties" new rhythm poetry.

"Perhaps" is an outstanding embodiment of Wen Yiduo's poetry creation, with neat sentences and beautiful structure; The imagery is rich and reflects the beauty of painting; The rhyme is catchy, reflecting the ** beauty.

Wen Yiduo's theory of "three beauties" in neo-rhythmic poetry.

Wen Yiduo is the earliest poet in China to advocate the rhythmization of new poetry, and he advocates that it must have the three beauties of new rhythmic poetry. ** beauty, mainly refers to syllables. Auditory requirements.

Wen Yiduo is the most rhythmic, thinking that "rhythm is rhythm". He demanded that the number of syllables in each verse should be equal (also known as a scale, phone, or pause). The beauty of painting mainly refers to the rhetoric.

Visual requirements. He believed that good poetry must have "rich, dense and concrete imagery." He asked for the use of colorful words to create a "rich" image, so as to add vividness to the picture.

The beauty of the building is mainly the symmetry of the knuckles and the uniformity of the sentences. Visual requirements. That is, beauty should be built on a certain proportion between syllables and sentences.