What kind of brush is used to practice the orchid pavilion, Wang Xizhi s calligraphy skills of the o

The wolf is not good, it is better than the wolf. Now a lot of wolves are not hard at all.

If you want to write a really good book, there is no shortcut, there are only two ways to take a shortcut, one is that you are very rich, practice a free body, and then fry yourself to become popular, and then after a few years it will be forgotten, and your work will become waste paper. The second is that you don't have money to speculate, and practicing that kind of writing has become a habit, and if you can't change it, then you will be wasted and you will never be able to write well. I have practiced regular script for five years, write at least forty words a day, and write each word in a regular manner, write Liu Gongquan's willow style, I suggest that if you write every word carefully enough, you need to write three to five minutes for one word in the first few months.

Since I practiced regular script for two years, I have used the structure of regular script to write casually like I usually write pen characters, which is equivalent to speeding up and reducing pauses. Of course, it is written every day in addition to those regular scripts, and the regular scripts cannot be put down for five years. Then it is to copy according to the orchid pavilion order.

It's better to have a decent real calligrapher to guide you, and not to go to the legendary calligraphers who are free to stir up the red name. Without the right people to guide you, without a good start, the future outcome will only go astray.

The body is right, the hand is right, the pen is right, and the person must be correct.

1.Horizontal and vertical: Most of the horizontal and vertical brushes in the "Orchid Pavilion Preface" embody the characteristics of "one extension and straight down" of the Bizhiyun pen in Wang Xi's bureau.

Horizontal paintings such as "Things" and "Ancient" are all side-fronted, and the middle section is adjusted to the front, and the pen is hidden but not revealed. The last strokes of the "year" quotation are either hidden or sharp, but they are all calm and not slippery, thick and powerful.

2.Apostrophe, squeeze.

The writing of the book is skimmed and the pen is hidden. There are those who go straight out, such as "left", "less", etc. Skimming the hidden front often returns to the front, such as "in" and so on.

Collect the pen or return or play. Those who return are like "feet", and those who release are like "forests", "of", etc. There are also long points that become long points due to the quick writing, or become reversed or horizontal, such as "big", "swimming" and so on.

3.Dots and hooks: Dots and hooks are known as the "eyebrows" of characters, and they play an important role in conveying the spirit in the book.

The change of the point is the largest, different characters, different positions, the point is different, such as dots, vertical dots, long dots, etc., or Tibetan front or out of the front or even written, such as "Yong", "room", "outside", "also"."Wait. The writing of the hook is also hidden or exposed, and there are many variations, such as "hua", "for".", "Nine", etc.

4.Pick and fold: Pick in the book has a separate appearance, such as "hug", and there are also other strokes such as "although." Fold in the writing of Peiqiao Xingshu is a common stroke, generally there are square pens and round turns, such as "day", "for"."。