How to understand the death and life are also great in the Lanting Collection Preface ?

The ancients said: "Death and life are also important." ”

Translation. The ancients said, "Death and life are also a big thing." ”

The preface to the Lanting Collection describes the grand occasion of the Lanting Assembly, expounds the view that "life and death are also important", and criticizes the ideology of the scholars and doctors. However, as a "preface" to an anthology, in addition to criticizing the nihilistic ideas of scholars, it is also necessary to explain the purpose of the collection. Those who attended the Lanting rally were celebrities in society at that time, such as Xie An, Sun Sui and others.

As mentioned above, they quote the water, drink and write poems, and talk about their romances, how painful! Hurry! Joy!

However, "to its admiration, between the pitch, has become a vestigre". In this regard, the author thinks "Isn't it painful"! Therefore, the collection of their poems will not make them disappear, but let them last for centuries, so that "future readers will also feel Sven", just like the author, give birth to the feeling of "death and life are also great".

Why is this so? Because "although the world is different, so happy, it leads to one", because "the future looks at the present, and the present also looks at the past". This cannot but make people sigh at what a good heart the author has!

In a word, the purpose of the collection is to warn later readers not to be infected with the negative thoughts and emotions of scholars when reading the text, but to fully understand the essence of the idea that "death and life are also important".

Death and life are also very important: there is nothing more important in life than life and death.

It's the original intention, is it complicated?

The author of the preface to the Lanting Collection is Wang Xizhi, who believes that life is life and death is death, and it cannot be seen equally. Wang Xizhi's profundity lies in the fact that on the one hand, he frankly admits that life is fragile and short, and on the other hand, he sees the difference between the essence of life and death.

Wang Xizhi's positive attitude towards life with dedication and love for life surpasses many cultural masters in the early and late periods to a certain extent; Wang Xizhi's pen is surging with the torrent of love for life, inspiring future generations to continue to write magnificent chapters of life.

Appreciation of the Lanting Collection:

This preface is sparse, concise and profound, and prominently represents Wang Xizhi's prose style. And its language is exquisitely clear and catchy. It is a masterpiece of ancient pun. The Preface to the Orchid Pavilion Collection has strengths in several aspects of the prose.

In terms of syntax, the battle is neat, and the meaning of the sentence is compared, such as "the group of sages is complete, and the young are long and salty", "look up at the size of the temple." Looking down on the splendor of the category", "or take it from your arms, and talk in a room; Or because of the entrustment, outside the wandering wreckage", two by two, the rhyme is harmonious, there is no trace of the axe and chisel, and the language is fresh, simple and natural.

The text that belongs to the argumentative part is also very simple and expressive, and only uses simple and easy-to-store allusions such as "Qi Peng's death" and "repairing wedges" in the dictionary, and such a simple line is in stark contrast to the Eastern Jin Dynasty's carved chapters and sentences, flashy and unrealistic style.

"Knowing that death and life are illusory, Qi Peng's death is vain" sentence.

During the Eastern Jin Dynasty, the country was declining, and most of the scholars did not seek progress, they advocated Lao Zhuang, and the great mystery was prevalent for a while. Zhuangzi once said: "Mo lives in the dead, and Peng Zu is dead."

During the Eastern Jin Dynasty, the worship of Lao Zhuang's philosophy by the scholar class reflected the ideological tendency of advocating nothingness.

Wang Xizhi reprimanded Lao Zhuang's views of "one death and life" and "Qi Peng's death" as "illusory" and "vain", and reversed the trend of the Eastern Jin Dynasty doctor indulging in Lao Zhuang's spitting and talking about mysteries, believing that life is life and death is death, and it cannot be seen equally. Wang Xizhi's profundity lies in the fact that on the one hand, he frankly admits that life is fragile and short, and on the other hand, he sees the difference between the essence of life and death. Wang Xizhi's positive attitude towards life with dedication and love for life surpasses many cultural masters in the early and late periods to a certain extent;

Li Bai's "Twelve Quasi-Ancient Songs" No. 9 says: "The living are passers-by, and the dead are returnees." "Although there is no lack of open-mindedness in life, there is not much heroic and exciting element to speak of.

Wang Xizhi's pen is surging with the torrent of love for life, inspiring future generations to continue to write magnificent chapters of life.

Dead: The first and second strokes are written in a V-shape towards the lower left corner. The third drawing is written in an arc, with thinner strokes, like an English letter C. The length of the vertical hook is basically the same as the length of the curved painting.

Sheng: The first painting and the second horizontal painting are written in succession, and the 2 3 after the horizontal painting is more inclined than the first 1 3. The third, fourth, and fifth strokes are written in a row, and the line is drawn clockwise upwards at the end of the vertical drawing, and the last horizontal stroke is brought out.

The last horizontal stroke is shorter than the first, the first 1 3 is flattened, and the last 2 3 slopes downward.

Also: the first dot painting and the second horizontal drawing are written in a single stroke, like a duck floating on the water, and like the English capital letter L inclined to the left (the length of the first paragraph is less than the length of the second paragraph). The second horizontal drawing is connected by a thread, and the third is dotted painting.

The third dot draw to the sixth dot draw and write three dots in a row.

Large: Horizontal drawing on the left is thin on the right and thick on the right, with a downward arc. The skimming fades into thinning, and the tail is hooked, leading to the painting. The painting starts from below the intersection of horizontal and skimming, with a large arc on the upper side and a smaller arc on the lower side.

Carry on: The first painting of the apostrophes is thick, the folds are thin, and the tilt of the folds is larger. The second dot painting is similar to the shape of the crescent moon, and also like the shape of the letter C in the Yingquechun Liangwen text.

The third painting is omitted. The fourth and fifth drawings are both horizontal drawings, with straight lines connecting the brushes, both parallel to the folds above. The penultimate stroke is hooked at the end of the stroke, leading to the next stroke.

The last painting is written long, thin in the front and thick in the back, and the tail is hooked to the lower left, leading to the next character.

Orchid Pavilion Preface: In the ninth year of Yonghe, the age is in 癸 (guǐ) ugly, at the beginning of late spring, he will be in the Lan Pavilion of Huiji Shanyin, and repair the 禊 (xì) thing. The sages are complete, and the young are salty.

There are lofty mountains and mountains here, lush forests and bamboos; There is also a clear stream turbulent, reflecting the left and right, which is thought to be the flow of the water (shāng), and the second is seated. Although there is no silk bamboo orchestra, a song is enough to tell the romance. It's a sunny day, the sky is clear, and the wind is smooth.

Look up at the vastness of the universe and look down at the prosperity of categories. Therefore, it is enough to enjoy the entertainment of hearing and hearing, and it is also believed in Cola. The face of the lady is with, looking up to the first life, or taking the embrace, and the enlightenment (through the "meeting") is in a room; Or because of the entrustment, outside the wandering wreckage.

Although the fun is different, the restlessness is different, when it is happy with what it encounters, it is temporarily self-sufficient, and it has not known that old age is coming; and what they are tired, their feelings change with things, and their feelings are related. I like it, and between the pitches, it has become a vestige, and I can't help but be happy with it. The situation is shortened and followed, and the end is at the end.

The ancients said: "Death and life are also important." "Isn't it painful!

Every time you look at the reasons for the interest of the people in the past, if you are united, you will not be able to mourn in the text, and you can't say it. It is known that death and life are illusory, and Qi Peng's death is vain. The future looks at the present, and the present looks at the past.

Sad husband! Therefore, the people of the time are listed, and the description is recorded, although the world is different, so it is happy, and it is also one. Those who read it later will also be touched by Sven.

It is known that death and life are illusory, and Qi Peng's death is vain. The future looks at the present, and the past is also seen from the present, sad husband!