I dreamed of Du Fu s essay, an essay about Du Fu

The Tang Dynasty has been known as the land of poetry since ancient times. Countless outstanding poets have recited masterpieces that blend scenes and have a myriad of atmospheres, making Tang poetry a glorious pinnacle of Chinese poetry history. In the star-studded poetry arena, the most dazzling ones should be Li Bai, Du Fu, Wang Wei, and Bai Juyi.

Among these four people, I love Du Fu's poetic style, concise language, and his thoughts and feelings of worrying about the country and the people. Now, let's sweep away the dust of history, walk into Du Fu together, and walk into his Du poems that worry about the country, hurt the times, and pity the people.

Du Fu was a poet of the Tang Dynasty. When he was young, he was praised by the elders for his poems. Later, he was also known as the master of Tang poetry.

In particular, his later Seven Rules, depressed and frustrated, precise without axe marks, condensed but free, are called the highest achievements of Tang poetry. Therefore, later generations respectfully called him "the saint of poetry". And because his poems expose the corruption of the imperial court and reflect the suffering of the people, his poems are also called "poetry history".

He entered Beijing at the age of 35, hoping to gain fame, benefit the people, and glorify the lintel. But it backfired, and it should be raised for ten years, and all of them were named Sun Mountain. This also made him gradually contact the lower classes of society, and wrote "Soldier Carriage Dealer" and "Beauty Walk", which exposed the shortcomings of Tianbao at that time.

You don't see the head of Qinghai, and no one collects the white bones in ancient times; Embroidered Luo clothes shine in the late spring, and the golden peacock and silver unicorn are worn.

In the fourteenth year of Tianbao, the Anshi Rebellion broke out. Chang'an and Luoyang fell, and the ten-year pursuit of fame was finally shattered, and then he lived a wandering life. "Zhumen wine and meat stink, and there are frozen bones on the road" is a microcosm of society after the rebels invaded Chang'an, including the poet's personal grief.

Du Shi became a generation of poetry, and the history of poetry began. After that, he wrote one after another: "Mourning the King and Sun", "Sadness Chen Tao", "Sadness Qingban", "Three Officials", "Three Farewells", these poems depict a tragic picture that reflects the cruelty of the war and the tragedy of the times.

Three men were killed in the city, and two men died in battle. I have more than 100 families, and the world is chaotic. After taking "Qinzhou Poems" as a turning point, Du Shi does not focus on Chen Shi, but sighs about his life experience.

However, it does not lose its poetic and historical nature, but fades into a background that disappears from time to time. Such as: "Ascending the Tower", "White Emperor", "Ascending" ......The sound of the five watch drums and horns is tragic, and the shadow of the Three Gorges Galaxy is shaken.

Rongmaguan Mountain North, with Xuan Si Liu. They are all sighing about their life experience, worrying about the country, hurting times and sympathizing with the people.

In 770 AD, the superstar fell, and Du Fu, a generation of "poet saints", died of illness in Xiangjiang, completing his lonely and bumpy life ......

Great love for Du Fu.

When it comes to poetry, the first period we think of must be the Tang Dynasty in its heyday, and we have to think of poets, Li Bai, and Du Fu. The great poet must have blurted out. Du Fu, we quickly recall him, why?

Why is a plebeian poet called a saint? Why do later generations speak highly of his works? Why are the descendants fighting for the tomb, rebuilding the thatched cottage, the famous sentences casually chanted on Mount Tai, and the reminiscences of Du Fu by later generations?

I think the reason why Du Fu can be so great is because of a kind of love, a kind of fraternity, and a kind of great love that exists in Du Fu's heart.

Du Fu can be called the representative of Confucianism in the Tang Dynasty, he has always believed in Confucianism, advocated people-oriented, with his own practice, with life to fill in. And Du Fu's benevolence is not only for himself and others, society, and even other living beings. What he advocates is a kind of great love"There are tens of thousands of mansions in Ande, and the poor people in the world are happy"It was Du Fu who pushed this love to the people.

From the home, to the people, to the whole country. And this can also be reflected from Du Fu's feelings for the people, Du Fu has always had illusions about **, hoping that one day his suggestions for the country can be adopted, so that the people can be rich and live a healthy life.

It is really because of Du Fu's broad heart, great love in his heart, love for the country and the people, and worry about the country and the people, that he promoted the poet saint to continue to focus on poetry, and promoted the poet saint to the people step by step, and achieved the greatest poet of realism.

I often think, what kind of iron shoulders can bear the psychological gap caused by the drastic changes of a dynasty from prosperity to decline? Can you afford the sighs of all living beings in the cracks? Can Chinese poetry afford the big problem of social upheaval?

In July 759, Du Fu abandoned his official position from Huazhou through Qinzhou, and arrived in Chengdu at the end of this year, built a thatched cottage in Chengdu, and began his last wandering life. In 1 year, he recommended Du Fu as a counselor of the festival, and he spent six months of shogunate life.