How to practice mixed singing and how to practice mixed voice?

About learning to mix voices.

I've been struggling lately.,In order to learn to mix voices.,I'm searching for various teaching materials, programs, audio tutorials, and so on.。

But I still don't feel it, I don't feel it at all.

After reading so much, I became more and more confused.

What to use coughing, constipation, shouting, sighing, etc. to find the feeling of mixed sound.

I was like a madman all day long, practicing my voice in the dormitory, and my roommates treated me like a monster, so that I secretly ran to the corner of the school to practice alone.

But in the end, I still don't feel it at all.

So I calmed down and thought about it.

I found out that I had learned too much.

It's really miscellaneous, and after watching so much, it's actually better to practice hard with your head covered.

Now I've chosen a method, and that's to hold and roar.

When the roar is about to break, look for the feeling of the mixed voice.

Hopefully I can succeed.

I also want to tell my friends who are learning to mix voices.

Choose a method, practice well, and practice until you really can't practice it, then change it.

Don't fish for three days and reel in nets for two days.

This is not like the harmony of more and less is easy to master, but the so-called mixing in vocal music is difficult to artificially exchange, if you focus on opening the throat and breathing, the mixing will naturally be solved.

1. In the training process of mixed voice, in order to achieve the coherence and unity of the entire vocal area, it is necessary to take the middle and low vocal area as the basis, and then mix the head voice in the chest voice, with some chest resonance in the treble, and keep the high position of singing in the low vocal area, that is, "bass high singing", which can not only make the treble sound true, but also the bass sound not white, so that the whole vocal area retains a unified and coherent timbre.

2. In the whole process of mixing training, the support of breath is crucial. If you breathe well, there is no problem of voice change point, and voice practice is to practice to remove the voice change point.

3. When changing the voice, it is more necessary to open the throat and good breath support, and it is more necessary to relax around the throat and remove unnecessary resistance, so as to obtain the correct sound mix. Therefore, opening the throat and breath support are inseparable, which is an important guarantee for remix training.

Singing requirements

China's "mixed singing method" has unique requirements in terms of sound color. Traditional Chinese singing has the characteristics of "ice, air, and water" in terms of sound and color. Therefore, when vocalizing, the position is relatively forward.

Compared with the West, the use of "mixed singing" has significantly more true vocal components in the middle vocal area, and there is a slight falsetto resonance in the high vocal area. In terms of vocal color, the vast majority of ethnic vocal singers place special emphasis on singing with real voices or techniques with a slight falsetto in the high register, so as to achieve the sincerity and natural beauty of the voice.

In order to achieve a coherent and unified voice area, the mixed vocal area needs to be based on the middle and low vocal areas, and then mixed with the head voice in the chest voice, with some chest resonance in the high notes, and the low voice area to maintain a high position in the singing.

The problem for beginners is mainly focused on the inconsistency of the voice when singing.

1. Fighting in the voice change area, or even appearing in a specific few tones suddenly dim, the vocal cords are unable to catch up, become empty and weak, and the vocal cords and breath seem out of control.

The main causes of this phenomenon are problems with the position of the voice and larynx, as well as the opening of the oropharyngeal cavity and the proportion of vocal cord movement. The purpose of mixing training is to smoothly and unobtrusively remove these hurdles when the function of the vocal area is transformed.

1. Find your voice change point first: Generally, you can use "ma" to disconnect to sing the scale, slowly raise the key, and use the real voice. When you sing a certain note, and you are about to break the tone, or the tone is broken, you try to sing the note in falsetto, and if you think the note is too low for falsetto to sing, then this note is your voice change point.

If your falsetto can still be sung, then you can lower the pitch a little until you can't sing falsetto. Then use the following methods taught by the teacher to help you change your voice, convert the true and false voices, and use the mixed voice to perfectly pass the Sen Zhao Hui Du. 2. Daily practice:

You can usually sing the scale with "ney", because this pronunciation is more conducive to the closure of most vocal cords! When practicing, the mouth shape must be exaggerated, and the sound produced should be flattened, which is very effective to solve the problem of depressor and back of the voice. Be careful, though, don't flatten your mouth when singing, as it will make your voice unpleasant.

After practicing, remember to use other vowels to practice guessing the sedan scale, because if you practice the vowels well, you won't have to be troubled by the bad pronunciation of that word when you sing. 3. Practical application: Usually practice more in combination with the teacher's method, so that it is possible to skillfully apply the mixed voice to singing.

If you are willing to practice every day, if you have the talent, you can use it in songs for about 1 month. For a long half a year, there is no need to pick songs because of the limitation of the vocal range. Of course, students who have serious problems with the foundation itself, such as breath, pitch and rhythm, should first find a reliable vocal tutor, lay a good foundation first, and then consider the vocal range.

So, as long as you practice in the right way, you have to make your throat develop muscle memory, and you don't have to think about shifting gears when singing, and the voice will find a suitable resonance cavity by itself. This is the so-called practice makes perfect, which is also what many singers or TV series say: "forget the skills" and "forget the moves", not to really let you forget these things, but to let you integrate these things into your bones and become inertia.

Remix is a noun in vocal music. When people speak, their vocal cords vibrate completely, and when they sing, their vocal cords vibrate completely, that is, they sing with their true voices. When singing, the vocal cords are partially vibrating, that is, singing with a falsetto.

Because falsetto is made after the vocal cords are shortened, the pitch is high, but the key change is not natural enough.

Mixing is also a type of falsetto, because there are relatively few parts of the vocal cords that do not vibrate, so the timbre is between true and falsetto. The fewer parts of the vocal cords that don't vibrate, the more the mix sounds like real sounds. "Humming" singing practice "Humming" is a common action in daily life.

In principle, the humming practice in singing is no different from the humming action of the Hunger Song in life, except that the larynx is relaxed, the "hum" feeling is placed in the breathing state of sighing, and the "m" sound is prolonged without opening the mouth when vocalizing.

The benefits of humming are that the laryngeal cavity is free and relaxed and prevents guttural sounds. When practicing vocal music with vowels, most of them use "Mi Limb Hunger" and "Mom" to practice. The opera voice practice mostly uses "clothes" and "ya" to practice the voice.

If the advantages of falsetto are brought into play according to the characteristics of falsetto, the voice can be released on the basis of maintaining the singing of Heng Zheng's falsetto, so as to increase the tension of the vocal cords, and the real vocal components will be mixed to form a bright and mellow mixed vocal effect, and the vocal range will also be expanded.

Teaching Singing: How to Practice Mixing (Part I).

A falsetto is the kind of falsetto that is usually made. The mixed voice is to sing the real voice in the falsetto position, using the technique of the head voice + pharyngeal version. It can also be explained in this way:

A mixed voice is a falsetto with chest resonance, which is more solid and powerful than falsetto. For example, Mr. Lonely's soprano singing method is a very standard remix. Regarding the learning of mixed voices, you can go to Youku and search for the keyword "Ozawa Sensei's head voice teaching", it should not be difficult to learn.

Note: The pharyngeal sound I am talking about is the pharyngeal sound of popular singing, not the pharyngeal sound of Dr. Lin.

Mixing is a necessary stage of copying treble, and it takes a long time of hard work to even have a good mix, and the best time to practice is to get up in the morning, first drink a glass of hot boiled water, and then slowly hum quietly, paying attention to looking for that subtle feeling!

When you practice the mix so that you can make it sound at any time, you can continue to practice how to control it, and you can sing more along with Tao Zhe's songs!

Don't rush to practice, take your time!

The training method of maintaining the high position of the bai voice is in the whole.

It is crucial to try to keep the head cavity resonant at all times, and to keep the voice high. This is especially true in the middle and low vocal ranges of the human voice. If the high position of the sound is lost, the sound in the middle and low vocal areas will appear pale and stiff and lose its brilliance, and in the process of mixing the true and false voices of the middle voice, if the position of the sound is not high, the combination of true and false voices will not be able to coordinate freely.

Here, the head cavity resonance plays a role in fusing true and false sounds. In order to achieve that the real voice is not completely true, the false voice is not completely false, the real voice has a false voice, and the false voice has a real voice, and it is necessary to achieve the rational use of chest resonance, oropharyngeal resonance and head cavity resonance.

From the development of mixed sound to full mixing will become simple and clear, only one step in the middle to smooth out the "voice change point" to pull the head voice down and mix into the middle and low vocal area f e d c can even be lower, if you use the head voice to be able to sing low without leaking air The sound is not false, proving that your vocal cords are becoming more and more powerful in blocking and closing the voice, and the unity of the timbre of the vocal area can basically complete the conversion and handover in the voice change area, congratulations on your voice at this time has entered the full mixing mode, crack the secret of singing Jiawei, crooked chicken five, three, two!!

Many friends who love singing often ask me how to practice the mixed voice, how to solve the false mixed voice, how to train the voice change point, I generally don't use the word voice change point in the beginner stage, because I think that the voice change is just the conversion of the vocal cord function, the switch of heavy and light functions, then what we have to do is that the sound produced by the switch of heavy and light functions can be unified, if you can't achieve a unified connection, then the mixing is not established, as soon as you switch to the voice change point, the good result is that your voice is all leaky falsetto, The ability of your vocal cords is difficult to train, so how do we train it, we divide it into two channels to train, one is to train the heavy function, which is what we call the true voice, try your true voice to the greatest extent possible, until the voice change point, then at this time many people said, your voice is too tight, so the vocal cords will be broken, in fact, the tighter your vocal cords are, the safer it is, I have repeatedly emphasized in the previous course. On the contrary, relax your vocal cords to sing is more likely to be tired and hoarse, this is the conclusion of my countless experiments, at this time what we have to do is to touch your pitch, the higher the touch, although your throat is slightly raised vocal cords are elongated, but it is not false to turn off the concentrated sound, once you pull your voice above the voice change point, in fact, your voice has been invisibly mixed into your head voice "Light Function" then a few days later at this time we will in turn to practice our head voice "falsetto" You will find that your head voice will become more concentrated and powerful, and the head voice can still sing lower than before, which proves that the heavy function of your vocal cords The real voice is closed invisibly gives the head voice some power, at this time, we repeatedly practice the head voice "Light Function" for a period of time, and then come back to practice the real voice "Heavy Function" At this time, you will be surprised to find that I can actually open my throat and lower it to sing, and the high notes that were very sharp and harsh before will not become so ugly, from which it can be concluded, Between them, a real voice is formed, the head is raised, the head is lowered, and the action is mixed back and forth, and the switching training back and forth slowly clarifies your voice change points to form a non-trace bridge, until the full mix that comes out of your larynx position will no longer be biased. Of course, this method is only suitable for the vast majority of people, and the training mode of a small number of people will change.

All training is done to turn off your vocal cords for only one purpose. I wrote this film during the cold**, I hope it can help you, everyone also like Jiawei, and share more singing skills and methods with you in the future!

Teach you to practice the mix correctly. Anyone who has seen it has learned.

In fact, whether singing is good or not is mainly pitch and rhythm.

With these two points, you can only sing, but feelings are the highest level.

Art is endless, for love is the shore.

Pitch is often the ear, when you sing, in fact, the ear is more important, we often ignore the ear when singing, we must listen carefully to sing out of our own voice, in order to grasp the pitch and emotion (must have heard, people who sing with headphones, ** sound overshadows their own voice, so out of tune).

Then you have to listen to the original song more, and you must also listen carefully to the singer's voice with your ears, the human ear is born with the ability to distinguish, you have to distinguish the accompaniment and vocals from the **, and even to each layer of musical instruments in the future.

Practice your ears first, and then talk about anything else.

The vibrato is mainly through the control of the breath, so that the airflow through the throat like a wave, it produces a vibrato, some people control the airflow through the voice, this kind of singing is very outdated, called vibratogram, the amplitude is very large, unnatural.

Treble problem--- First of all, teach you a simple and easy-to-learn, high-pitched technique: hold a toothpick between the corners of your mouth and sing, don't fall off, it's easy to sing high notes. (That is, it is often said to open the inner mouth).

Everyone's vocal range is different, some people are born with a high pitch, and pitch is something that needs to be practiced, (but be careful, you can't be too tired and will sing your voice bad,)

In fact, you don't have to be too concerned about pitch, find some songs that suit your vocal range to practice, or a little bit of struggle, but you can still sing high notes.

It is necessary to turn on the voice before singing, and drinking some boiling water can help to turn it on. When the sound is turned on, the throat will not be uncomfortable.