What do you think of dialect songs? What sings in tongues

The songs of Hebei Luanping dialect are actually very ordinary, with only four notes. It's too bland, and that's the case in poor places.

Dialect is a kind of culture, and so are dialect songs, so culture will definitely be able to survive.

I think this dialect song is still very good, so I think it will always be there.

Dialect songs are a very distinctive cultural form. However, in the process of creation, we can not blindly stay in the traditional style, but can learn from the new pop culture and better accept it by young people. This is also an important measure to attract young people to inherit the dialect.

I think there are fewer and fewer people who like dialects in this society now, and it is difficult for dialect songs to survive.

If something exists, there must be a reason for its existence, and dialect songs are the same.

Since there are dialect songs, then it will definitely not die, personal opinion.

Not only should it not disappear, but it should be promoted. The culture of the Chinese nation cannot be overshadowed by Mandarin.

Dialect songs don't need to be thought about to know that they will always survive, and so many people in the world are learning dialects.

It sounds very nostalgic, and others may not understand it, but in their own hearts they understand its meaning.

It should be replaced by Mandarin songs, why I don't know, just feelings.

Everyone is learning Mandarin, who will learn dialects, it will definitely disappear.

It may disappear, or it may always exist, mainly depending on whether anyone learns it.

I feel like some of it will disappear, but naturally there will be some of it, hehehe.

Loves songs in dialects. Cantonese, Hokkien, and Shaanxi songs are all very good.

When Cantonese pop songs are streaming all over the world, your Mandarin dialect songs have never left the mainland.

Please refer to: For a song to be sung for a long time and spread around the world, it must be understandable in language. If it is a song in pure dialect, it is not easy to spread because the locals can understand it, but the outsiders can't understand it.

a) Northeast folk songs; 1.Guo Song sang "Ussuri Boat Song", "Lost Ring" and so on. 2.Xu Guizhu sang "Rock Blue Song".

2) Hunan folk songs: 1He Jiguang sang "Dongting Fish and Rice Township" and "Carrying Tea to Beijing". 2.Ye Mao sang "Liuyang River".

3) Shandong Folk Songs: 1Wei Youqin sang "Yimeng Mountain Minor". 2.Wang Yinxuan sang "Who doesn't say my hometown is good".

4) Hubei folk songs: "Dragon Boat Tune" sung by Jiang Yiting and Chen Ying

5) Jiangsu folk song: "Jasmine" sung by Liu Jin'e

6) Shanxi folk songs: "Five Brothers Herding Sheep" sung by Yi Enfeng

7) Northern Shaanxi folk songs: "Driving the Spirit" sung by Feng Jianxue.

8) Xinjiang folk songs: "Lift Your Hijab" and "The Girl of Dahan City" sung by Kerim.

The Beijing natives are a song that speaks Beijing dialect.

Squeezing the bus is Nanjing.

My good wife.

It's Guilin.

There are a lot of folk songs that are sung in tongues. The local characteristics are relatively strong, and the regional characteristics are obvious.

For example, Hakka mountain songs are naturally in Hakka. There are also some local operas, which are also in dialects.

There are also songs of ethnic minorities, and the original songs are basically in dialects or minority languages.

In the past two years, the "original ecology" has been mentioned a lot, you can check it for reference.

Hong Kong songs, some songs from Taiwan and some places in Fujian, are also in dialects, Hong Kong uses Cantonese, and Fujian and Taiwan use Hokkien dialect.

Such as Yangzhou's uprooting reeds and firewood flowers.

Cantonese songs are typical dialects.

It's more. The black sa bands in Xi'an are all dialects.

Maybe it's because I'm lonely and unheard, but I always feel that the current domestic ** is basically only based on Mandarin songs and Cantonese songs. Although there are so many dialects in China, it seems that songs in other dialects are not very popular except for Cantonese songs (of course, there are also songs in Hokkien and so on, but there seem to be relatively few of them).

I don't see any inheritance between dialect pop songs and local traditional folk songs. It was basically developed under the influence of pop songs. The content is also relatively diverse, probably mainly in the following categories:

Nostalgia: Dialects are closely related to the region, the so-called vernacular. Now there are not a few ** people in other places, and the dialect songs created will also reveal some longing for their homeland.

And I also think that the nostalgia for the past time is a kind of cultural nostalgia, and the representative works are "Shanghai Childhood" and "Sea Breeze" by Ding Ma. If you have a sense of closeness to the dialect, it will be easy to resonate, but for those who are not familiar with the dialect of singing, there will be a sense of distance. Scenery:

Singing songs about hometown people's hometown, although there are also songs like Heisa's "Shaanxi Food" for outsiders, but the target audience of more songs is still locals. For example, "Drinking Wontons", which is widely circulated here in Nanjing, opens with a "Ah want chili oil?" Nanjing people naturally smile when they hear it, but outsiders don't feel anything when they hear it.

I once listened to "Drinking Wontons" to a friend in Wuhan, and the response I got was that the Nanjing dialect is so ugly......And the southern dialect is difficult to understand without reading the lyrics, for example, there is a respondent mentioned "Changsha Ce Changsha", I listened to it and found that the Changsha dialect in my impression is actually just Xiangpu. Wujo people's "Shangxian County" sounds very happy, but the words are completely incomprehensible. Such a song must also have love for the region to like it.

Otherwise, I don't even understand what I'm singing at all. Dialect cover: just change the pronunciation of the lyrics to dialects, and there are still traces of the original lyrics.

For example, "Exploding Liu Jifen" and "Walking Away in Style" by Second-hand Roses, these songs are ......There is often a sense of mystery and cuteness.,It's easy to contrast with the original.。 But this kind of song often relies on the popularity of the original song, and it will be interesting to listen to it occasionally, but it is just to listen to it occasionally. Dialect Ballads:

A variant of folk songs, I think that some dialect songs are written in the dialect background dialect, and the aesthetic orientation behind it is similar to that of folk songs.

The current situation of Chinese dialect songs today should be the most powerful Cantonese songs, and I think this is inseparable from China's regional differences, culture, economy, and history.

I think that the local songs are all original and vernacular, and they can't keep up with the pace of the times, so it's hard for people to understand. For example, the local songs and operas are particularly difficult to hear, and there is no market and no room for development.

Decayed! Outdated! Marginalized!

The popularization and promotion of Mandarin has promoted the high popularity of universal language songs, and the current status quo of dialect songs: the audience is decreasing, the creators are also decreasing, and it is becoming more and more difficult for good dialect songs to be created, because the number of people using dialects is decreasing, resulting in a decrease in the audience on the one hand, and creators on the other hand. The audience's choice is expanding, and the living space of dialect songs is shrinking. Because the audience of the market is unchanged, and the advent of the Internet era, dialect songs should not only be compared with Mandarin songs, but also with songs in other languages around the world, on the other hand, because of the popularization and promotion of Mandarin, the universality of Mandarin has been more prominent, squeezing the living space of dialect songs, creators, investors, audiences and communicators The concept is changing. However, the square inch can be transmitted to other places, and later it is not necessary to materialize, just go directly to the network, with the above phenomenon, it is the huge profit of market-oriented commoditization, so there are more and richer intermediaries, and the vast majority of investors sing songs are for economic interests, and after the dialect song market is shrinking day by day, the profit is small or even gone, and the dialect song is even less, and the creator can't make a lot of money or can't make a living, so he changes careers, and some audiences and communicators think that only old antiques listen to dialect songs, It is the grandparents who listen to this kind of song, and the concept of the above part of the audience may lead some young dialect song audiences to respect others and their own preferences.

In China, the common language of communication is Mandarin, which can be said to be a big reason for the restriction of dialect songs. Most of the dialect songs have the characteristics of narrow familiarity, low popularity, and too traditional. And today, in the 21st century, we have more advanced ideas, our hearts are full of our own ideas, we may want to know many dialects and traditions, but we want to let these traditional things be expressed in our own way.

If dialect songs are to be more widely celebrated, they should not forget to innovate while maintaining tradition.

I think dialects are still very important, this is Chinese culture, how can we inherit it without culture? The song culture has been up and down for 5,000 years, and there are many very good dialect songs, such as northern Shaanxi folk songs, Yimeng minor tunes, etc.; We should protect it.

For dialect songs, I think the current ones are roughly as follows: Cantonese: songs with a light and lively rhythm; Hokkien: Born with a slightly sad and confiding expression; Hakka: Folk songs are very good.

The current situation of dialect songs is that Cantonese songs are the strongest, Hokkien is second, Hakka is again, and the rest basically have no sense of existence, so it is not easy to compare. My feeling is: Cantonese is best for singing high-pitched songs; Hokkien songs tend to be weird; Hakka songs are softer, but they are not as smooth as Wu language, and I always feel that I can't get out of my breath.

At present, the only dialect songs that can be popular in the market are Cantonese songs, which is due to the prosperity of Hong Kong and Macau. Looking at other provinces and regions, dialect songs have not been able to take a share of the mainstream ** market, and even almost buried. There may be several reasons for this:

Dialect songs come from a certain region or a certain ethnic group, and it has its own unique culture and connotation, so it leads to a small audience. Nowadays, many people think that dialects are "local dialects", which are backward, vulgar, and earthy, which leads some people to not accept such "vulgar" songs. The impetuousness of the mainstream market, a large number of saliva songs are rampant, and countless ** people are looking at money.

For them, doing ** is the way to become famous and make money. Really high quality** is not many people willing to do it anymore.

1 Folk songs are a form of song with local characteristics formed in the historical development of a place, and there is no special emphasis on the use of song standardization.

Format. And the dialect lead version of the song emphasizes this.

2 Folk songs are mainly circulated in a small area, and are generally confined to the area of county-level units. The dialect version of the song can cover at least part of the dialect area or the entire dialect area.

In general, the so-called dialect areas are much larger than the county areas. At present, it is more present to spread within the Internet, and can even break the geographical restrictions of dialect areas.

3 Most of the folk songs are Pu Huai Kaisu, which mainly reflect the labor life of the local people. While highlighting the originality, the dialect version of the song focuses on the dialect adaptation of classic old songs, current pop songs and other influential songs, which are mostly entertaining.

China's thousands of years of history, the change of dynasties, the multiplication of cultural races, and the emergence of many dialectsAnd to say that the most popular is the vernacular of Guangdong Province, that is, Cantonese, the Cantonese songs are very good, and there are many classic songs that no one can surpass

Each place has its own dialect, and in addition to Mandarin, there are eight other major dialect systems in China - Northern Dialect, Wu Dialect, Hunan Dialect, Jiangxi Dialect, Hakka Dialect, Northern Fujian Dialect, Southern Fujian Dialect, and Cantonese Dialect. Dialect is the unique cultural heritage of each place, with historical heritage, can represent the cultural characteristics of a place, almost every dialect has its own cultural expression, such as Huangmei Opera, Cantonese Opera ......And so on, in Cantonese,As the largest dialect used now, it maintains a gentle intonation, which makes people listen very comfortably, with nine tones and six tones, represented by Guangzhou dialect, with 22 initials and 94 finals, which is a dialect closest to ancient Chinese in China.

There may be hundreds of millions of Cantonese speakers around the world, even if many people are not very familiar with Cantonese and find it difficult to pronounce it, but in the 80s and 90s, the four kings who dominated the music scene had their Cantonese songs so popular that they couldn't sing and hummed two sentences. Cantonese is sung as a song, which is gentle and moving, with a rhyming charm of its own, which is not inferior to Chinese songs. Leslie Cheung's "Song of a Thousand Thousand Que", Huang Jiaju's swan song "Sea and Sky", and Jacky Cheung's classic "Meet You Again" ......Chen Huixian, Chen Baiqiang, Anita Mui and countless other singers use classics one by oneIntoxicated by that unique tone, Cantonese songs occupy an unshakable position in the music scene, sung at home and abroad, and become an unsurpassed existence.

Cantonese and Cantonese are incomplete in five tones and six rhythms, unclear in speech, the tongue and indistinguishable from homophones, which is not an authentic traditional Chinese culture, a garbage language, which cannot be expressed in words, and is an unwritten local culture.