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"Critical Regionalism", as Professor Frampton's discourse, is an illustrative discourse of neo-regionalism, which makes the tendency of neo-regionalism truly distinguish it from the romantic regionalism of the 19th century, the dangerous nationalism of the 20th century, and the superficial nationalist tendency.
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Regionalism refers to the design trend of architecture that absorbs the ethnic and folk styles of the region and reflects certain local characteristics in the architecture. Broadly speaking, the meaning of regional architecture is broad, and the spatial and geographical nature of architecture determines that any building has a regional character.
Critical regionalism architecture is based on the specific natural characteristics of the region, the cultural spirit of the construction of the region, and the use of appropriate technical and economic conditions.
In the 18th and 19th centuries, the British landscape painting and gardening movement pursued"Local spirit"It is an early Western regionalism, but it is a kind of romantic regionalism full of nostalgia"It is a cultural reflection of the political movement of the 19th century that emerged from the absolutist aristocracy of the declining eradication"But it"What develops is in fact a kind of nostalgic and memory architecture, in which the viewer experiences an almost hallucinatory engagement with the past. "
Before World War II, it was either with Cartesian rationality and abstract tendencies"Modern architecture"Movements, global victorious industrial production, and ruthless economic exploitation have led to a large number of boring, impersonal buildings that have destroyed the urban fabric and led to the impoverishment of the urban fabric.
In 1924, Mumford had the foresight to save territorialism from the evils of commerce and chauvinism, and to reconnect it with the economic and environmental costs of waste and misuse of resources and materials. In 1951, Mumford made a strong critique of Hitchcock, the spokesman of the international style, and Gideon, the theorist of modernism; For the first time, a group of contemporary American regionalist architects, primarily San Francisco, were identified and listed"Bay Area School", including Maybeck and Wood; It was believed that it brought a local vernacular and humane form of modernist architecture, much more sophisticated than the international style that prevailed at the time. The main reason for the shock caused by this article and at the time was that it was proposed for the first time that a regionalism could replace the international style.
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Critical regionalism acknowledges the development of real life and technology, but emphasizes the mandatory application of technology; It also respects the context, environment, history and culture, but opposes eclectic architectural styles; A critical attitude towards the Pisan modernist movement was not the total rejection of some historicism and neoclassicism. Critical regionalism is a dialectical open-mindedness, so it can be argued that as long as other isms meet the prerequisites of subordination to the native culture, they can be accommodated by the critical regionalism and produce different tendencies within it. It is a philosophical tradition that inaugurates a process of continuous reflection and self-criticism in Western philosophy away from the given truth and on its own.
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