What is Gongbi and what is Gongbi Technique?

Gongbi painting: The painting method is relatively neat and rigorous, and the accurate image of the painted object is the criterion. Generally, the manuscript must be drawn first, a complete manuscript needs to be revised repeatedly to finalize, and then there is a rice paper or silk with alum, first outlined with a small pen of wolf hao, focusing on the beauty of the lines, meticulous, and then with the color of the class, layer by layer rendering, is the characteristic of fine brush painting.

So as to achieve an artistic effect with both form and spirit. Relative (freehand painting is based on the principle of depicting the general idea of the object being drawn). Such as Chen Zhifo's autumn harvest picture.

Bian Luan, an outstanding representative of flower and bird painting in the Tang Dynasty, can paint the active state of birds and the bright colors of flowers. The "Peony Picture" is bright and colorful, and it is wonderful. If you look closely, you can be sure that the painting is a peony at noon, and it turns out that the cat's eye in the picture has a "vertical line" visible.

For example, the painter of the fifth generation, Huang wrote the flower feathers because of the vividness of the brushwork, and was regarded as the real thing by the goshawk and attacked, which can be seen in the "Pilgrimage Famous Painting Review": "Guangzheng Zhongming and his son Gu Nong, painted the landscape of the four seasons and the birds and flowers in the Bagua Palace, which is extremely exquisite. It will go out hunting in the winter, because according to the eagle dog, during which an eagle, the one who raises his arms can not be controlled, so he indulges it, and goes straight into the hall to thin the feathers he painted.

Gongbi painting was already popular in the Tang Dynasty. Therefore, the reason for the outstanding artistic achievements is that on the one hand, the painting techniques are becoming more and more mature, and on the other hand, it also depends on the improvement of the materials of painting. Gongbi drawings must be drawn on rice paper that has been processed with alum.

In the early Tang Dynasty, due to the improvement of silk materials, the development of gongbi played a certain role in promoting, Gu Midi's "History of Painting" contained: "Ancient paintings to the early Tang Dynasty are all silk, to Wu Sheng, Zhou, Han Hu, and later are half-cooked in hot soup, into the powder pounded silver plate, pretending to be a figure, wonderful into the pen." ”

Gongbi technique refers to the use of neat and meticulous brushwork to depict things in literary works. Gongbi originally paid attention to the depiction of details (different from "freehand"). Such as:

It's a very good painting. The opposite of "Gongbi" is "Freehand", commonly known as "Broad Brush", which is also the name of Chinese painting techniques. It is a painting method that focuses on the attitude of the depicted object through concise and indulgent brushwork.

When the technique uses the fine brush method to describe the portrait of the person, it is necessary to grasp the main characteristics of the person's appearance, highlight the key points, and convey the spirit with the form, not exhaustively. When describing the main characteristics of a character's appearance, it is necessary to describe it from multiple angles and aspects to reflect the characteristics of the character's thoughts, character, and character.

The use of fine brushwork to describe the portrait of the character should be delicate and specific to portray the appearance of the character, so that the reader can emerge a color of the character in his mind.

Gongbi strokes are also known as "fine strokes". It belongs to the category of Chinese painting techniques of ode to regret, and is symmetrical with "freehand painting".

Gongbi painting belongs to the neat and meticulous type of painting. The requirements of gongbi painting for the line are neat, delicate and rigorous. Generally, there are many strokes in the center.

In the long-term historical development, a set of strict technical systems have been established, thus forming the unique style and appearance of this painting body, and its characteristics are summarized as follows: line modeling is the characteristic of Chinese painting techniques, and it is also the foundation and backbone of Gongbi painting.

Gongbi painting is mainly based on inherent colors, and the colors are generally gorgeous, calm, bright and elegant, with a unified tone, and have a strong aesthetic interest in Chinese national colors.

"Gongbi" is a concept corresponding to "freehand", and in simple terms, He Yin uses neat, meticulous and meticulous techniques to depict objects. It can be roughly divided into four categories: Gongbi white drawing, Gongbi light color, Gongbi heavy color and boneless gongbi.

From the content of the performance, it can be divided into: landscapes, flowers and birds, and characters.

Gongbi painting, also known as "fine brush stroke", belongs to the category of Chinese painting techniquesGongbi painting is symmetrical with "freehand painting".Gongbi painting belongs to a neat and meticulous type of painting, such as the courtyard painting of the Song Dynasty and the figure painting of Qiu Ying of the Ming Dynasty.

Gongbi to make a sentence: <>

1. Or is it a volume of fine brushwork? "A tree with thousands of branches in the spring breeze, tender in gold and soft in silk. "The spring breeze is gentle, the willows are painted, I don't know whose slender hands, the thousands of willow silk dyed verdant, tender yellow?

On the ancient bridge after the rain, the fragrance is plain and elegant, looking up at the mottled pine branches, the moon is bright and the stars are scarce.

2. If the city of Suzhou is like a finely carved painting scroll, then it is like a freehand landscape sketch.

3. The author uses both brushwork and freehand techniques to show a male emperor pheasant holding his head high on the slope of a micro-Zen hall in the national park, as if he is showing off the imperial posture of the female pheasant, and the image is vivid and expressive.

4. The painting is a typical Song Dynasty courtyard painting, which is a masterpiece in Gongbi heavy color painting.

5. The traditional creation of gongbi heavy color figure painting mostly pursues accurate outlining and elegant coloring.

6. The jade of the two Song Dynasty is mostly in the auspicious pattern of the dragon and phoenix, and it attaches great importance to the demeanor because of the influence of the fine brushwork.

7. In this paper, we will make a specific analysis of traditional Chinese gongbi figure painting, Chen Hongshou figure painting and Zeng Whale figure painting.

8. Yu Feiyan is an important representative painter of contemporary Gongbi flower and bird painting.

9. "The people in the courtyard are also superb", Liu Songnian's gongbi figure painting can be said to be a microcosm of the Southern Song Dynasty figure painting, representing the highest level of his era.

10. Chapter 4** "Comparison between the Past and the Present" is the guiding significance of Chinese Gongbi figure painting.

Gongbi painting is made with meticulous brushwork, and Gongbi painting emphasizes the beauty of lines and meticulousness, which is the characteristic of Gongbi painting. Freehand painting is to pay attention to the feeling of the soul, the pen walks at will, as the brush, freehand painting does not pay attention to the line, attaches importance to the image, and the fine of the brush is contrary to the fine. Vividness is often better than the former.

Gongbi, as the name suggests, is the use of neat, meticulous and meticulous techniques to depict objects. Gongbi is divided into two categories: Gongbi white drawing and Gongbi heavy color. Gongbi white drawing is to depict the object entirely with ink lines, without color.

Originally, the white drawing was probably used for drafting, but the Song Dynasty painter Li Gonglin developed it into an independent type of painting.

Data Extension:

Figure painting has the longest history, below the Jin Dynasty, Gu Lu Zhanzhang are all great masters, Tang Yan Liben has written the portraits of the emperors of the past dynasties, the painting method is exquisite, the color is heavy, in addition to the character clothing, but also to show its character temperament, is to lay the perfect mature situation of Tang Dynasty figure painting.

So far, Wu Daozi, Han Gan, and Zhou Fang have all attained extremely high attainments; To the Song Dynasty, Li Gonglin used the white drawing method, and the brushwork was dense and meticulous; It is still a fine brush painting; Ming Qiu Ying imitates the ancient but not the mud ancient, with a unique elegant and gorgeous style. Its painting method is positioned first, outlining the outline, filling in the colors respectively, the pink and delicacy are interactive, and the heavy colors such as green cinnabar must be applied to five or six layers to be even, and then the yin and yang are dyed to the back with juice green and west red, and then the outline lines are hooked.

Even gold and silver are applied to achieve a gorgeous and solemn look. The art literature of Wang Aijun of the Junyou Association records that the ancient Chinese Gongbi landscape painting was the first to recommend the Tang Dynasty and General Li, and then there were masters in the following dynasties, and the painting style was golden and brilliant, and it was still the method of filling in the outline; Only the same as the figure painter, for the most magnificent. However, it is easy to depict the ear.