How can the quintessence of Peking Opera be integrated into the current era?

As early as the last century, Mr. Mei brought Peking Opera out of the country to connect with the world!!

In order to integrate into the poor and backward children, Peking Opera performers cannot only perform in big cities.

Peking Opera is the quintessence of China, but with the development of society, the art of Peking Opera is facing the challenges of the times. The reform of Peking Opera should not be carried out at the same time as "advance" and "retreat". We must not only innovate and take root in life, but also preserve and worship high-quality products.

Young people don't like to watch TV. If we don't preserve the tradition, the charm of Beijing's works will become less and less. You believe that the development of Peking Opera, continuous innovation and reform, and the inheritance and development of Peking Opera must be combined with its own characteristics, grasp the trend of the times, boldly absorb modern elements, and conduct extensive discussions with the new ** as the carrier.

Peking Opera is different from the crucified word. From the day he was born, this was temple art. It is a very noble art that can only be enriched.

Only by allowing professional theaters and crews to engage in professional activities did modern development, social progress, and the powerful functions of computers, television, and mobile phones occupy the market share of Peking Opera. 2- Lack of innovation. Many plays have been performed on stage for decades.

In the era of entertainment and fast food culture dissemination, as the essence of Chinese opera, how to seek its own development path and how to occupy a place in the cultural market is a long-term problem that we Peking Opera people have been thinking about and thinking about for a long time. No matter how well the play is performed, no matter how wonderful the essence of Chinese opera is, this old man can pass on the original flavor to hundreds of generations. However, it is only through dissemination that the dissemination of art in Beijing can be realized.

Beijing's artworks are treasures in the treasure house of Chinese culture, known as "national opera" and "national quintessence".

The development of Peking Opera in China is one of the few countries with thousands of years of traditional culture. Peking Opera, now known as the "essence of Chinese culture", was formed in modern times, but its cultural source is in China. A special artistic category is the master of Chinese works, which contains inheritance and development.

With the development of the times and the progress of society, the powerful functions of computers, televisions and mobile phones have occupied the market share of Peking Opera. 2- Lack of innovation. Many shows have been performed on stage for decades or even centuries.

No matter how exciting the game is.

How can Peking Opera be promoted and developed? The key is to make the audience love, and the audience here is not only the current Peking Opera lovers, but a wider range of young people. Peking Opera can only develop if it attracts more people.

In order for the majority of young people to like it, it can't just rely on holding a concert to sing a few excerpts, let alone relying on Beijing songs, nor can it just rely on meeting the needs of a few so-called insiders and predecessors, and bury themselves in excavating traditional operas, so that Peking Opera can only become a less and less niche art. If Peking Opera wants to develop, it must be popular with the audience, and the only way to win the audience is to dare to face the laughter and scolding of some conservatives, and have the courage to innovate and innovate for the survival and development of Peking Opera! It is necessary to be close to life, close to the times, and learn from the last century.

The experience of the 50s and 60s, the creation and adaptation of excellent traditional operas, the creation and compilation of a large number of modern operas, only at that time to bring forth the new, a hundred flowers bloom, Peking Opera can have vitality, Peking Opera can be loved by the audience!

I think we should cultivate people's interest in watching Peking Opera, as long as people are willing to watch it, it can develop better.

I think we must vigorously promote Peking Opera, and young people who have lovers of Peking Opera can learn Peking Opera, so that they can inherit and develop.

I think it should cultivate people's interest, people like to watch it, and there will be a market for it.

There are many theories about the historical origin of Peking Opera, first of all, there are two theories in terms of its formative year, one is that it has been 150 years, and the other is that it has been 200 years. Until now, there is no scientific identification time, and in terms of its formation, Peking Opera is a product of the fusion of the two genres of Hui and Han operas in Beijing. However, both types of dramas have their own emphasis, and Han tunes actually occupy a more important position.

It should be that in ancient times, many people liked to listen to opera, and then it slowly developed into Peking Opera, and then our country paid great attention to craftsmen, so Peking Opera became our quintessence.

This kind of culture has experienced a lot of ups and downs in the development process, with the development and change of society, it has integrated many modern elements, and there are also many works that are popular with it.

Peking Opera sings some stories, and it also reflects some things of the dynasty at that time, so Peking Opera is deeply loved by people, so it will develop.

(1) Because Peking Opera absorbs and integrates the advantages of multiple opera genres and tunes, it is the most popular and widely popular opera genre of Chinese, and has been recognized and liked by all countries in the world, and has a dazzling brilliance reflected by the traditional Chinese cultural heritage. It is a dynamic literary theater that skillfully integrates literature, art, dance, lyrics, and performance, and is one of the best dramas in the world.

2) Peking Opera is better than blue.

First, because it is a new drama genre that has only been developed in the past 200 years after the formation of various drama genres, it is easy for her, like a new urban planning, to open and close the comprehensive layout of the strong points and avoid the weaknesses, and can well merge and integrate and absorb the nutrients of each drama, so she can stand out and dominate among the many dramas.

Second, because at the beginning of its formation, it entered the Beijing court, which made its development and growth different from that of local dramas, so that he had a relatively broader vision for the whole country, and naturally required it to express a wider field of life, more types of characters to be shaped, stricter requirements for the comprehensiveness and integrity of its skills, and higher aesthetic requirements for it to create a stage image.

After 50 or 60 years of integration, it evolved into Peking Opera, which is the largest opera genre in China. The repertoire is rich, the number of performing artists, and the troupe's "Peking Opera" embodies the essence of traditional Chinese culture.

4) The biggest feature of Peking Opera is that the portrayal of characters is prominent, and love and hate are clear. The characters' loyalty and treachery, good and evil, beauty and ugliness, love and hatred, are all very clear, expressed with black faces, white faces and red faces, and performed with exaggerated and meaningful expressions.

Peking Opera is the quintessence of China, which has a history of more than 200 years.

In the 55th year of Qianlong in the Qing Dynasty, that is, in 1790, the four major Hui troupes entered Beijing and merged with the Kunqu opera, Han opera and other operas in the Beijing theater to form Peking Opera, forming the largest opera genre in China.

Peking Opera is a comprehensive performing art that integrates singing, reading, acting, playing and dancing.

Each image is vivid and lifelike. Peking Opera was introduced to Tianjin from Beijing during the Daoguang period of the Qing Dynasty, and during the Tongzhi period, Tianjin Peking Opera began to flourish. Tianjin is one of the birthplaces of dramatic art in northern China, and is known as the "great wharf where the north meets the north" of opera.

There used to be a common saying in the pear orchard world, that is, to learn art in Beijing and sing red in Tianjin, so that you can go to various docks to break through, and only after passing the Tianjin pass can you be recognized as a good horn. Therefore, at that time, various genres of Peking Opera came to Tianjin to perform, and Tianjin became an excellent stage for them to show their talents. There are almost no famous artists in the Peking Opera industry who have not been to Tianjin to show their style.

On the stage of Tianjin, there are many famous Peking Opera artists, such as Liu Qiansan, Sun Juxian, Zhang Jiyun, Li Huiliang, Zhang Chunhua, they are all very important figures in the history of Peking Opera.

Foreigners call that Peking Opera Beijing Opera

I've never seen the five-color oil paint, so I painted it on my face."

Cuties, remember a tweet you pushed in June?

Nagging Opera Culture: Take you to appreciate the charm of Chinese opera boots".

In the above article, I briefly introduced Peking Opera.

You must know that Peking Opera is one of the five major opera genres in China.

But it is regarded as the quintessence of China! The opera tripod is the "top of the list"!

So why? Yue Opera, Henan Opera and other dramas expressed dissatisfaction!

Ladies and gentlemen, there are various reasons for you to look down! ▼▼

The origin of Peking Opera.

You must know that in the 5,000-year history of China, there are 3,000 years without opera, and the early opera elements originated from the ancient society's rituals to ward off disasters and evil spirits, pray for blessings, sacrifices, and witch dances of witch gods.

In the Tang Dynasty, Tang Xuanzong Li Longji opened a teaching workshop in a place called Liyuan (place name) to teach everyone, and accumulated a large number of scattered opera works and ** dances of various nationalities, laying a solid foundation for Peking Opera in later generations, and giving many opera people an elegant name - Liyuan children.

After experiencing the precipitation of Song and Jin, the first form of classical Chinese opera was finally formed in the Yuan Dynasty, Yuan Miscellaneous Opera, which included singing, reading and doing drama styles, opening the beginning for Peking Opera.

After the Ming Dynasty, on the basis of Yuan miscellaneous opera, an opera art form called "legend" was born. Because the legendary opera developed from the Southern Opera, it is also known as the Southern Opera Opera, which was the main form of opera in China during the Ming Dynasty.

Finally in the Qing Dynasty, when the Qianlong Emperor was given a birthday, Gao Langting, the famous Dan of the "Anqing Hui" opera troupe, was ordered to rate the "Sanqing class" to Beijing to celebrate his birthday, and then, "Sixi", "Chuntai", and "Hechun" also followed, and were collectively called the "Four Great Hui Classes".

The performance was an unprecedented success, and after the end, the "Four Great Hui Troupes" also stayed in Beijing and transferred to the folk opera stage. Due to the frequent cooperation with Chinese artists in Hubei, through continuous learning from each other and the influence of the Beijing language, finally a new type of opera with (Xipi) (Erhuang) as the main vocal cavity - "Peking Opera" was born!

The trade of Peking Opera.

The characters on the stage of Peking Opera do not appear according to the original appearance of people in life, but according to the gender, personality, age, occupation and social status of the characters played.

In addition, some artistic exaggerations are added to makeup and costumes, so that the characters on the stage are divided into four types: raw, dan, pure and ugly. The special noun for these four types in Peking Opera is called "Xingdang".

Sheng: refers to men, and is divided into Su Sheng (Lao Sheng), Red Sheng, Xiao Sheng, Wu Sheng, Doll Sheng, etc.

Dan: refers to women, Dan Xing is divided into Tsing Yi, Hua Dan, Wu Dan, Dao Ma Dan, Lao Dan, Tie Dan, Boudoir Dan and other roles.

Clean: refers to a man with a strong or rough personality, and the net angle refers to the face of the flower-faced character who paints a color map, which does not seem to be clean, so it means "clean" instead.

Ugly: refers to the funny character, smeared with white powder on the bridge of the nose, called a clown, a small flower face, etc., ugly.

Peking Opera is known as the "quintessence of the country", and when it comes to the "quintessence of the country", we have to mention the "national drama movement" in the history of modern drama. In 1926, a group of students studying in the United States, including Zhao Taiyun and Yu Shangyuan, founded the "Drama Magazine" in the supplement of Beijing's "Morning Post" presided over by Xu Zhimo, and first advocated the "National Drama Movement".

They advocated the establishment of a "new Chinese opera" by sorting out and using old operas, and advocated carrying forward the "pure art" tendency of traditional opera in terms of theatrical concepts. In 1931, opera theorist Qi Rushan, Peking Opera actors Mei Lanfang and Yu Shuyan, and cultural celebrities Pu Xu (Qingyi Jushi), Zhang Boju and others initiated the establishment of the Beiping Chinese Opera Society, which successively published the "Drama Pictorial" and "Chinese Opera Pictorial", and founded the Transmission Institute.

Although the "national opera" they advocated at that time was not only aimed at Peking Opera, but also referred to traditional Chinese opera, including Kunqu Opera and Bangzi, it can be seen that after the "May Fourth" Movement, Peking Opera has been on a par with Kunqu Opera, Bangzi and other long-established opera genres in China, and has an equally important position. This is because the art form of Peking Opera is more systematic, more complete, and more universal than other local operas, representing traditional Chinese drama in the past 100 years.

Since among the more than 300 kinds of Chinese opera, Peking Opera can represent the universal form of traditional Chinese drama, and integrates the artistic achievements of many regional opera genres in China, and is the most influential opera genre in China, it is not an exaggeration to call Peking Opera "national opera". To this day, Taiwan and other places in China still habitually call Peking Opera "national opera".

The quintessence of Peking Opera. The development of these years has not been very good, compared to those popular songs.

If you want to continue to inherit it in the future, you need to make more efforts to comprehensively promote and popularize it, only in this way will more people fall in love with the quintessential Peking Opera.

The quintessence of Peking Opera is no longer the mainstream in the hearts of young people

Nowadays, pop songs and rock have become the favorites of more young people, in contrast, the development of the quintessence of Peking Opera seems to be a bit lonely, and even more and more young people have lost their basic understanding of these classic skills. If it is not fully popularized and promoted, then in the next few decades or even hundreds of years, Peking Opera may be forgotten. In order to avoid this phenomenon, everyone should make more efforts now to contribute to the quintessence of Peking Opera, and you can try to understand these classic operas.

How to make the quintessence of Peking Opera better inherited? Young people need to work together

If you want to better inherit the quintessence of China and Peking Opera, the first thing to do is to build self-confidence, and you can also listen to more adapted works, such as Wang Baochuan, who was popular before.

and Xue Pinggui is very classic. In the face of the current situation, everyone has to admit that the peak period of the quintessential Peking Opera has long been submerged in the long river of time, and it needs strong support from the state to continue to inherit it.

Nowadays, many young people are reluctant to listen to the quintessence of Peking Opera, preferring to listen to pop songs, which may also be due to the influence of some Western culture. To put it simply, there is a bit of cultural invasion.

meaning. If you can try to understand Peking Opera, you will fall in love with it unconsciously, because Peking Opera itself is very charming. The story, characters, styling and singing are all particularly interesting.

If you want to inherit the quintessence of Peking Opera, you can also try to improve it and change the song to a style that modern people prefer, and maybe more people will accept this classic singing method. In short, if you want to make the development of the quintessence of Peking Opera better, you need to work harder.