What are the important contributions of the Montage School

Don't look for it, classmate, it's going to be handed over later.

Montage was originally an architectural term meaning composition, assembly, and after the invention of film, it was extended to "editing" in French.

Montage is a transliterated loanword, originally an architectural term meaning to compose and assemble, and after the invention of film, it was extended to "edit" in French.

In 1923, Eisenstein published an article "Attraction Montage" in the magazine "Left Literary and Art Front", which was the first to extend montage as a special technique to drama, and later extended to film art in his film creation practice, creating the theory of film montage and the Soviet school of montage.

Composition of the montage:

Montage generally consists of two aspects: picture editing and picture compositing. Picture compositing: A unified picture work formed by the juxtaposition or disposition of many pictures or patterns.

Picture editing: The way or process of making this artistic combination is to arrange and combine a series of shots of the film in different locations, from different distances and angles, and in different methods, to narrate the plot and portray the characters.

The <> school of montage appeared in the Soviet Union in the mid-twenties of the twentieth century, represented by Eisenstein, Kulishov, and Pudovkin, who sought to explore new means of film expression to express the revolutionary film art of the new era, and their exploration mainly focused on the experiment and research of montage, created a systematic theory of film montage, and applied the theoretical exploration to artistic practice, creating "Battleship Potemkin", "Mother", "Land" and other exemplary works of montage art. constitutes the famous school of montage.

Montage is a general term for the form and method of composition of films.

Montage is a transliteration of the French language montage, which was originally a term in French architecture that means composition and assembly. Later, it was borrowed, and by extension, it was used in movies to edit and assemble, indicating the assembly of shots.

To put it simply, montage is to shoot a film into many shots according to the content of the film and the psychological order of the audience, and then connect them according to the original concept.

Kulishov. Montage is a transliterated loanword, originally an architectural term meaning to compose and assemble, and after the invention of film, it was extended to "edit" in French.

Montage technique.

In 1923, Sergei Eisenstein published an article "Attraction Montage" in the magazine "Left Literary Front", and Feng Penitential Shed (old translation of "Juggling Montage") was the first to extend montage as a special silver technique to drama, and later in his film creation practice, it was extended to film art, creating the theory of film montage and the Soviet school of montage.

Ethsens. In the twenties of the twentieth century, Eisenstein borrowed the word montage from the French language montage and extended it to English in order to introduce montage (Russian: theory) outside the Soviet Union.

The creative effect of montage is expressed in time, space, emotions and thoughts.

Time Montage:

One common type of montage is time montage. By editing and combining images at different points in time, time montage is able to jump, compress, or extend the passage of time, creating a non-linear narrative structure and sense of time.

This type of montage is often used in flashbacks, dreams, or flashback scenes, deepening the layers and complexity of the storyline through the dislocation and interlacing of time.

Space Montage:

Spatial montage is another common type. By editing and combining footage from different locations and scenes, spatial montages are able to jump, traverse, or perceive different spatial locations at the same time. This type of montage is often used to show connections and contrasts between different locations and people, creating a rich and varied sense of space and visual effects.

Emotional montage:

Emotional montage is a genre that expresses emotions and emotions through editing and image processing. Through quick editing, overlays, visual effects, and more, emotional montages can create an emotional atmosphere that is tense, intense, exaggerated, or abstract. It can arouse strong emotional resonance and experience from the audience through the transformation of the lens and the control of the rhythm.

Thought Montage:

Thought montage is a type of thought montage that conveys ideas and themes through a combination of clips and frames. Through the contrast of different images, the superposition of images, or the use of symbolic symbols, thought montages are able to reveal deep thoughts and perspectives. It is often used to explore larger themes such as society, politics or human nature, conveying complex reflections and revelations through the contrast and combination of images.

Features of Montage:

First of all, it is a tool for editing and techniques that rely on the timeline of the film and the editor. Montage creates the overall structure and presentation of the film through the selection, arrangement, and connection of different segments.

Footage of locations and angles:

Secondly, montage is a kind of re-construction and alteration of time and space, which can present the audience through editing and combination of images that are whispered at different times, places and angles. This reframing and alteration allows the viewer to jump, traverse, or perceive different space, space, and scenes at the same time.

Use of overlay or contrast of images:

Third, montage is a form of expression of emotions and thoughts. Through the use of rapid editing, superimposition or contrast of images, montage can create tense, intense, exaggerated or abstract emotions and moods, so that the audience has a strong emotional experience. At the same time, montage can also convey deep ideas and themes through the combination and contrast of different images.