Ouyang Xiu, a literati in the Song Dynasty, wrote The Story of the Drunken Man s Pavilion , which w

1. The "music" of the author of "The Legend of the Drunkard Pavilion" is mainly manifested in the following three aspects.

1. The joy of mountains and rivers. Because "the scenery of the four seasons is different", and "the joy is endless".

In the author's pen, the distance to the left and right of the drunken man's pavilion is a landscape painting. There are mountains, springs, forests, and pavilions, but the author does not use ink in isolation, but intertwines them, which are both beautiful and diverse. The scenery is different in the four seasons, and the fun is endless.

2. The joy of feasting. "Mountain cuisine and wild mushrooms", "non-silk and non-bamboo", all the guests are happy, too drunk.

The third paragraph of the article writes about the pleasures of the Chu people and the feasting of the Taishou. This description shifts from scenery to personnel. First write about the trip of the Chu people, depicting a peaceful and peaceful picture of the people's amusement.

The amusement scene is reflected in Taishou's eyes, and it has an extra layer of political clarity. Then he wrote that he set up a banquet and the pleasure of the guests feasting and drinking. The feast was sumptuous and full of wild fun, and the guests sat up noisily and were overjoyed.

Tai Shoule is drunk and drunk, this drunk is drunk for the joy of the landscape, and it can be drunk with the people. It reflects the harmonious relationship between Taishou and his subordinates, and only "political communication" can have such happiness.

3. The joy of people. Therefore, the composition is remembered. Three music into one, and the folk group music.

The author skillfully uses the joy of birds to set off the joy of tourists, and also uses the joy of tourists to set off the joy of Taishou. At the end of the article, in order to highlight the "joy of Taishou", the author also uses layers of brushwork. Use the joy of birds to contrast the joy of everyone, and then use the joy of everyone to contrast the joy of Taishou.

In this way, the joy of Taishou was pushed to the peak under the support of many backgrounds, showing the superiority of subjective feelings and experiences.

2. Introduction to "The Story of the Drunkard Pavilion".

The Legend of the Drunken Man's Pavilion is an essay written by the Northern Song Dynasty writer Ouyang Xiu. The article describes the deep and beautiful natural scenery of the four seasons in Chuzhou, the peaceful and quiet life of the people of Chuzhou, especially the fun of the author in the mountains and forests with the people to enjoy the feast and drink.

This article runs through the whole article with the word "music", and frankly says that "the drunkard's intention is not in the wine, but in the mountains and rivers." "The political frustration, the bumpy inner depression and depression of the career are placed between the mountains and rivers, and dissolved between the people and the people, and when depicting a beautiful picture of variety, beauty and charm, it embodies the traditional thought of Confucianism, and shows his expansive feelings of being at peace with the encounter and enjoying with the people.

"The Story of the Drunkard Pavilion".

Huanchu (chú) is also a mountain. Its southwest peaks, the forest gully (hè) is particularly beautiful, and the one who looks at it is deep and beautiful, Langya also. After walking six or seven miles in the mountains, you can gradually hear the murmuring of water (chán) and pour out between the two peaks, and brew springs.

The peak turns around, there is a pavilion wings on the spring, and the drunkard pavilion is also. Who is the pavilion maker? The monk of the mountain is also wise.

Who is the name? Too shou calls himself also. Taishou and guests come to drink here, drink less (zhé) drunk, and the year is the highest, so he calls himself a drunkard.

The drunkard's intention is not in the wine, but in the mountains and rivers. The joy of mountains and rivers, the heart and the wine of the house.

若夫 (fú) sunrise and the forest opens, the clouds return and the cave twilight (míng), the obscure changer, the morning and twilight in the mountains. The wild fragrance is fragrant, the beautiful wood is beautiful and prosperous, the wind and frost are noble, the water falls and the stone comes out, and the four times in the mountains are also. Towards the beginning, returning at dusk, the scenery of the four seasons is different, and the joy is endless.

As for the loser singing on the way, the traveler resting on the tree, the former calling, the latter responding, 伛偻 (yǔ lǚ) carrying, and those who come and go endlessly, Chu people also travel. Fishing near the stream, the stream is deep and the fish are fat. Brewing spring is wine, spring fragrance and wine 洌 (liè); Mountain cuisine wild 蔌 (sù), miscellaneous but the former Chen, too feasting.

The joy of feasting, non-silk and non-bamboo, among the shooters, the game wins, the gōng is staggered, and the people who sit up and make noise, the guests are also happy. Pale and white-haired, depressed, too drunk.

The sunset is in the mountains, the shadows are scattered, and the guests are too guarded to return. The woods are shady (yì), the sound of singing is up and down, and the tourists go and the birds are happy. However, birds know the joy of mountains and forests, but they do not know the joy of people; People know that they are too happy to swim, but they don't know that they are too happy to be too guarded.

Drunk can have fun with it, and those who wake up can speak to the text are too guarded. Who is Taishou? Luling Ouyang Xiu also.