As a poetic genre, what are the characteristics of Chu Ci in terms of form and content?

The Chu style is characterized by a magnificent structure, rich imagination, and flexible sentence structure.

Song Yu and others are representative writers, and their representative works include Qu Yuan's "Lisao".

Nine Songs", "Nine Chapters", etc.

First of all, from the point of view of the characteristics of the art form of Chu Ci, it is closely related to the primitive myths and witches of Chu and the related religious activities of Gongzhu. We start with Qu Yuan's works "Nine Songs" and "The Conjuring".

Tianwen", etc., all have a distinct imprint in this regard.

Secondly, the production of Chu Ci is also closely related to the music and folk songs of Chu, in the Spring and Autumn Period and the Warring States Period.

The ** and folk songs of the Chu State are called "Nanyin" or "Nanfeng".

As a new type of poetry with profound local color, Chu Ci is similar to the Book of Songs

In contrast, there are many unique characteristics in terms of content and form. In terms of content, Chu Ci's works run through a strong romanticism.

Spirit, mainly focusing on the expression of the author's subjective feelings and their emotions gushing out under the stimulation of social and natural phenomena, they no longer focus on the real and detailed depiction of the real world, but use the imagination of genius to create colorful fantasy worlds, so that the indomitable soul can find a way out in the fanatical struggle and run to the light. Chu Ci's works are filled with a strong tragic color, and although there are many lamenting poems in the "Book of Songs", there is one kind of poem"Sadness but not sadness, resentment but not anger"meaning. Chu Ci inherits the innate tragic mood in Chu Ge, and renders a sad and passionate picture with heavy brushwork.

Religious witchcraft is the main theme of Chu Ci, and the works contain a large number of myths, legends and witchcraft rituals, and express the author's inner feelings through their depictions. From the perspective of artistic expression, Chu Ci has expanded in length, with greater capacity and stronger expressiveness. Most of the poems in the "Book of Songs" are short chapters and sketches, which are good at condensing and essence, and the grandeur is insufficient, while Chu Ci is gradually more and more grandiose, showing a new atmosphere, Chu Ci inherits the traditional comparison technique of the "Book of Songs" and greatly develops it, creating a series of new images.

The metaphors in the Book of Songs are generally single-listed, while the metaphors in Chu Ci are colorful and complex. In terms of sentence structure, Chu Ci broke the cage of the four-word style of the Book of Songs, and replaced it with a jagged, flexible and free sentence structure, forming a free and unrestrained poetic language. As a new form of poetry, Chu Ci first had a certain stylistic influence on the literature of later generations, which was manifested in the emergence of a large number of imitations and a certain role in promoting the development of other literary genres, especially Han Fu.

Its influence on later literature is mainly manifested in its ideological content and artistic techniques.

Aspect. The positive and enterprising, indomitable fighting spirit, the great personality of loving the motherland and being loyal to the ideals, and the clear attitude of sympathizing with the people and hating traitors have always influenced and inspired progressive literati of all eras. Chu Ci embodies a strong spirit of romanticism, which coexists side by side with the realist literary tradition in ancient Chinese poetry represented by the Book of Songs, and has a great influence on later generations of lyric poets.

And Chu Ci is rich in expression.

The structure of the chapter and the ornate rhetoric also had a great influence on later generations of literature.

The Book of Poetry is the earliest collection of poetry in China, and it is a representative of realism.

The poems in the Book of Songs are lyrical as the mainstream, and they are very close to the lives of people at that time, so they have become representatives of realism. The basic sentence structure is four words, and sometimes there are various sentence patterns from two words to nine words. However, the proportion of miscellaneous sentences is very low.

And it often takes the form of overlapping chapters, that is, between repeated chapters, the meaning and literal are only slightly changed, resulting in the effect of singing and sighing.

Chu Ci refers not only to the name of the poetry collection--- Liu Xiang's collection of poems that "inherited Qu Fu" from Qu Yuan's works and Song Yu and others, but also refers to a poetry genre --- a new poetry style created by Qu Yuan on the basis of Chu folk songs. It is a representative of Romanticism.

Therefore, its genre is Chu Ci, and its characteristics are, of course, strong local colors, which are too many to talk about in a short period of time, and I think the most obvious feature of Chu Ci is that there are many"Xi"The form of the word (囧, but not all the articles are Chu Ci) is diverse.

The most obvious feature of the "Chu Ci style" in terms of form is the use of the word "Xi".

The Chu style is characterized by magnificent structure, rich imagination and flexible sentence structure, with Qu Yuan and Song Yu as the representative works, including Qu Yuan's "Lisao", "Nine Songs", "Nine Chapters" and so on.

These works are lyrical and romantic; The length and sentences are longer, the form is also freer, and the word "Xi" is used more to help the momentum. With its use of the literary style of Chu, dialect rhyme, and description of Chu's customs and products, etc., it has a strong local color, and later generations called this style "Chu Ci style", also known as "Sao Ti".

Chu Ci style is a new style of poetry created by the poets of Chu in the middle and late Warring States period. The Chu style broke the rigid format of the four characters and one sentence of the Book of Songs, which was a great liberation for the development of ancient Chinese poetry and opened the second spring of the epic. Chu Ci adopts a sentence structure of three to eight words, and the length and capacity can be expanded arbitrarily according to needs.

The liveliness and diversity of forms make Chu Ci more suitable for expressing complex social life and expressing rich thoughts and feelings.

The style of "Chu Ci" is poetry, the poem is full of the author's thoughts and feelings and rich imagination, the language is concise and vivid, with a distinct rhythm, harmonious rhyme, rich in beauty, sentences are generally arranged in lines, and the beauty of structural form is emphasized. It has the following four characteristics:

1. The content of poetry is a highly concentrated and generalized reflection of social life.

2. Poetry is lyrical and eloquent, with rich feelings and imagination.

3. The language of poetry has the characteristics of refinement, image, harmonious tone, and distinct rhythm.

4. In terms of form, poetry is not based on sentences, but on actions, and the lines are mainly based on rhythm, rather than meaning.

-Chu.

"Chu Ci", also known as "Chu Ci", is a poetic style created by Qu Yuan, a great poet of the Warring States Period. The work uses the literary style and dialect rhyme of Chu (now the area of the two lakes) to describe the mountains and rivers, characters and historical customs of Chu, and has strong local characteristics. During the Han Dynasty, Liu Xiang collected Qu Yuan's works and the works of Song Yu and others who "inherited Qu Fu".

As a poetic genre, Chu Ci is rich in imagination. The witch style of Chu is prevalent, and the witches are often used to play the gods during the sacrifice, and some myths and legends are performed to entertain the gods. All these have cultivated the rich imagination of the Chu people, so that the works have rich imagination, gorgeous rhetoric, and gorgeous romantic style, such as "Lisao" and "Nine Songs".

Chu Ci "all books and Chu language, as Chu sound, Ji Chu land, name Chu things [1]", has a strong local color. The sentences of Chu Ci are uneven and full of variations, and the commonly used auxiliary words "Xi", "some", etc. And the structure is generally grander, and the length is generally longer.

Chu Ci] "Chu Ci", also known as "Chu Ci", is a poetic style created by Qu Yuan, a great poet of the Warring States Period. The work uses the literary style and dialect rhyme of Chu (now the area of the two lakes) to describe the mountains and rivers of Chu and the historical customs, which has strong local characteristics. During the Han Dynasty, Liu Xiang compiled Qu Yuan's works and Song Yu's works "inherited from Qu Fu" into a collection called "Chu Ci".

And it has become a collection of poems that has a profound impact on Chinese literature after the Book of Songs. Chu Ci, whose original meaning refers to the words of Chu, was gradually fixed into two meanings: one is the genre of poetry, and the other is the name of the poetry collection (to a certain extent, it also represents the literature of Chu).

In terms of poetry genre, it is a new poetic genre created by poets represented by Qu Yuan in the late Warring States period on the basis of Chu folk songs. In terms of the name of the collection, it is a collection of poems in the style of "Chu Ci" compiled by Liu Xiang of the Western Han Dynasty on the basis of his predecessors, including the works of Qu Yuan and Song Yu of the Chu people of the Warring States Period, as well as the imitation works of Jia Yi, Huaipi Nan Xiaoshan, Zhuang Ji, Dongfang Shuo, Wang Bao and Liu Xiang in the Han Dynasty. The name of "Chu Ci" was first seen in "Historical Records: The Biography of Zhang Tang".

It can be seen that this name existed in the early Han Dynasty at the latest. Its original meaning was to refer to the lyrics of Chu in general, and it became a special term later, referring to the new poetry style represented by the creation of Qu Yuan of Chu during the Warring States Period. This kind of poetry has a strong regional cultural color, as Huang Bosi of the Song Dynasty said, "all books and Chu language, Chu sound, Ji Chu land, name Chu things" ("Dongguan Yu Treatise").

At the end of the Western Han Dynasty, Liu Xiang compiled the works of Qu Yuan and Song Yu, as well as the works of the Han Dynasty people who imitated this poetic style, and the title of the book was "Chu Ci". This is the "Book of Songs" after the Sui Bend, another collection of poetry with far-reaching influence in ancient China. In addition, because Qu Yuan's "Lisao" is Chu Ci's representative work, Chu Ci is also called "Sao" or "Sao".

The people of the Han Dynasty also generally referred to Chu Ci as "Fu". In the "Historical Records", it has been said that Qu Yuan "wrote the Fu of Huaisha", and the titles of "Qu Yuanfu" and "Song Yufu" are also listed in the "Hanshu Art and Literature Chronicles". In the Han Dynasty, Chu Ci was also known as Ci or Cifu.

At the end of the Western Han Dynasty, Liu Xiang compiled the works of Qu Yuan and Song Yu and Huainan Xiaoshan, Dongfang Shuo, Wang Bao, Liu Xiang and others in the Han Dynasty to imitate Qu Yuan and Song Yu, a total of 16 works, which were named "Chu Ci". Chu Ci then became the name of the poetry collection. Because Qu Yuan's "Lisao" is the representative work of "Chu Ci", Chu Ci is also called "Sao" or "Sao Body".