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Remembering my brother on a moonlit night.
Tang Dynasty. Du fu.
The drums cut off the pedestrians, and the sound of geese on the autumn side.
The dew is white from tonight, and the moon is the hometown of Ming.
There are brothers who are scattered, and there is no home to ask about life and death.
The length of the letter is not reached, and the army has not ceased to be suspended.
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The drums cut off the pedestrians, and the sound of geese on the autumn side.
The dew is white from tonight, and the moon is the hometown of Ming.
There are brothers who are scattered, and there is no home to ask about life and death.
The length of the letter is not reached, and the army has not ceased to be suspended.
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Remembering my brother on a moonlit night.
The drums cut off the pedestrians, and the sound of geese in the autumn.
The first link is abrupt and uneven. The title is "Moonlit Night", but the author does not start from the moonlit night, but first paints a picture of autumn in Biansai: "The drums cut off the pedestrians, and the sound of geese in the autumn."
The road is broken and pedestrians write what they see; The sound of drums and geese, write what you hear. As far as the eye could see, it was a bleak scene. Heavy and monotonous drums and lonely geese on the horizon.
Not only did it not bring a trace of vitality, but it made the already desolate Biansai seem even more cold and silent. "Breaking the pedestrian line" points to the social environment, indicating that the fighting is still frequent and intense, and the roads are blocked. The two lines of poetry render a strong and sad atmosphere and light up the background of the "moonlit night".
Dew from tonight white,The moon is the hometown of Ming
Jaw joint point question. "Dew from tonight white", not only writes the scene, but also points out the season. It was on the White Dew Festival.
At night, the dew is clear and chilling. "The moon is the hometown of Ming", which is also a scene, but it is slightly different from the previous sentence. What the author writes is not entirely objective, but incorporates his own subjective feelings.
Obviously, there is a bright moon in the whole world, there is no difference, but it is said that the moon in the hometown is the brightest; It's obviously the author's own psychological hallucination, but it's too sure to be unquestionable. However, this kind of illusionary approach makes people feel reasonable, because it profoundly expresses the subtle psychology of the author and highlights the nostalgia for his hometown. These two sentences are also very effective in refining sentences, what it wants to say is just "Tonight is white", "Hometown Moonlight", just change the word order like this, and the tone is extremely vigorous.
There are brothers who are scattered, and there is no home to ask about life and death.
The neck couplet shifts from Mochizuki to lyricism, and the transition is very natural. Moonlight often evokes reverie and is more likely to evoke homesickness. The poet is in turmoil today, and on this cold moonlit night, he has a special taste in his heart.
His lingering thoughts were mixed with the anxiety of life and death, and his tone was extremely painful. "There are brothers who are scattered, and there is no home to ask about life and death", the previous sentence says that the brothers are separated, and the heavens are separated; The next sentence says that the home no longer exists, life and death are uncertain, and it is written sadly and heartbreakingly, and it is deeply moving. These two poems also summarize the Anshi Rebellion.
The Chinese people have suffered from sorrow and turmoil.
The length of the letter is not reached, and the army has not ceased to be suspended.
The tail couplet tightly hugs the neck couplet to further express the inner worries. Relatives are scattered everywhere, and it is often not possible to send books in ordinary times, not to mention the frequent wars, and it is even more difficult to reverse the uncertainty of life and death. Implicit and implicit, a knot infinitely affectionate.
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"Remembering My Brother on a Moonlit Night" is a poem by Du Fu that misses relatives and friends, although the title of the poem is "Moonlit Night", but the first.
The first and second sentences of "drums cut off pedestrians, and the sound of geese in autumn" describes the autumn scenery of Biansai, a bleak scene. Clause.
The third and fourth sentences "The dew is white tonight, and the moon is the hometown of Ming" integrates the author's subjective feelings and expresses his nostalgia for his hometown.
Clause. The fifth and sixth sentences "all the brothers are scattered, and there is no home to ask whether they are alive or dead" indicates that the brothers are separated and the heavens are separated, while the last two sentences indicate that the family letter cannot be delivered, and the war is still unending.
This poem is well-layered, rigorously structured, and enters the scene from the scene, showing the poet's infinite emotion in the face of national difficulties and family sorrows under the Anshi Rebellion.
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The ancient poems of the moonlit night reminiscing about the younger brother are as follows:
The drums cut off the pedestrians, and the sound of geese in the autumn.
The dew is white from tonight, and the moon is the hometown of Ming.
There are brothers who are scattered, and there is no home to ask about life and death.
The length of the letter is not reached, and the army has not ceased to be suspended.
Translation:
The sound of drums on the garrison block cut off people's comings and goings, and in the autumn of the border stop, a lone goose is mourning.
Since tonight, it has officially entered the Bailu solar term, and the moon is still the brightest and brightest in my hometown.
Although I have brothers, they are all scattered in the war, and I am homeless and unable to inquire about my brother's life or death.
The letters I sent to Luoyang City often could not be delivered, not to mention that the war of the Anshi Rebellion had not stopped.
Poetry appreciationThe first couplet of this poem and the jaw couplet write the scene, which sets off the wide atmosphere of the war hall. On this basis, the neck couplet and the tail couplet write that the brothers were separated due to the war, and there was no fixed place and no news, so the feelings of longing arise spontaneously, especially in the white dew season after the autumn, under the background of the drums on the garrison and the wailing of the lonely geese, this feeling of longing is more and more profound or bright and intense.
The whole poem is full of poetry, the layers are orderly, the beginning and the end are taken care of, the inheritance is mature, the structure is rigorous, the language is exquisite, the style is gloomy and sad, and it is sincere and touching.
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"Remembering My Brother on a Moonlit Night" is a five-character poem written by the Tang Dynasty poet Du Fu.
The drums cut off the pedestrians, and the sound of geese in the autumn.
The dew is white from tonight, and the moon is the hometown of Ming.
There are brothers who are scattered, and there is no home to ask about life and death.
The length of the letter is not reached, and the army has not ceased to be suspended.
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Remembering my brother on a moonlit night is a homesick poem.
Remembering my brother on a moonlit night.
Don Du Fu. The drums cut off the pedestrians, and the sound of geese in the autumn.
The dew is white from tonight, and the moon is the hometown of Ming.
There are brothers who are scattered, and there is no home to ask about life and death.
The length of the letter is not reached, and the army has not ceased to be suspended.
-
"Remembering My Brother on a Moonlit Night" is a five-character poem written by the Tang Dynasty poet Du Fu.
Extended information: In the poem, the brothers were separated due to the war, with no fixed place to live, no news of them, and life and death are uncertain. In the season of white dew, under the background of the drums of the garrison tower and the mourning of the lonely geese, the poet's worries and longing for his brothers became deeper and stronger.
The first two couplets of this poem focus on the scene, and the last two couplets focus on lyricism, the scenes are blended, the structure is rigorous, and the beginning and end echo. The wording of the jaw couplet is easy and means the new police, and the premise of "dew" and "moon", "white" and "bright" palace, the inverted sentence pattern suddenly has a strange effect. The language of the whole poem is exquisite, the style is somber and sad, sincere and touching.
This poem was written by Du Fu in the second year of the reign of Emperor Zongqian of Tang Su (759) in Qinzhou (now Tianshui, Gansu), four years after the outbreak of the Anshi Rebellion. In July of the second year of the Qianyuan Dynasty, Du Fu abandoned his official position from Huazhou and lived in Qinzhou with his family. Qinzhou City is located in the west of Longshan, a branch of Liupan Mountain, and was a remote border county at that time.
In September of the same year, Shi Siming led troops from Fanyang to the south, captured Bianzhou, and moved west to Luoyang, while Shandong and Henan were in turmoil. Du Fu's younger brothers were scattered in the area at that time, and due to the war, he could not communicate with each other, which caused him to have strong worries and thoughts. This poem is a true record of his thoughts and feelings at that time.
In classical poetry, longing for relatives and friends is a common theme, and this kind of work must avoid mediocrity and unconventionality, and it is not enough to rely on the author's life experience, but also to be ingenious in expression. It is in the treatment of such common themes that Du Fu shows his true colors.
The opening of the first couplet is abrupt and uneven. The title is "Moonlit Night", but the poet does not start from the moonlit night, but first depicts a picture of autumn in Bianshu: "The drums cut off the pedestrians, and the sound of geese in autumn."
The road is broken and pedestrians write what they see; The sound of drums and geese, write what you hear. As far as the eye could see, it was a bleak scene. The heavy and monotonous drums and the cries of the lonely geese on the horizon not only did not bring a trace of vitality, but made the already desolate Biansai seem even more cold and silent.
Genre: Ancient poetry.
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