Robert Schumann s creative style, Schubert s creative style

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<>1. Simple structure.

Schubert's art songs are commonly used in three forms. One is a sectional song, the other is a general song, and the other is actually a kind of sectional song, called a change sectional song.

Schubert's art songs are most commonly used in the form of variational stanzas. The variation of the section, as the name suggests, is the harmony, tonality, and piano texture of the same melody when the same melody is repeated.

speed and sail degree etc.

2. The content is plump.

Schubert is very good at using the voice as a simple ** carrier of call music and piano, which is directly simple and profoundly moving, which is also the special pure point of Schubert's art songs. The piano accompaniment and the vocal part are wonderfully and perfectly combined, and the two complement each other.

Schubert lived at the intersection of Classicism and Romanticism. His symphonic style inherits the tradition of classicism, but his art songs and piano works are entirely romantic. His brilliant lyricism led Liszt to call him "the most poetic ** home ever".

Schubert infuses traditional chamber music with his own spiritual identity. His chamber music compositions, all bearing the imprint of the real Schubert, are also the last works of Viennese classicism. And in "Improvisation" and "** Moment", Schubert makes the piano sing a new lyrical style.

Their whimsicality, spontaneity, and unexpected charm all became elements of Romanticism.

Schubert is best known for his more than six hundred songs. These songs are directly generated from the inner emotions of the poems, and no one can beat his overflowing talent and fresh emotions. The piano accompaniment also produces special effects:

In a measure or two, depict a babbling stream, a street performer's shabby hand organ, or a lark "at Heaven's Gate". Speaking of Schubert's songs, Schumann's comment on the Symphony in C major can be quoted: "This ** leads us into a situation where we forget what we used to have.

"If there is any composer who is destined to devote himself to **, that person is Schumann. When he was still a baby, something in Greek tragedy found him through **, captured him, nourished him, and finally destroyed him. ”

Schumann's ecstatic, passionate energy adds to his personal character. He focuses on sources higher than his inner self and inspiration, whether it be Hoffman or Clara. This idea is almost stream-of-consciousness, resulting in a form of miraculous originality – no work has ever been produced like Carnival or Fantasia in C major.

Robert Schumann is a typical representative of German Romanticism in the 19th century, and his romantic spirit was mainly formed by the influence of the family and the times. Schumann belongs to the nineteenth century, but also belongs to later generations, Schumann's **creation and **criticism, and more importantly, his spirit, has a profound and long-term impact on the music scene of later generations.

Robert. Robert Schumann (1810), a 19th-century German composer, was a critic of the cracked rock. He studied piano at an early age and began composing music at the age of 7.

At the age of 16, he entered the University of Leipzig to study law. At the age of 19, he studied piano again, and when he heard Paganini play, he was greatly affected by the ruler, and gave up the study of law to specialize in **. Later, due to a finger injury, he turned to composition and ** commentary.

From 1835 to 1844, he was the sole author of the New ** Magazine and began to compose a large number of piano works. In 1840 he received a doctorate in philosophy from the University of Jena, and in 1843 he went to teach at the ** Academy in Leipzig. 1844 In 1850, he moved to Dresden to continue his work as a composer and conductor.

Due to the worsening mental illness, he was rescued by throwing himself into the river in 1854 and died two years later in the Jingzao Divine Hospital. 1 Robert Schumann was a prominent figure in German history in the first half of the nineteenth century, and his artistic creation profoundly reflected the strengths and weaknesses of German Romanticism.

Robert Schuman (French: Robert Schuman, June 29, 1886, September 4, 1963, translated as Xu Man) was a French politician who served as the first minister of France, and the Schumann plan named after him paved the way for the establishment of the European Coal and Steel Community, the predecessor of the European Union. Together with Jean Monnet, he is known as the "Father of the European Union".

He became the first President of the European Parliament.