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The last sentence of "the same spring breeze is sorrowful" is "the plantain does not show the clove knot". The poem is from Li Shangyin's "Two Gifts, the poem is as follows:
Two songs on behalf of the gift.
Don Li Shangyin
One
Upstairs, the dusk desires to rest, and the jade ladder crosses the hook in the middle of the moon.
The plantain does not show the clove knot, and they are worried about the spring breeze.
Second
The southeast sunrise shines on the high-rise building, and the upstairs is away from the people singing Shizhou.
Always sweep the spring mountain, I don't know how sad it is?
Translation:
The first song is dusk and the desire to go up to the tall building alone is still resting, the stairs are crossed, and the lover does not come, and the crescent moon is like a hook. The banana hearts are not spreading, and the cloves are also budding, and they are sad towards the spring breeze at the same time.
The second sunrise shines on the high-rise buildings in the southeast, and the people upstairs singing "Stone Continent" with sorrowful hearts. Even if the eyebrows are like spring mountains and spring mountains are like eyebrows, I don't know how much sorrow I can bear?
"Two Gifts" is a seven-character quatrain composed by the Tang Dynasty poet Li Shangyin. This poem is a gift from a friend, and the two poems are written opposite each other to imagine the sad scene of the woman who thinks about the sunset. The first poem is written about the boredom of the heroine looking into the distance at dusk, and writes about the scenery seen from the courtyard downstairs, which adds to the sorrow; The second poem writes about the infinite sorrow of the heroine when she climbs the stairs in the morning.
The success of these two poems is the integration of scenery and feelings, objects and people, the integration of "comparison" and "xing", and the careful structure and unpretentiousness are the success of these two poems. The two poems are beautiful and contain infinite meanings.
The first song is about the sorrow of dusk. In the voice of a woman, she writes about her sadness that she can't meet her lover. The time in the poem is written is the twilight of spring.
The poet uses the technique of scenery to set off her inner feelings from the scenery such as the lack of moon, plantains, and cloves that the protagonist of the poem sees.
The second poem writes about the infinite sorrow of the heroine when she climbs the stairs in the morning. The first sentence is the use of ancient Yuefu poems, this sentence is not written by people, but there are already people, people can think of the heroine facing the sunrise is standing by the building, the second sentence is specifically written to leave the heroine full of sorrow and hatred and sing the song of resentment sadly, the two sentences are picturesque, and the characters are vivid and visible.
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The meaning of this poem is: the heart of the banana is not yet the heart of the plantain, and the bud of the lilac.
still budding; Two people who love each other are in a different place, and they are both sad about parting in their hearts because of the spring breeze.
Source: Tang Li Shangyin, "Two Songs, One of the Gifts".
Original poem: Upstairs at dusk, the desire to rest, the jade ladder across the moon.
Hook. The plantain does not show the clove knot, and they are worried about the spring breeze.
The heart of the plantain is not yet there, and the buds of the lilac are still budding; Two people who love each other are in a different place, and they are both sad about parting in their hearts because of the spring breeze.
Extended Information: "Poetry and Love" is a classical Chinese poem.
Traditional poetics advocates that classical poetry mostly focuses on emotional catharsis, and Li Shangyin in the late Tang Dynasty is no exception. His love poems are exquisitely conceived and affectionate. "Gifts".
A poem empathizes with the scene, uses the scene to express lyricism, and expresses the lovesickness of the girl to the fullest. The first sentence "Upstairs at dusk desires to rest" is just seven characters to write about the ambivalence of women. Here, the woman's lovesickness has been seen.
The second and third sentences write the scene, the scene is ruthless, but people have affection, so the scene is full of affection, "The jade ladder is crossed, the crescent moon is like a hook, and the undeveloped plantain and budding cloves are also full of sorrow like themselves!" "Sorrow is invisible, and the poet sets it in shape, using plantain and lilac bushes to vividly write the woman's sorrow. The last sentence "the same spring breeze is sorrowful" directly points out the main idea, and brings out the irrepressible sorrow of the woman, and a strong sentimental sorrow comes to the face.
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Strange dreams and feelings become willows alone.
The same spring breeze is worried.
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Upstairs at dusk, the desire to rest, the jade ladder across the moon like a hook.
The plantain does not show the clove knot, and they are worried about the spring breeze.
Gifts", the work of the donor. There are two poems on this topic, and this is the first one. The poem uses a woman's voice to write about her sorrow that she can't meet her lover.
The time in the poem is written is the twilight of spring. The poet uses the technique of scenery to set off her thoughts and feelings from the lack of moon, plantain, cloves and other scenes that the protagonist of the poem sees.
The first four words of the poem point out the time and place: "Upstairs at dusk". The words "desire to rest" in the back delicately describe the woman's actions:
She walked to the top of the building, trying to look into the distance, but she stopped. Here, not only let us see the woman's posture, but also reveal her helpless expression. "Desire to rest" is a book of "Desire to rest".
"Hugh" means "stop" and "stop", and "desire" means wanting to see her lover; But why do you want to give up? The psalmist does not give a positive explanation of this, because it is easy to be revealing, and it is not poetic; He depicts the surrounding scenery to express the woman's feelings.
The Southern Dynasty poet Jiang Yan's "Advocating Women's Self-Compassion" wrote that the beauties of the Han Palace fell out of favor and lived alone, with the sentence "moss accumulates and silver pavilion is astringent, and the snares are full of jade ladders". "The jade ladder is empty" means that the jade ladder is fictitious, and no one comes to climb it. The "jade ladder is crossed" in this poem means that the jade ladder is traversal and there is no reason to get up, which means that the lover is blocked and cannot come here to meet.
This sentence is to say that the woman longs to see her lover, so she wants to look; But it suddenly occurred to me that he would not be able to come, so I had to stop. Desire is still resting, and the complex and contradictory psychological activities of women and the disappointment of loneliness and boredom are written in a subtle and realistic way. "The moon is like a hook" is a book of "moon hooks", which means the same.
It not only highlights the loneliness and bleakness of the environment, but also has a symbolic meaning: the lack of a moon is not round, just like a pair of lovers who cannot meet.
The third or fourth sentence still further reveals the woman's inner feelings by writing scenes. The second sentence is like a hook, the lack of the moon is the scene in the sky that the woman sees in the distance when she looks up; These two sentences are the scenery on the ground that the woman looks down and sees. High and low, far and near, staggered.
The plantain here is the banana that has returned from the heart of the banana, which is slightly later than the poet's Qian Jue's poem "Unexhibited Plantain", "The heart is still cowardly and cold in spring", which is written about this scene; The lilacs here are not petal-filled lilacs, but buds that do not open. They face the cold spring breeze at dusk, and their sorrow is infinite, which is not only a true depiction of the real scene in front of the woman, but also a borrowing of things to write people, using bananas as a metaphor for lovers, lilacs as a metaphor for the woman herself, and a metaphor for the two people who are in different places and one heart, both of them are sad about not meeting each other. The sorrow of things, which rises and deepens the sorrow of people, is "Xing"; The sorrow of things, that is, the sorrow of people, is also "comparison".
The plantain cloves are not only carefully arranged by the poet, but also seen as soon as the eye can see, and they come at hand, which seems so natural.
The integration of scenery and feelings, objects and people, the integration of "comparison" and "prosperity", and the meticulous compilation without any traces of artificiality and carving are the great success of this poem. Especially the last two sentences, the artistic conception is very beautiful, the connotation is endless, and it has always been praised by people, and the "Poetry and Discourse Edition" has specially marked it out, which is very appreciated. Here's an excerpt from me.
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The same spring breeze is worried, and the latter sentence is: Second, the southeast sunrise shines on the high-rise buildings!
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Ask the question of the finger cover: What is the same sentence of the after-banquet of the spring breeze?
Tease. Couplet: Gongze summer rain is happy;
Sentence: The same spring breeze is worried.
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The plantain does not show the cloves, and the closing of the relatives ends, and they open separately in the spring breeze.
From Li Shangyin's "Gift".
Upstairs at dusk, the desire to rest, the jade ladder across the moon like a hook.
The banana boy is rotten and does not show the clove knot, and they are worried about the spring breeze.
Translation:Climb the tall building at dusk, trying to look at it from the railing, but finally give up; The jade ladder is crossed, and a crescent moon in the sky sprinkles a faint clear light. The heart of the banana is still bright, and the buds of the cloves are like knots; The spring breeze is blowing, and the two are in different places, and they are both sad about not meeting each other.
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Gift of two songs, one of them.
Don Li Shangyin
Upstairs at dusk, the desire to rest, the jade ladder across the scum is like a hook.
The plantain does not show the clove knot, and the spring breeze is sad and annihilated. Be cautious.
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The plantain does not show the clove knot, and they are worried about the spring breeze.
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The previous sentence of "the same spring breeze is sorrowful" is"Plantains do not spread clove knots"
Gift" - Tang (Li Shangyin).
Upstairs at dusk, the desire to rest, the jade ladder across the moon like a hook.
The plantain does not show the clove knot, and they are worried about the spring breeze.
Notes]: Plantains do not exhibit: The heart of bananas is not extended.
Spring breeze in the same direction: Plantain and lilac face the cold spring breeze at dusk together (the poem uses banana as a metaphor for lovers, and cloves as a metaphor for the woman herself).
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Upstairs at dusk, the desire to rest, the jade ladder across the moon like a hook.
The plantain does not show the clove knot, and they are worried about the spring breeze.
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