Calligrapher Quan Zhoukui introduced

Quan Zhoukui (馗), the word Gao Xuan, Fu Mei, Quanwu, male, Shaanxi Fufeng people, Han nationality, university culture. Mr. Li Jingzhai, the grandfather of the young inheritor, copied Liu Kai, studied Tang, Wei and Han monuments when he was in school, and used his spare time to insist on being on the ground to study and create, and was instructed by Mr. Liu Zichun and Chen Zeqin (Shaomo). He once entered Xi'an Academy of Calligraphy to study book theory and teach creation.

Since Tang Kai entered the law, pursued the Jin Feng Wei Yi, traced back to the oracle bone bell ding, and picked up the Qin version of the tablet, and the work seal was subordinate to the line. Over the years, he has been enthusiastic about various public welfare activities in the society, participated in domestic and foreign calligraphy and painting exchanges, and has been reported and introduced by mainstream TV stations and newspapers and magazines for many times, and has been collected by international friends and many museums. He is now a director of the Chinese Calligraphy and Painting Art Promotion Association, a member of the Shaanxi Calligraphers Association, the secretary-general of the Shaanxi Provincial Political and Legal Calligraphy, Painting and Photography Association, a researcher of the Sanqin Painting and Calligraphy Institute, a tutor of Xi'an Calligraphy College, and the executive vice president of the Shaanxi Hanfeng Painting and Calligraphy Institute.

In December 1988, his book "Peony Duzhen" won the second prize of the "Peony Cup" International Calligraphy and Painting Competition; In December 1995, his calligraphy was selected for the Sino-Korean Friendship Calligraphy Joint Exhibition; In December 1996, his works were selected into the "Collection of Contemporary Calligraphy and Painting Masters" and was awarded the "Contemporary Calligraphy and Painting Artist"; In August 1997, he wrote an article entitled "The Current Situation of Calligraphy in China and Its Reflections", which was published in the magazine "Calligraphy Art"; In September 1999, the book was selected into the "Collection of Wild Goose Pagoda Inscriptions" to celebrate the 50th anniversary of the founding of the People's Republic of China and was collected; In November 1999, his works were selected into the "Dictionary of Chinese Masters of Calligraphy and Painting in the Past Dynasties"; In December 1999, his calligraphy was selected into the "Chinese National Calligraphy and Painting Scroll" in the 20th century. In December 1999, it was authorized by Xi'an Calligraphy College and Xi'an Examination Office of the National Calligraphy and Painting Grade Assessment Committee to hold the teaching and assessment of youth calligraphy and painting; In February 2000, his calligraphy was selected into the "Anthology of Chinese Calligraphy"; In January 2004, he was awarded the Provincial Political and Legal and Comprehensive System Calligraphy and Painting Achievement Award by the Political and Legal Committee of the Shaanxi Provincial Party Committee; In March 2004, his calligraphy was shortlisted for the 8th National Calligraphy and Seal Carving Exhibition; In November 2005, he published "Selected Calligraphy of Quan Zhoukui"; In May 2006, a joint exhibition of calligraphy and painting was held in Xi'an. In July 2009, his works won the third prize of the "Talent Cup" Calligraphy and Painting Exhibition in Shaanxi Province; In May 2010, he wrote an article entitled "Discussion on the Progress of Calligraphy" published in the magazine "Western World"; In April 2011, he was invited to participate in the exchange of calligraphy and painting masters between Taiwan and the mainland in Xi'an; In July 2011, his work "Holding the Road" won the first prize of calligraphy at the Shaanxi Provincial Elderly Art Festival; In October 2011, he wrote the long-term joint "Tianren Chang'an" for the Xi'an World Horticultural Exposition.

In December 1988, Quan Zhoukui's book "Peony Duzhen" won the second prize of the "Peony Cup" International Calligraphy and Painting Competition; In December 1995, his calligraphy was selected for the Sino-Korean Friendship Calligraphy Joint Exhibition; In December 1996, his works were selected into the "Collection of Contemporary Calligraphy and Painting Masters" and was awarded the "Contemporary Calligraphy and Painting Artist"; In August 1997, he wrote an article entitled "The Current Situation of Calligraphy in China and Its Reflections", which was published in the magazine "Calligraphy Art"; In September 1999, the book was selected into the "Collection of Wild Goose Pagoda Inscriptions" to celebrate the 50th anniversary of the founding of the People's Republic of China and was collected; In November 1999, his works were selected into the "Dictionary of Chinese Masters of Calligraphy and Painting in the Past Dynasties"; In December 1999, his calligraphy was selected into the "Chinese National Calligraphy and Painting Scroll" in the 20th century. In December 1999, it was authorized by Xi'an Calligraphy College and Xi'an Examination Office of the National Calligraphy and Painting Grade Assessment Committee to hold the teaching and assessment of youth calligraphy and painting; In February 2000, his calligraphy was selected into the "Anthology of Chinese Calligraphy"; In January 2004, he was awarded the Provincial Political and Legal and Comprehensive System Calligraphy and Painting Achievement Award by the Political and Legal Committee of the Shaanxi Provincial Party Committee; In March 2004, his calligraphy was shortlisted for the 8th National Calligraphy and Seal Carving Exhibition; In November 2005, he published "Selected Calligraphy of Quan Zhoukui"; In May 2006, a joint exhibition of calligraphy and painting was held in Xi'an. In July 2009, his works won the third prize of the "Talent Cup" Calligraphy and Painting Exhibition in Shaanxi Province; In May 2010, he wrote an article entitled "Discussion on the Progress of Calligraphy" published in the magazine "Western World"; In April 2011, he was invited to participate in the exchange of calligraphy and painting masters between Taiwan and the mainland in Xi'an; In July 2011, his work "Holding the Road" won the first prize of calligraphy at the Shaanxi Provincial Elderly Art Festival; In October 2011, he wrote the long-term joint "Tianren Chang'an" for the Xi'an World Horticultural Exposition.