The Artistic Charm of Chinese Opera 5, the three major characteristics of Chinese opera

The three major characteristics of the art of opera are comprehensiveness, virtuality, and programmaticity.

1. Comprehensiveness.

1. Chinese opera is a highly comprehensive national art. This synthesis is not only reflected in its integration of various artistic disciplines to create new ideas, but also in its exquisite and profound performing arts.

2. A variety of different artistic factors are closely integrated with the performing arts, and the full function of opera is realized through the performance of the actors. Among them, the organic composition of singing, reading, doing, and hitting on the actors is the most concentrated and prominent embodiment of the comprehensiveness of opera.

3. Singing, referring to singing techniques; Nian, that is, chanting white, is a recitation technique; Do refers to doing work, which is the technique of body and expression; Da refers to the martial arts movements in the performance, which is a combination of dance-based martial arts skills formed on the basis of the basic finger segments of traditional Chinese martial arts.

2. Programmatic.

1. The program is the expression of opera reflecting life. It refers to the standardization, dance, and reuse of life movements. The program is directly or indirectly involved in life, but it is formed by refining, generalizing, and beautifying life according to certain norms.

2. There are fixed formats for closing the door, pushing the window, getting on the horse, boarding the boat, going upstairs, etc. in the opera performance. In addition to the performance program, there are certain programs in the form of the script, the role of the line, the singing, the makeup and costumes and other aspects.

3. Excellent artists can break through some limitations of the comic program and create their own personalized standard art and reputation skills. Programs are a model of beauty.

3. Virtuality.

1. Virtuality is the basic technique of opera to reflect life. It refers to the performance of actors, using a deformed way to compare the real environment or object, so as to express life. The virtuality of Chinese opera is first manifested in the flexibility of the processing of stage time and space.

2. Secondly, in terms of specific stage atmosphere scheduling and actors' simulation of certain life actions, such as wind and rain, boat walking, threading needles, etc., more concentrated and more distinctly reflect the virtual characteristics of opera.

They are comprehensive, programmatic, and virtual.

1. Comprehensive refers to a comprehensive art that includes various factors such as dance, literature, art, martial arts, acrobatics and performing arts, which has high artistry and is the most significant feature that distinguishes it from other art categories.

2. Virtuality refers to the performance without physical objects, and the props and scenes that are not on the stage can be quietly expressed according to the virtual performance of the actors, so that the audience can have the feeling of being in the mirror.

3. Formulaic refers to the use of singing, reading, and playing in the performance of Chinese opera. The singing, dragon sets, masks, costumes, and the terraces, temple platforms, and stages involved in the performance venues also have their fixed roles, adding a lot of unique charm to the drama.

The brother upstairs is really verbose, and the biggest artistic feature is the sense of experience that takes place on the spot, that is, the relationship between viewing and acting, which is what is called breathing in the play.

There are three main characteristics of Chinese opera, namely, virtuality, formality and comprehensiveness.

Comprehensive means that it is a comprehensive art that includes various factors such as dance, literature, art, martial arts, acrobatics and performing arts. It has a high degree of artistry, and it is also the most significant feature that distinguishes it from other art categories.

Virtuality refers to performances without physical objects. Although there are props and scenes that are not on stage, they can be represented according to the virtual performance of the actors, making the audience feel like they are in the mirror.

Programmatic refers to the emphasis on the four artistic expressions of "singing, reading, doing, and fighting" in the performance of Chinese opera. The singing, dragon sets, masks, costumes, and terraces, temple platforms, and stages involved in the performance venue also have their fixed roles, which add a lot of unique charm to the drama.

The art of Chinese opera is an important part of Chinese literature. The spiritual, aesthetic taste, personality charm, tragic art, etc., which are included in the opera part, constitute a value system with a certain cultural characteristics as the conceptual level of culture.

Opera is particularly significant for Chinese culture: it not only forms the value system of Chinese culture in general, but also ultimately shapes the poetic characteristics and personality charm of Chinese culture.

Ancient opera occupies an important position in China's literary and artistic garden. The difference between ancient Chinese opera and literary genres such as poetry, ci, wen, and fu is that opera exists as a text for reading, including the plot, structure, guanmu, palace tune, music cards, diction, and rhyme of the script; It also has complex art forms, including singing, reading, doing, playing, stage scenery, ** accompaniment, etc., which is a comprehensive art.