How to practice Zhao Ti Kaishu? How to practice Zhao font well

Zhao Tikaishu is famous in the field of calligraphy in China. Zhao Mengfu is a very important and remarkable figure, and his place in the history of calligraphy cannot be ignored. His calligraphy works are highly praised in later generations, and most importantly, he put forward the theory of calligraphy, saying that characters should pay attention to penmanship and glyphs, and if the penmanship is not good, it is impossible to write good characters.

If the glyph is not good, even if you are very familiar with it, it is useless and unqualified. Only when we truly understand these two points can we talk about writing.

To learn Zhao Tikaishu, you must know how to copy. Copying a good template is an important way to learn Zhao Tikaishu. Through the understanding of some key strokes, you can understand the characteristics of Zhao Tikaishu.

The pen and the pen should be decisive and sharp, do not procrastinate, and ensure that the pen path is clear and clear. The horizontal fold and vertical hook should be horizontal and stable with the strength of the pen to return to the sharp rope, the vertical pen should be like the hanging needle, the upper circle and the lower point, and the end of the pen slightly back to the front.

In addition to the practice of stroke gestures, you should also pay attention to the connection of glyphs, no matter what kind of font you are learning, you should learn to understand glyphs. Zhao Mengfu's book treatise also mentions this, which shows its importance. So what are the physical characteristics of Zhao Tikaishu?

The overall type of Zhao Ti Kaishu font is round, the inner way is strong, and the pen is round and square, giving people a kind of show and power. To learn Zhao Ti Kaishu, we must first learn its physical characteristics, first practice its shape and then master its spirit, so that it is similar and god-like, so that it is almost the same. In fact, at the beginning of learning, it is not so much to learn to write, but to learn to draw, pay attention to the change of stroke thickness and strokes, and the overall glyph is at the mercy of the overall glyph, forming a harmonious, unified and rhythmic beauty.

If you practice fonts, you will be very careful. You really have to do it wholeheartedly, and only with your heart can you do a good job. If you want to practice Zhao Tikaishu, the first thing is to buy a copy of Zhao Tikaishu.

Buying it back is not to let you copy it according to the top, the second is to study it first, study this Zhao Ti Kaishu, the characteristics of this word are in**? Study the structure of each of his characters and grasp the characteristics of his calligraphy. In this way, you will be able to practice this Zhao Ti Kaishu as soon as possible.

In the past, our teacher told us that if we want to practice a good calligraphy and write a beautiful handwriting, it is not for you to copy it according to the calligraphy. Instead, we should now study how to write this character and what kind of structure it is. Then I looked at the calligraphy and kept practicing.

Now there will be a thin layer of white paper on top of the copybook, so you can write with the copybook. The more you describe it according to other people's words, it will never be useful, you just crossed out this word, and you didn't grasp the essence of this word at all.

Therefore, if you want to write, you must first grasp the essence of words. After that, I pulled up my own notebook and wrote out the words I understood in my own essence. The words written in this way are your own, and he has his own pen.

The words are very particular, pay attention to the pen and the pen. People say that writing a good hand is to advertise yourself, and there is really this truth. Now we all often go out to sign contracts for customers, and when we sign our names, we have a good hand.

People will look the other way, and now the words we write are getting more and more ugly, and the reason why I want them is that we write less. I use my mobile phone and computer to type, so I still need to practice writing.

Zhao calligraphy should be more difficult, because he is different from other calligraphy, he combines the characteristics of several kinds of calligraphy, Zhao's calligraphy, that is, Zhao Mengfu, he has been learning all kinds of calligraphy since he was a child, quite talented, or one of the four regular script of the Yuan Dynasty, particularly powerful, want to learn this kind of calligraphy, you must first understand his style, or the pen, the pen momentum, which is also to learn any calligraphy needs to understand first.

Zhao Ti, he pays more attention to the sleek and even feeling, not like other calligraphy, will need to give people a contrast of shades when turning the front, he will make people look more natural, and mixed with beauty, and Zhao Ti in the Tibetan Feng This aspect of the characteristics is what I like very much, he is not deliberately to hide the front, but to show the front, but not completely exposed, this degree is just right, not too extreme bias to that point, in the overall calligraphy is also to give people a sense of uniformity and not messy.

I have been learning Zhao Ti for a while, but his calligraphy is really difficult, I did not stick to it, you can go to see more of his works, the achievement process, the background of the times, because this will affect the calligraphy to show a spirit, and when you see more, you will have some understanding of him, and then when to practice copying his handwriting.

At the beginning, you can buy some of his calligraphy, which is also a way to practice calligraphy, only if you are familiar with his handwriting, such as turning the edge or point, this kind of you can really take the brush to write, when you practice for a while, you can use the brush to write on the paper, just start to observe his calligraphy writing, after a period of time, according to the feeling of their own writing, and then take his calligraphy to compare to see the difference, and then to correct it, but the most needed to learn calligraphy is that you have to insist on not being like me.

1. Analyze fonts.

2. Copybook simulation.

3. Communication. 4. Persistence.

5. Inspection. Experience steps: 1. Analyze the font when practicing the font, no matter what font has its own way of writing and strokes, so analyze the structure and writing of the font before practicing the word.

2 character copy simulation copy, usually free time can buy a copy of Zhao font, follow the font practice.

3. Comprehend when practicing words, and when practicing Zhao Ti, you can't just write blindly, even if you can't comprehend the true meaning of Zhao Ti no matter how much you write, it's useless.

4. Communicate when practicing calligraphy, communicate with people who love calligraphy, and express opinions to improve yourself.

5. Insist on practicing words, insisting on practicing fonts, insisting on fishing for three days and drying nets for two days is not good.

6. Check and practice words when inspecting, self-eliminating potatoes have done where the town and bridge are not good enough, how to improve, and do a good job of inspection.

Clause. 1. The division of the era of regular script. Historically, the Eastern Jin Dynasty and the Sui and Tang dynasties are the great era of the prosperity of the Chinese culture, calligraphy is also very prosperous, this period is also the era of regular script prevailing, calligraphers come out in large numbers, the Tang Dynasty first took the cover and then appeared Yu Shinan, Ouyang Xun, Chu Suiliang, Yan Zhenqing, Liu Gongquan and other calligraphy masters.

Clause. Second, there is still a big difference between Zhao Meng's regular script and the regular script of the three masters of the Tang Dynasty.

Clause. Third, in general, Zhao Ti characters are more suitable for art candidates. Because of the need for the examination, Zhao Ti is easier to practice in a short period of time than the other three regular script fonts, and the evaluation teacher's requirements for the strokes and knots of Zhao Ti are generally looser than those of European Ti, Yan Ti and Liu Ti, and the exam is easy to promote.

Clause. Fourth, the various media that promote the book style in the society, the recommendation of Zhao style is much more obscure than that of European style, Yan style and Liu style.

Zhao Mengfu's "Bile Tablet" is the regular script throughout, which should belong to the regular script, although the line script is used at the end of the article, but it is mainly based on regular script in terms of penmanship.

Zhao Mengfu was famous for his calligraphy and painting throughout his life, especially the fine seal, subordinate, true, line, grass and other bodies, which were famous at that time. He studied Wei and Jin, was well versed in the penmanship of the "two kings", and also studied Li Beihai, which was very calm and solemn of Li Beihai.

His calligraphy is elegant, mellow, elegant and beautiful, and is called "Zhao Ti" by later generations. He left a large number of books in his life, especially the most popular and behavioral. In the regular script, the "Bile Tablet" written by him when he was 63 years old is the most exciting, which is called "the ancient strength is superb, and the quality is the first".

OK. One of the four regular scripts, Zhao Mengfu's regular script font.

Zhao Mengfu was a very influential calligrapher in the early Yuan Dynasty. "Yuan History" is preached"Meng Zhuan Seal is subordinate to the true line of grass, all of which are ancient and modern, so the name of the book is the world"。The praise is high.

According to the Ming Song Lian, Zhao's calligraphy was learned at an early age"Wonderful understanding of the eight methods, pay attention to the ancient"The Siling (i.e., Song Gaozong Zhao Gou) book, middle-aged learning"Zhong Xuan and Xi dedicated to the family", in his later years, he studied under Li Beihai. In addition, he also touched the Dingding Monument of the Yuan Wei Dynasty and Tang Yu Shinan, Chu Suiliang and others, and collected the masterpieces of the previous generations. As Wenjia said:

Wei Gong is a good calligrapher of the ancients, and all imitate it"。

A famous painter of the Yuan Dynasty, one of the four masters of regular script (Ouyang Xun, Yan Zhenqing, Liu Gongquan, Zhao Mengfu). Zhao Mengfu is erudite and talented, can be good at poetry and literature, understands economics, works calligraphy, fine painting art, is good at gold and stone, and understands Lu, and understands appreciation. In particular, calligraphy and painting have the highest achievements, creating a new style of painting in the Yuan Dynasty, which is called"Yuan people crown"。

He is also good at seal, subordinate, true, line, cursive, especially in the regular and line calligraphy.

Characteristic: The glyph tends to be flattened and square, the strokes of the Zhao body are round and beautiful, and the frame between them is square.

Zhao Ti skimming paintings, paintings, and horizontal stretching, the character gesture horizontally spread. Borrowing from the line of calligraphy, some of the words are between the lines, which is beautiful and moving.

1. Hide the dew knot. The stroke writing of regular script generally has to start from the front and return to the front to collect the pen, hide the edge, and be extremely heavy and subtle. Zhao Tizi dares to talk about the reverse into the front, but the starting point of the Zhao Ti character strokes only focuses on taking the reverse trend, reversing from the air, and does not completely hide the edge.

When the pen is closed, there is the meaning of returning to the front, but it is not deliberately frustrated to return to the front. Forcefully rounded. This kind of writing not only does not detract from the beauty of the animal, but adds a sense of vitality and natural lightness.

2. The pen stops evenly. The strokes of Zhao Ti have their own changes in weight and weight, but they are more Yanti. As for the willow body, it is obviously much more even.

And there's no such fixed program. Which stroke should be heavier and which stroke should be lighter is completely randomly determined according to the needs of the word.

3. Move and move. Zhao Ti's paintings. The horizontal painting is undulating and has the beauty of twists and turns.

4. Dotted painting echoes. Zhao Ti Kaishu borrowed from the writing method of the calligraphy, with the brushwork of the calligraphy, and the dot paintings echoed before and after, and the brushstrokes were connected. Some even simply use the way of writing calligraphy, and there is a ribbon between the strokes.

Zhao Ti Kaishu with the pen is calm, the chapter is clear, the appearance is round and the connotation of the muscles and bones, its dot painting is vigorous, the knot is wide and beautiful, the flat is dangerous, and the dot painting echoes very closely. , Zhao Ti Kaishu not only retains the law of Tang Kai, but also does not stick to Tang Kai's one move and one style, in the regular script often has some vivid and handsome calligraphy and structure, the stroke form is vivid and natural, Zhao Ti Kaishu is known as a living regular script; Zhao Tixingshu is warm and elegant, light and flowing; The penmanship is delicate and beautiful, full of bookishness and wealth. the"Calligraphy is based on the use of a pen, and the knotting of characters also requires labor.

The word cover knot has been passed down from time to time, and it is not easy to use a pen for eternity. "It has become a famous saying for the ages.

Since the Northern Song Dynasty, there have been regular scripts for learning. Su Shi said: "Calligraphy is prepared in the main book".

Among the four regular scripts, Zhao Ti Kaishu is famous for adding elements of calligraphy. Zhao Songxue is known as the first person after the Song Dynasty. Dong Qichang called him a "direct promoter".

It can be seen that he has won the charm of the Jin and Tang Dynasties. Moreover, his writings had a great influence on later generations. His masterpiece "Before and After Chibi Fu" has skillful brushwork, mellow and elegant.

Those who have great ambitions and taoguang often love it.

The landlord feels very good about Zhao Ti, this is fate. It was written by Zhao Tikai, and then he learned his calligraphy. I will definitely make a lot of progress in the study of calligraphy. I wish the landlord success in his studies.

In this era of declining calligraphy, I hope that calligraphy lovers can respect the ancients. Reinvigorate. Let calligraphy grow and sprout in the soil of socialism.

It is recommended that the landlord can log in to the "calligraphy rivers and lakes".

Kai standing, walking, grass running, no matter what you learn in the end, or based on strokes and italics, as for what font to learn, according to the tendency of the individual font to choose, it is best for all of you to know.

Just the Holy Order. You don't need to learn regular script, it's two different things.

For beginners to learn calligraphy, it is best not to learn Zhao characters first, as the saying goes, "Zhao characters have no true Kai", and it is easy to fall into a soft and boneless slippery situation. Zhao is very profound, and it is not easy to learn well without certain basic skills. It is recommended to choose the integration of Yan, Liu, Ou and Zhen according to your own preferences to start practicing, and after you have a certain foundation, it is not too late to go back to learn Zhao Ti.

Of course, it depends on your own situation, if you have mastered the structure of the frame and the basic brushwork, of course you can learn Zhao. Otherwise, don't learn from him yet, it looks very beautiful, but it's still very difficult. Personally, I think it is best to learn Yan Ti, Duobao Pagoda, and Yan Qinli.

If you are a woman, it is not bad to learn European sports, after all, there are a lot of materials on European sports now, such as Tian Yunzhang, Tian Yingzhang and the like. The landlord still has to be based on his own hobbies, I have found a lot of teachers, basically each family is different (some say Tang Kai, some say Wei Bei, etc.), in fact, the truth is like a pony crossing the river, and you have to say it yourself.

The strokes of Zhao Ti are exquisite. For example, the point method, the top point of the Zhao character or the hidden front or the open front. Zhao word left and right point, left high and right low, Zhao word long point, volley momentum, show the front into the pen, first light and then heavy, close the pen back to the front. The word Zhao echoes the point, and it is often connected by wires, which is smooth and free.

Square and round both. Zhao Ziping is horizontal and fluent, the middle is slightly thinner, and the momentum is through. Zhao word pen horizontal, after the pen that is to mention the front line of the pen, the pen is obvious, the pen is square, the pen is round, and the square and round are used.

Balance fluency. Zhao character folding, with the line of calligraphy penmanship, against the front of the pen, the pen up, that is, the speed of the front, clean and neat. Zhao Zi handle pick and fold pick in the pen is similar, in the angle of the change is also very large.

Zhao character straight vertical for the vertical dew, reverse front pen, back to the front to close the pen, smooth and long gesture. The middle vertical is thick and heavy, slightly shorter and stronger. Such as "mountain." Zhao Zi hanging needle vertical pen fast. Such as the word "in".

The word Zhao is straight like a willow leaf, and there is a curve in the straight. Flat skimming into the pen, quickly out of the front. Such as the word "incense".

Zhao Zi straight hook is ready to strike, squatting pen is out, full and powerful. The Zhao character arc hook uses Tang Li Yong's brushwork, which is strong and powerful. Zhao Zi Ge Zi hook line pen is faster, the gesture is straighter.

Second, the structure of Zhao characters.

The structural characteristics of Zhao Ti characters are: the dot painting flow is beautiful and natural, free to retract and release, the structure is rich and changeable, a large number of absorption of the writing method of the line, pay attention to the intricate changes of the knot, take the potential or take the longitudinal potential, or take the horizontal potential flat, increase the vivid beauty of the word.

Zhao body structure. 1.Calligraphy pens are divided into primary and secondary brushes, which should be avoided to make them harmonious. The main pen of Zhao character is more obvious, such as "the horizontal drawing in the set is fluent with the pen."

The hanging needle in the Chinese character is quick and sharp with the pen. It is necessary to grasp the relationship between the main and secondary strokes, such as avoidance, interspersing, etc., and all parts of the Chinese character structure should take care of each other.

The vertical pen of the hanging needle is fast.

2.Properly retracted, uneven. For example, the word "no" is slightly longer on the left side and is slightly shorter on the right side for it. Left-handed, right-clicked, to make it harmonious and natural. There must be a collection and release in a word, so as to be uneven. There is a rhythmic change.