The piano now has a new fingering, hand shape?

Hello, the bullet method you introduced may be the following two situations:

1。In the preparatory note method in legato, in order to speed up the playing, keep the fingers that are not playing up. It is generally used in high-speed playing or scale arpeggios. In fact, you don't need to practice to prepare for the sound play, and when the speed is fast, the hand will naturally be like that in order to adapt to the speed.

2。Staccato, but it's generally best to rest your fingers on the keyboard for staccato nowadays.

I've been playing the piano for so many years, but I've never heard of a novice model, piano technology is not as up-to-date as computer technology, and there is no authority to judge what is scientific and what is not. Some traditional hand fingering is only accepted in the piano world. Piano technology is also divided into many schools, and it is not easy to say who is good and who is not.

Recognized as the most advanced piano technique is the weight strumming method, which uses the weight of the arms and upper body to press the keys. The problem of hand shape generally only needs to be discussed at the elementary and intermediate level, mainly to prevent the formation of bad power habits and exercise the fingers, and wait until a certain degree of hand shape is no longer rigid, and the natural adaptation to playing is subject to relaxation.

I'm skeptical of your teacher's novice claims, though it may be that I'm unheard. Hope mine is useful to you.

I haven't heard of this method yet, but if one finger has been keyed and the rest of the fingers are up, it's a mistake to look at it.

The aesthetic problem is secondary, mainly if the other four fingers are completely unstable when the center of gravity is lifted, and the strength is all pressed on one finger, when the fingers can't bear it, the wrist and other places will help share the strength, and over time, the fingers can't be exercised at all, and the other places are stiff.

Around January this year, there was a piano teacher exchange meeting in Shanghai, and at that time, there was no mention of any new techniques. It is recommended that you figure out whether your teacher is making excuses for teaching the wrong thing himself, or if there is really such a thing. If this way of keying is new, then he should be asked to tell him where the science is.

Over the centuries, the piano has developed dramatically, and all the hand and key methods are all about playing beautiful tones, and all the practice methods are for one purpose - sound, it doesn't matter how you practice. However, the two have always complemented each other, and only with the right dynamics can you have the right tone. So no matter what kind of novice type, as long as the sound is right, you can use it.

The strength of the three joints of the fingers is very important in the initial stage, and even Horowitz's "slap the door" style of pressing the key is also evolved after the fingers have a strong foundation with the correct practice. It's like building a house, the foundation is laid, and the style changes with you.

The quick practice preparation tone mentioned upstairs is also for the other fingers to be slightly off the key, keeping them relaxed, lest the time come up too late and it is impossible to them completely.

1. The fingers are bent naturally, as shown in the figure below, forming a semicircle with the palm of the hand, holding a spherical ball.

Metacarpus. The joints (third joints), as well as all finger joints, should be raised. The first and third joints of the fingers (metacardiacal joints) should be avoided and corrected.

The collapse is concave;

2. The fingers should be naturally separated, in principle, just - fingers are aligned - keys;

3. The whole hand (from the entire forearm to the hand) should be placed on the black and white keys in a horizontal position, the fingers should be straightened, parallel to the keys, and the big fingers should be placed equally horizontally on the keys;

<>4. The position of finger touch should be the white key and the black key.

about a third of the distance. When the black key is pressed, the whole finger should be moved forward to the black key position, and the finger should be placed in the front position of the black key when playing. The key to functional training such as lifting fingers is "relaxation", which means that in order to lift the fingers, it must rely on the contraction of the muscles, which is a kind of tension.

5. It is required that the fingertips fall on the keys and cannot be used on the fingertips; Don't shake your wrists, unless you are practicing "falling roll"; The hands should not lie on the piano.

6. Finally, Gu reminds everyone that the so-called correct hand shape emphasized in the introduction of the piano cannot be regarded as an absolute and immutable thing in a sense. I hope that parents will understand this and not regard a certain hand shape, or a certain basic hand shape as an absolute thing, and think that only a certain hand shape is correct for auspicious shapes.

1. Correct fingering for playing the piano:

1. The fingers are naturally bent, forming a semicircle together with the palm, which is in the shape of an empty ball.

2. The metacarpal joint (usually called the third joint) and all finger joints should be convex, and the collapse of the first and third joints (metacarpal joints) of the fingers that are most likely to occur should be avoided and corrected.

3. The fingers should be naturally separated, and in principle, one finger should be aligned with one key.

4. The whole hand (from the entire forearm to the hand hole grinding beat) should be placed on the piano in a horizontal position, and the fingers should be straightened, parallel to the piano keys, and the big finger should be placed on the qinna key.

5. The basic position of the finger touch key should be about half the distance between the white key and the black key. When the black key is pressed, the whole hand should move forward towards the black key position, and the black key should be flicked at the front of the key.

Before playing the piano, trim your nails to ensure that your fingers are focused.

1. At the beginning, you should practice slowly, so that each finger is active and flexible, and the sound of each stool is clear and elastic, and then gradually accelerate.

2. Fingers, arms, wrists and fingers should be coordinated and cooperated, so that the arms and wrists should be flexibly adjusted to ensure that the fingers are in the best position in the playing of each note.

3. Feel the grouping of clauses according to the lines and phrases marked on the score, and according to the ups and downs of the tone, make a natural and reasonable crescendo and weakening expression tendency, so as to increase the flow of the tone and the sound.

1. Put your hand on the piano, the palm is arched, the five fingers are separated, the fingers hang down naturally, the fingertips touch the keys, and the whole hand is semicircular, which is one of the correct hand shapes for piano playing;

2. Changhuai Bi.

Second, third, fourth, and fifth fingers should touch the keys, not the fingertips; The thumb is the outer touch of the fingertip;

3. The back of the hand should be balanced, and it should not be tilted in the direction of the little finger; It is necessary to have the feeling that Ming hunger is approaching in the direction of the thumb and the celery;

4. When playing the piano, the semi-circular shape of the hand should be maintained, the fingers should not be stretched too straight, nor too bent, and the first joint of the fingers must stand straight, which is also the correct hand shape for piano playing;

5. Trim your nails frequently to ensure the standard of hand shape when playing.

The foreign name of the piano is piano, and its full name should be pianoforte, which means weak and strong. Because this instrument can produce both weak and strong sounds, it has such a very vivid name.

Later, perhaps for the convenience of the name, forte, which means a strong sound, was omitted, and only piano, which means a weak sound, was retained, and it is still used today.

The reason for the translation of Chinese into piano is that after the Opium War, some foreign merchants saw the market potential of China and exported pianos to China in large quantities, claiming that this was caused by"Steel"made the piano, so the Chinese people began to habitually call it"Piano"Finish.

History. The predecessor of the piano was the plucked clavichord, also known as the harpsichord. It is much the same as the internal principle of the piano, which is equipped with a soundboard and many taut strings inside the body.

The difference is that the piano's hammer strikes the strings, and the plucked clavichord uses a plucked plectrum to pluck the strings.

In addition, there is a keyboard instrument of the same pedigree as them, the clavichord, which is also an instrument equipped with a striking device, and is pronounced with a brass shaped mallet; It was not as widely used as the plucked clavichord, and was mainly played in aristocratic families at the time.

1. Put your hand on the piano, the hand hall is arched, the five fingers are separated, the fingers hang down naturally, the fingertips touch the keys, and the whole hand is in a semicircle, which is one of the correct hand shapes for the piano to play.

2. The second, third, fourth, and fifth finger touch keys should be fingertips, not fingertips: thumb fingertips are noisy outside the touch key 2

3. The back of the hand should be balanced, and the chop can be tilted in the direction of the little finger: there should be a feeling of approaching the thumb

4. Keep the semi-circular shape of your hand when playing the piano. The fingers should not be stretched too straight, nor too bent, and the first joint of the fingers of Qichang must stand straight, which is also the correct hand shape for piano playing:

5. Trim your nails frequently to ensure the standard of hand shape when playing.

Hand type: 1. The fingers are naturally bent, and together with the palm, they form a semi-circular shape, which is in the shape of an empty ball.

2. Metacarpal joint.

Usually called the third joint) and all finger joints should be convex, and the collapse of the first and third joints (metacarpoplar joints) of the fingers that are most likely to occur should be avoided and corrected.

3. The fingers should be naturally separated, and in principle, one finger should be aligned with one key.

4. The whole hand (from the whole forearm to the hand) should be placed on the piano in a horizontal position, and the fingers should be straightened and parallel to the piano keys, and the big finger should be placed on the keys.

5. The basic position of the finger touch key should be taken in the white key and the black key.

about one-half of the distance. When the black key is pressed, the whole hand should move forward to the black key position, and the black key should be flicked at the front of the key.

6. Fingertips are required to fall on the keys, not fingers; Don't shake your wrists, unless you are practicing "falling roll"; The hands should not lie on the piano.

Fingering, 1 for thumb, 2 for index finger, 3 for middle finger, 4 for ring finger.

5 represents the little finger. The five keys of the cdefab are 1 finger, 2 finger, 3 finger, 1 good finger, 2 finger, AB is 2 and 3 fingers.