What are the treasures of museums in various provinces of China?

Chinese culture. Over the millennia, countless cultural relics have been unearthed in the vast land of China, so each province has incredible cultural relics, the most powerful of which is known as the treasure of the town hall. Some of these treasures are because of their long history, and some are because they are significant.

But every treasure of the town hall can reflect our Chinese nation.

Splendid culture and unyielding history. Here are a few of the most famous gems in the town.

1. The Palace Museum in Beijing.

Qingming Riverside Map.

The picture of the river at Qingming Festival is one of the top ten famous paintings in China.

One. It's the Northern Song Dynasty.

The painter Zhang Zeduan.

The only remaining fine product is the highest level cultural relics in the country. The Qingming Shanghe map uses a scattered perspective method to record in detail that during the Northern Song Dynasty in China, their capital city was Bianjing.

of the bustling situation. The words recorded in detail the appearance of the city and the living conditions of people at all levels at that time. The most rare thing is that this painting is very long, more than 5 meters. It is very realistic and has extremely high historical and artistic value.

2. Hubei Provincial Museum.

Zeng Hou Yi chime.

The discovery of the bell is a miracle in the history of archaeology. It is also a miracle in the history of the world. This is a set of bells from the Spring and Autumn Period and the Warring States Period, which are made of bronze.

There are a total of 65 chimes, forming a vast array of musical instruments. The most amazing thing is that the chimes are still well preserved after they were unearthed, and they can produce a variety of different syllables, and their range spans up to 5 8 and a half degrees. Modern people can still play music with this chime.

His excavation rewrote the development of world history.

3. Xinjiang Uygur Autonomous Region Museum: Five Stars Out of the East is beneficial to China.

It's a magical artifact. When archaeologists found him, they found that there was a string of words written on it: Five Stars Out of the East to benefit China. Archaeologists can't help but be amazed, because he has a beautiful foreshadowing, implying that the current new China can take off.

In fact, he is a tapestry wrapped around the sleeve of a soldier. This cultural relic is dated to the Han Dynasty and comes from Shu, because of its beautiful meaning, it is listed as a national first-class cultural relic, and it is the first batch of cultural relics that are prohibited from being exhibited abroad.

Other provinces have their own treasures, which is really a blessing for Chinese culture.

Stepmother Wuding, Nine Dragons and Nine Phoenix Crowns, Taiping Heavenly Kingdom Hong Xiuquan's jade seal, Western Zhou duck-shaped zun, Jiahu bone flute.

Chengdu Museum is a gold and platinum sun god bird NO1 .........

The treasures of the National Museum are as follows:

1. Neolithic Yangshao culture painted stork stone axe picture pottery jar

Reflecting the budding style of painting art in China's prehistoric period, it is an outstanding representative work of Yangshao culture in the Neolithic period, and it is the earliest and largest painting work unearthed in archaeological discoveries so far.

2. Neolithic Yangshao culture painted pottery human-faced fish-pattern basin

This Neolithic Yangshao culture painted pottery human face fish pattern basin is a model of China's Neolithic painted pottery technology, is the representative work of Yangshao cultural painted pottery technology, and is the symbol of Yangshao cultural Banpo site.

3. Neolithic Yangshao culture pottery eagle ding

So far, archaeological discoveries have unearthed the only bird-shaped pottery in the Neolithic period, which has created a precedent for the bronze shape of birds and beasts in the Shang and Zhou dynasties, and is the crystallization of the wisdom and wisdom of the ancestors of the Chinese nation more than 6,000 years ago, and is an extremely rare cultural relic.

4. Shang Dynasty bronze Simu Wu Dafang Ding

So far, the largest and heaviest bronze ware unearthed in China reflects the superb level of bronze casting technology in the Shang Dynasty, is the crystallization of the wisdom and wisdom of the craftsmen of the Shang Dynasty, and is an outstanding representative of the bronze culture of the Shang and Zhou dynasties, enjoying the reputation of "the treasure of the town".

5. Shang Dynasty bronze four sheep square honor

So far, the largest and heaviest Shang Dynasty bronze Fangzun unearthed in China is the pinnacle of Shang Dynasty bronze casting, known as "the ultimate bronze model", as the essence of China's ancient cultural relics and masterpieces were compiled into the Ministry of Education middle school history textbook.

1. Four sheep Fangzun.

The largest square in the Shang Dynasty, the design is exquisite and exquisite. At the shoulders are four curly horned sheep's heads, and the belly is the front breast of the sheep. Siyang Fangzun set line carving, round carving, relief carving and other carving skills, dignified and elegant, fine casting, is the pinnacle of the Shang Dynasty clay model casting process.

It took several twists and turns for this instrument to be preserved.

In 1938, farmers in Ningxiang, Hunan Province, discovered this earth-covered treasure when they were digging soil to grow sweet potatoes. During the Anti-Japanese War, Siyang Fangzun moved to Yuanling with the Hunan Provincial Bank, but the convoy was bombed by the Japanese invaders, and Siyang Fangzun was blown into more than 20 pieces. Since then, the broken Siyang Fangzun has been discarded in a wooden box in the warehouse of the Hunan Provincial Bank until it was restored after liberation.

There are hardly any signs of breakage now.

2. Stepmother Wuding.

It was once called Simu Wuding, which was a sacrificial vessel made by Shang King Zu Geng or Zu Jia to worship his mother Wu. The stepmother Wuding weighed kilograms, which belonged to the country's heavy weapon at that time. The body is decorated with animal face patterns and dragon patterns, and the outer ears are decorated with double tiger cannibal patterns.

In the belly of the tripod is cast with the three characters of the queen mother, and the font is strong and plump.

Wuding, the stepmother, is the largest surviving Shang Dynasty bronze ritual vessel in China, and it is also a cultural relic prohibited from being exhibited abroad in the People's Republic of China.

3, Tao Yingding.

Tao Yingding looks mighty and majestic. The front chest of the eagle is full and thick, and the mouth is open on the back of the eagle. The eagle's eyes are wide open, its body is smooth and unadorned, and its beak is in the shape of a powerful hook.

The overall structure of the eagle tripod is simple, the sense of volume is very strong, the feet and tail of the eagle are stably supported on the ground, and the wings of the retract are around the middle and rear of the tripod, forming a kind of forward fluttering momentum, with the big eyes and sharp beak of the eagle head, making the eagle appear majestic and majestic.

4, Dayu water control map Yushan.

Yu Yu water control "jade mountain, 224 centimeters high, 96 centimeters wide, 60 centimeters high, is the most macro material in the treasure house of Chinese jade, the longest road, the longest time, the most expensive, the most finely carved, the most huge, the largest jade carving handicrafts, but also one of the largest jade carvings in the world.

It describes the story of Dayu's water control that has been passed down through the ages, and is based on the Song Dynasty or the Song Dynasty before the Song Dynasty in the Qing Dynasty. Xia Yu is the holy king of the people for a long time, and Dayu's water control is a great achievement that people have been praising for thousands of years.

1. Painted pottery pot with fish pattern on human face.

This is a human-faced fish-patterned faience pot unearthed in 1955 in the Yangshao culture (5000 BC to about 3000 BC) at the Banpo site in Xi'an, Shaanxi. Yangshao culture is Neolithic.

The culture created by ancient ancestors in the middle reaches of the Yellow River.

This faience pot is not a living utensil, but an urn coffin used by the ancestors to bury children who died young, and this basin was fastened on top of the urn coffin as a lid. The meaning of the human-faced fish pattern may be inferred that it may be a sorcerer who used fish as an ornament to surpass the children who died young.

2. Yu Jizi white bronze plate.

This ** piece is Qing Daoguang.

During the year, the bronze plate of King Xuan of Zhou unearthed in Baoji, Shaanxi Province, about 2700 years ago. The reason why this seemingly inconspicuous plate is precious is that the shape of the vessel is huge, the ornamentation is exquisite, and there is a very beautiful inscription of 8 lines and 111 characters cast at the bottom of the vessel, which describes that Yu Ji Zibai led the army to fight against Yan Li in the north of Luoshui, and after the great victory, King Xuan of Zhou gave this plate to Yu Ji Zibai.

3. Longitudinal bronze mask.

This longitudinal bronze mask was unearthed in Sanxingdui, Guanghan, Sichuan Province in 1986, about 3600-3100 years ago. The Sanxingdui site is so far in the southwest of China.

The ancient Shu with the longest duration and the richest cultural connotation has been discovered.

Cultural sites. The high, protruding eye figure on this bronze mask is a unique artistic feature in the world.

4, Ming Xiaoduan Queen Phoenix Crown.

This phoenix crown of Empress Xiaoduan of the Ming Dynasty was built in 1957 at the Ming Ding Mausoleum in Beijing.

Unearthed, is the Ming Wanli.

The phoenix crown of the Emperor Xiaoduan Empress. The top of this phoenix crown is decorated with several golden dragons, and several jade phoenixes are decorated under the moire, and the phoenix crown is also decorated with a large number of gems and pearls, which can be described as extremely luxurious and exquisite.

5. Stepmother Wuding.

The stepmother Wuding was in Anyang, Henan in 1939.

Unearthed in Wuding Village, it is made by Shang King Zu Geng or Zu Jia to worship his mother Wu, and it is a representative work of bronze culture in the Shang and Zhou dynasties. It is named because of the inscription "Houmu Wu" cast on the inner wall. This Dading was once called "Simu Wu."

In fact, it is a misreading of the inscription.

All I know is

Simu Wuding is now called Houmu Wuding, in the bronze exhibition hall of the National Museum

Some should be in the ancient Chinese exhibition hall, because there are some ancient cultural relics

Simu Wuding and Li Zhen are in the bronze exhibition hall on the fourth floor, the oil paintings of the founding ceremony are in the revival road exhibition hall on the first floor, and the rest are in the ancient Chinese exhibition hall on the first floor of the basement, and the tour time is June 23, 2018.

The treasure of Chengdu Museum is the Tianfu stone rhino.

According to the record of "Huayang National Chronicles", it is said that when Li Bing controlled the water, he once made five stone rhinoceros to hate water spirits. Chengdu Museum also has a stone rhinoceros, it is long meters, wide meters, high meters, weighs about tons, unearthed in 2012 in the northeast side of Chengdu Tianfu Square, the shape resembles a rhino, the overall carving style is rough and simple, as a standing shape, the torso is plump and strong, the limbs are thick and short, and the lower jaw and forelimbs are carved with a moire pattern.

The huge rhinoceros is the largest round carving stone carving in the same period in China discovered so far, and has extremely high archaeological and artistic research value. The cute appearance of the stone rhino inexplicably makes people feel cute, and the citizens affectionately call it "cute cow cow".

When the "cute cow cow" was first unearthed, the whole body was "sick", which was worrying. The surface is covered by reinforced concrete, and the rest of the parts have a variety of diseases such as weathering and pulverization, flake peeling, and missing, which is rare because the situation is complex and difficult to protect.

At the beginning of 2013, the protection of the stone rhino has achieved preliminary results, in order to allow the general public to see the style of the beast in advance, Chengdu Jinsha Sun Festival, the stone rhino in the Jinsha Site Museum for a period of 20 days of short-term exhibition.

In 2016, the Chengdu Institute of Cultural Relics and Archaeology handed over the stone rhinoceros temporarily stored in the Jinsha Site Museum to the Chengdu Museum in Tianfu Square. After the systematic treatment and scientific protection of the cultural conservation personnel, the mythical beast finally saw the light of day, got rid of dampness and disease, and is now healthy and energetic as a valuable cultural heritage to meet the world.

Excavation of Tianfu stone rhino:

In 1973, Chengdu ** built a telecommunications building on the north side of today's Fuguang auction field, when digging the foundation, a stone beast was excavated, and the cultural and historical experts at that time believed that the telecommunications building site belonged to the scope of Xuanhua Yuan during the Five Dynasties, and the stone beast may be the stone lion in front of the Rui Beast Gate of Xuanhua Garden. However, because the stone beast was too heavy, the technical conditions at that time were limited, so it could not be removed and left in its original place.

In 2010, due to the needs of Chengdu's municipal construction, the telecommunications building was demolished and rebuilt into the Sichuan Grand Theater. In August 2012, in order to cooperate with the construction of the Sichuan Grand Theater, the Chengdu Institute of Cultural Relics and Archaeology (Chengdu Cultural Relics and Archaeology Task Force) began a formal archaeological excavation of the site of the former Tianfu Square Telecommunications Building.

On December 16, 2012, the stone beast revealed its true face, buried in the stratum below 3 meters from the surface, carved from the whole piece of red sandstone, made a standing shape, buried sideways in the pit, head east and tail west, the spine was early and complete, and the ears, eyes, jaw and nose were carved concisely. According to the stratigraphic relationship and the age characteristics of the relics coexisting in the pit, experts preliminarily judged that the burial time of the stone beast was about the end of the Shu Han Dynasty to the Western Jin Dynasty, and the production and use age should be in the Qin and Han dynasties.

The top ten treasures of Shaanxi Museum: gilt dancing horsebit cup pattern silver pot, mandarin duck lotus petal pattern gold bowl, gold-inlaid beast head agate cup, Tang Sancai Zaile camel, queen's seal, gilt silver bamboo copper smoker, blue glaze beam inverted pot, parrot pattern handle silver pot, black glaze oil drip bowl, painted goose fish copper lamp.

1. Gilded dancing horsebit cup pattern silver kettle

There are only two cultural relics in Shaanxi Libo that are never exhibited abroad, and one of them is this one. The horse on the silver kettle is a dancing horse, which is a horse that has been specially trained to perform horse dance.

2. Mandarin duck lotus petal pattern golden bowl

Shaanxi History Museum treasures a Tang Dynasty mandarin duck lotus petal pattern carved gold bowl, unearthed in 1970 in the cellar of Hejia Village, Xi'an, Shaanxi, a total of two, representing the height of the production of gold and silver in northern China during the Tang Dynasty.

3. Agate cup inlaid with gold beast head

It is one of the precious cultural relics that cannot be exhibited abroad. The cup is horn-shaped, and the head beast resembles a cow, but it has two curved antelope horns, which are strangely decorated. The mouth is inlaid with gold caps, and the eyes, ears, and nose are all delicately depicted.

4, Tang Sancai carries a happy camel

This group of dance figurines, from its form, style analysis, can be determined to be the work of the Tang Dynasty, the musical instruments used in the figurines are basically Hu music, and the dancers are all Han people wearing Han clothes.

5, the Queen's Seal

6. Gilt silver bamboo copper smoker

This imperial gift was unearthed in Maoling, Xingping County, Shaanxi Province, and although it has gone through thousands of years, it still shines. This piece collected in the Shaanxi History Museum is also the only one of the gilded silver bamboo copper smokers found so far, which can be called the treasure of the town museum.

7. The green glaze beam is poured into the pot

Shaanxi History Museum collection of five generations of blue glaze beam pouring pot, is the most exquisite and beautiful treasure in Yao porcelain, it set the "three kings" aura, domineering, glamorous in one, can be described as ingenious, is likely to be a tribute to the court.

8. Parrot pattern handle silver jar

It is the most atmospheric and exquisite piece of Tang Dynasty silver jar known so far. The parrot engraved on the silver pot is ready to fly, fresh and plump, just matching the round shape and the full group of flowers, giving people a feeling of wealth and festivity.

9. Black glazed oil drip bowl

Oil droplets, is one of the special varieties of black glazed porcelain in the Song Dynasty, characterized by small dots with silver-gray metallic luster on the jet-black glaze, like the stars in the night sky, and like a drop of crystal oil beads, very beautiful.

10. Painted goose fish copper lamp

Western Han Dynasty, in the Shaanxi History Museum. The whole lamp is in the shape of a wild goose looking back at a fish. The lamp tray lampshade can be rotated to open and close, not only to block the wind, but also to adjust the brightness and direction of the light.