The questions of Li Bai s ancient poems are also Li Bai s poems in the mountains and the analysis of

This is probably a clerical error in copying, and I also had this question when I first learned.

The information was consulted later. There is such a clause in the comment:"Wind: A work of "Jun". "

It may be that someone made changes according to their own will when copying it, and it is impossible to verify what the original text was.

I have the Tang 300 before the revolution in this article, and it is written above"Jun"

It's good to keep improving.

However, since I am a student, I mainly use books when taking exams.

I thought that China's exam-oriented education made us have to do this.

There are many different theories about Yelang, and its general area is the southwest area, that is, Yunnan, Guizhou, Sichuan, and Hunan. Because the regional division at that time was very different from now, and after the wars and ethnic disputes in the Qin and Han dynasties, its capital was likely to be moved around, (just like the early days of the Western Zhou Dynasty, and then the capital was set in Chaoge), resulting in these provinces are said to have the remains of Yelang. (This is also a statement generally accepted by historians at present).

Upstairs! To know is to know, and not to know is not to know. Don't be unreasonable. Also mislead others!

One word has a big relationship! It involves literary meaning, artistic conception, etc.

Haven't you heard?"The spring breeze and the south bank of the Green River"with"The spring breeze blows on the south bank of the river again"The difference?

Don't you know the scrutiny?

The book also says that follow the king until the night is long. Yoro is a location.

It is better to believe in a book than to have no book at all!

The most important thing in poetry is to taste the beauty of artistic conception, don't find faults!

Author] Don Leebai.

asked Yu what he meant to live in Bishan, and smiled without answering. The peach blossoms are gone, and there is no heaven and earth and no world.

This poem is a seven-character quatrain by the Tang Dynasty poet Li Bai, the poem expresses the author's natural taste for life in seclusion in the form of questions and answers, and also reflects the poet's ambivalence.

Let's take a look at this poem, the first and second sentences of the poem, [ask Yu what he means to live in Bishan, laugh but not answer his heart and leisure], the first sentence starts abruptly, the latter sentence is blurred, the poem leads the orange in the form of a question, highlighting the topic, in order to arouse the reader's attention, when people are about to listen to the answer, the poet's pen is deliberately swaying, [laughing but not answering], the question of the layman, on the betrayal is why Li Bai wants to live in seclusion, but his seclusion is really not easy to say so clearly, so that the layman can understand, Moreover, it is inconvenient for the laity to say such things, and there is no need to talk about them, so he [laughs but does not answer];

Let's go on to look down, "The peach blossoms are flowing water, there is no heaven and earth and not the world", this is the scene of [Bishan], in fact, it is the answer to "He Yiqi Bishan", this kind of structure that does not answer and seems to be broken and connected deepens the charm of the poem, these two sentences use the allusion of Tao Yuanming's "Peach Blossom Spring", and render and praise it as a fascinating beauty, because the demeanor of "laughing but not answering" written above, as well as the discussion of the last sentence all reveal this feeling;

This poem is completely oral, very simple, like flowing water, smooth and natural, natural, although the whole poem is only four sentences and twenty-eight words, but there are questions, answers, narratives, descriptions, discussions, is a good masterpiece;

Okay, that's all for this issue, we'll see you next time.

I think you can see this directly, and I think you can see it directly. Here are some inconsequential encyclopedias!!

The purpose of Li Bai's "Mingtang Fu" was to seek an official position, and the writing time was before the demolition of the Mingtang in the twenty-seventh year of Kaiyuan. Due to his family, Li Bai could not be promoted and promoted to enter the official career, and could only take the road of dedication, which was the reason for the true dedication of the scholar. [6]

In the twenty-third year of Kaiyuan (735), Xuanzong hunted again, and it happened that Li Bai was also traveling to the west, taking the opportunity to present "The Great Hunting Fu", hoping to win Xuanzong's appreciation. His "Great Hunting Fu" hopes to use "the great road Kuangjun, showing Zhou Bo", and "the holy dynasty garden pond is barren, poor Liuhe", the territory is vast, the situation is very different from the previous generation, boasting that the current dynasty is far superior to the Han Dynasty, and at the end of the preaching of Taoism of the Xuanzong, in line with the mood of Xuanzong advocating Taoism at that time.

That year, after Li Bai entered Chang'an, he got acquainted with Zhang Qing, the captain of the guard, and offered a poem to Princess Yuzhen through him, and the last two sentences said "When to enter the young room, the queen mother should meet", which is to wish her to become an immortal. In this way, he gradually approached the upper echelons of the ruling class. Li Bai also got acquainted with He Zhizhang in Chang'an this time.

Li Bai went to Ziji Palace, where he met He Zhizhang, immediately stepped forward to meet him, and presented the poems in his sleeve. He Zhizhang quite admired "Shu Dao Difficulty" and "Wuqi Song". Li Bai's magnificent poetry and chic demeanor surprised He Zhizhang, and he actually said:

Gong is not a person in the world, isn't it too white star? He Zhizhang called him an immortal. Three years later, Li Bai sighed that "it is difficult to travel, and he will return" and left Chang'an.

4] How difficult is it for Li Bai to become an official? Twice gave gifts to Tang Xuanzong, and made friends with dignitaries everywhere.

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Enshrined in Hanlin. In the first year of Tianbao (742 AD), due to the praise of Princess Yuzhen and He Zhizhang, Xuanzong saw Li Bai's poetry and admired it very much, so he summoned Li Bai into the palace. On the day Li Bai entered the palace to meet him, Xuanzong descended to greet him, "giving food to the front with a seven-treasure bed, and mixing the spoon with his own hands."

Xuanzong asked about some affairs of the world, and Li Bai relied on half of his life to study and long-term observation of society, and he was confident and answered fluently. Xuanzong greatly appreciated it, and immediately ordered Li Bai to worship Hanlin, and his duty was to write poems and entertainment for the emperor and accompany the emperor. Whenever Xuanzong had a banquet or outing, he would order Li Bai's attendants to use his agile poetic talent to write poems.

Although it is not a meritorious service, it is also passed down to future generations and boasted to future generations with pomp. Li Bai was so favored by Xuanzong that his colleagues were envious, but some people were jealous because of this.

In the past, when I went to Changsha, I played the yellow crane tower, and the plum blossoms were silent;

I look at the autumn moon today, the sails are hanging up and down, and the maple leaves are one after another.

This couplet is evenly converted into Li Bai's verses, but the meaning is very appropriate. Shanglian is from "Listening to the Flute on the Yellow Crane Tower with Shi Lang Zhongqin", the original poem is: "One is to move to Changsha, and the west looks chaotic and fights with Chang'an and does not see home."

The jade flute is played in the Yellow Crane Tower, and the plum blossoms fall in May in Jiangcheng. It is written about the melancholy triggered by Li Bai when he listened to the flute in the Yellow Crane Tower. Here, the author used the word "Fu Gong" at the beginning of the joint meeting, indicating that it was a past incident that happened to Li Bai.

The following link is from "Night Park Niuzhu Nostalgia": "Niuzhu Xijiang night, there is no cloud in the blue sky. Boarding the boat to look at the autumn moon, empty memories of General Xie.

Yu can also sing highly, and people can't hear it. The Ming Dynasty hung sails, and the maple leaves fell one after another. Originally, the poetry was Li Baiqiu's night on the Niuzhu River, remembering that Yuan Hong of the Eastern Jin Dynasty recited his own epic here, and happened to be heard by Xie Shang, Yinshu was very appreciative, and since then the story of the fame has been written day by day, I can't help but touch the scene, feel that I have an empty stomach full of talent, but unfortunately no one appreciates it, resulting in the melancholy that the ambition of life can not be realized.

Here the author added the word "I", indicating that he traced the footprints of the poet, floated under Cuiluo Mountain, came to Taibai Tower, boarded the boat to look at the autumn moon, and re-saw the maple leaves that Li Bai saw back then. Since the scenery is the same, the feelings are also the same as those of Taibai. "Plum Blossom Silent" and "Maple Leaf" are speechless, but the emotions they trigger are like threads, worth a thousand words.

Although the upper and lower couplets are all from Li Bai's poetry, but the artistic conception is ancient and modern, a poet and a poet himself, both the nostalgia for Li Bai's style, and the soul of himself and Li Bai, which is used in Taibai Building, which can be described as meaningful.

Night Park Niu Zhu Nostalgia".

At night in the West River of Niuzhu, there is no cloud in the blue sky.

boarded the boat to look at the autumn moon, and reminisced about the general in an empty stool.

Yu can also sing highly, and people can't hear it.

The Ming Dynasty hung the shirt sail in the hall, and the maple leaves fell one after another.

At night in the Xijiang River of Niuzhu, there is no cloud in the blue sky.

Boarding the boat and looking at the autumn and the moon, the empty memory of General Xie is sharp.

Yu can also sing highly, and people can't hear it.

The Ming Dynasty hung the foundation to tease the sails, and the maple leaves fell one after another.