Who knows what brush calligraphy Yan Zhenqing has? 5

There are many works of Yan Zhenqing, the famous ink, the regular script has "Zhushantang Couplet Poems", "Farewell Post"; There are "Manuscripts for the Sacrifice of Nephews", "Liu Zhong's Envoy Post", "Huzhou Post" and so on. Among them, except for the "Manuscript of the Sacrifice of Nephews", which is recognized as authentic, there are still different opinions on the authenticity of the rest of the works. But it's all inkblots that have been circulating.

Yan Zhenqing wrote a lot of inscriptions in his life, and there are "Duobao Pagoda Tablets" that have been handed down to this day, with a dignified and precise structure, beautiful and colorful; "Oriental Shuo Painting Praise Monument", the style is clear and majestic; "Qinli Monument", majestic and neat. In addition, there are "Magu Xiantan Ji", "Tang Zhongxing Song", "Yuan Jie Tablet" and so on. There are also a lot of his calligraphy engraved posts, and the middle posts collected by the past dynasties generally have his works, and the single posts have "Fight for the Seat Post" and "Envoy Post" and so on.

Manuscript of the Sacrifice of Nephew Ji Ming", line of grass ink, vertical centimeter, horizontal centimeter, 25 lines, a total of 230 characters. This post is a manuscript, and it was not originally written as a calligraphy work, but because it was not intended to be a book, it became a rare masterpiece of the Yan family. He uses his pen with a frank and unobtrusive but natural and vivid wonder.

Therefore, this post is flying, the posture is horizontal, the gesture is majestic, and it is super sacred, and it is known as the first in Yan Shuxingcao. Yuan Xian Yushu once commented on this post as "the second book in the world".

The above is Yan Zhenqing's work, but as our temporary use of the elected "Yan Qinli Monument" is more suitable, because his work is made in his twilight years, in his life of calligraphy is the "peak of calligraphy", his regular script against the early Tang Dynasty style of calligraphy, with the pen of the seal, thin and hard into plump and majestic, the body is broad and magnificent, the bone strength is strong and awe-inspiring, this style also reflects the prosperous demeanor of the Tang Empire, and fits with his noble personality, is a perfect combination of calligraphy beauty and personality beauty example.

Ink book: regular script "Self-written Confession", Xingshu "Manuscript of the Sacrifice of Nephews", "Liu Zhong's Envoy Post".

Inscriptions: "Fight for the Seat Post", "Duobao Pagoda Tablet", "Oriental Painting Praise", "Yanjia Temple Tablet", "Magu Xiantan Record", "Yan Qinli Tablet", "Zhongxing Song", "Baguan Zhai Ji" and so on.

It is recommended that you are interested in taking a look at the "Chinese Calligraphy and Painting Newspaper", which is talking about the Yan style technique in the "Senior Hanyuan", which is very suitable for learning and operating, and there are teachers to give comments on homework.

The temporary study was elected, "Duobao Pagoda Tablet", the structure is dignified and precise, beautiful and colorful.

Famous inscriptions: regular script "Duobao Pagoda Tablet", "Qinli Tablet".

Xingshu: The second Xingshu in the world "Manuscript of the Sacrifice of Nephews".

Others: "Self-Written Confession", "Fighting for the Seat", "Oriental Painting Praise", "Yanjia Temple Tablet", "Magu Xiantan Ji", "Zhongxing Song", "Baguan Zhai Ji", "Tang Zhongxing Song".

Yuan Jiebei "Zhushan Hall Couplet Poems".

In the process of learning Yan Zhenqing's calligraphy, calligraphy is a very important tool. It can help us better learn the calligraphy font of the brush, and has an impact on the style of calligraphy. Here's what I've put together.

The way to learn calligraphy, the traditional concept is that we should start with Tang Kai, go against the times, and further practice the southbound, northern, Han Li, and Qin seals on the basis of writing regular script. Another concept is that starting from the immature development of adolescent hand muscles, we can start with the Qin seal, which has less changes, and go down from the time to time, from the grass to the regular script. There is a truth to these two notions.

You can first grasp the structure of the characters through the speculation and analysis of the bold characters. On this basis, we can choose our favorite font according to our personality and hobbies, and practice hard.

Yan Zhenqing's brush calligraphy bent or calligraphy**.

To practice words, you must first practice your eyes, that is, read the post carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancient people did not rely on copying to learn to write, they often hung the calligraphy works of the ancients on the wall, and concentrated on it.

Ouyang Xun of the Tang Dynasty found the stele written by Suo Jing in the Jin Dynasty, and he couldn't bear to leave, so he simply sat down and read the stele for three days. The more posts you read, the higher your eyesight will be, and you will know how to write. There is an idiom called "the eye is high and the hand is low", and some people believe that the eye height is the premise of the hand height.

If you can't discover beauty, you can't know what beauty is, let alone create beauty.

The role of the copybook.

Generally, children will have a notebook soon after entering the campus, which is specially used to copy and learn, this is because the children are in contact with writing at this time for a relatively short time, and have not formed their own writing personality, in order to guide children to write beautiful and beautiful Chinese characters correctly, calligraphy is a more effective way for children to practice. By copying and writing, children will gradually adapt to the way characters are written, so as to write words with style.

Yan Zhenqing is one of the four masters of regular script in China, and his calligraphy font has an important influence on our country. So, about Yan Zhenqing's brush calligraphy font introductory copy**, have you appreciated it? The following is my Yan Zhenqing brush calligraphy font entry copy**.

Yan Zhenqing brush calligraphy font introductory copy**1

Yan Zhenqing brush calligraphy font introductory copy**2

Yan Zhenqing brush calligraphy font introductory copy**3

Yan Zhenqing brush calligraphy font introductory copy**4

Yan Zhenqing brush calligraphy font introductory copy**5

Yan Zhenqing brush calligraphy font introductory copy**6

Yan Zhenqing brush calligraphy font introductory copy**7

Yan Zhenqing brush calligraphy font introductory copy**8

Yan Zhenqing's calligraphy beginner Chu Suiliang, and then got to write to Zhang Xu, and also worked with Huaisu to ** calligraphy. He conducted in-depth research on the calligraphy of Erwang and Chu Suiliang, absorbed their strengths, completely got rid of the style of the early Tang Dynasty, and created a new style of calligraphy. Yan Zhenqing's book style is called "Yan Ti", and Liu Gongquan is called "Yan Liu", which has the reputation of "Yan Muscle and Willow Bone".

Yan Zhenqing's real book is majestic and dignified, and the knot has changed from the slender and long in the early Tang Dynasty to a square, with a centripetal force. The pen is strong and strong, good use of the center of the penmanship, there are muscles and bones, there is also a sharp edge, the general horizontal painting is slightly thinner, vertical painting, point, apostrophement and slightly thicker. This style of writing is majestic, multi-forced, and has the atmosphere of the Tang Dynasty.

His cursive writing, strong and powerful, revealing his true feelings, calm structure, and flying dot paintings, opened a lifetime for cursive writing after the Wang School. Yan Zhenqing's calligraphy is vigorous and vigorous, this style also reflects the prosperous demeanor of the Tang Empire, and fits with his noble personality, which is a perfect combination of calligraphy beauty and personality beauty, so it is praised as "the second line of calligraphy in the world" by later generations.

is more dignified and vigorous, and "Yan Qinli Monument" is also his work, but the thin strokes are not quite the same as other inscriptions. "Yan's Family Temple Tablet", calligraphy is rich, and it is also his proud work in his later years, which is more vigorous and atmospheric than his works in his early years, and is a representative work of his later years.