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Calligraphy is a unique art form in China and the foundation of traditional Chinese aesthetics. Below I bring you is Lishu brush calligraphy, I hope you like it.
Appreciation of regular script soft pen calligraphy copybook:
Regular script soft pen calligraphy calligraphy 1
Regular script soft pen calligraphy copybook 2
Regular script soft pen calligraphy calligraphy 3
How to write the horizontal painting of regular script:
The ancients called the writing of horizontal painting as Le, like "the precipice of the horse", that is, when the pen is down, it is necessary to go backwards and pause, and then run to the right by pulling the pen, and stop when the pen is closed, that is, to hold back to the front to close the pen. There should be a kind of astringency when running to the right, like "a thousand miles of clouds".
However, because the style of each calligrapher's character is different, although they are all used in this kind of brush, due to the subtle changes of reverse entry, downward press, pause, and back, and the difference in the thickness of the straight and straight when running to the right, there will be different artistic effects. If we compare the horizontal painting styles of Yan, Liu, Ou and Zhao, we can see the subtle changes in this writing style and the differences in styles caused.
Small block calligraphy tip jointing method:
Where the small Kai dot painting up and down communication, left and right junction, is also dense crowded place, here with the pen should be virtual, can be used sharp joint, that is, when the pen is sharpened sideways, the tip is real in the virtual, dense in the sparse, no suffocation crowding, this kind of brushwork, in the calligraphy terminology is also called "bamboo shoot seam method", which is a major feature of the small Kai pen. There is a cusp, a two-cusp, a three-cusp, an upper cusp, a five-cusp, and two remote spikes. Zhu Hetang's "Linchi Heart Explanation" said:
Calligraphy and painting to undertake the place, the first to be light and fast, no pen and ink marks, such as antelope hanging horns, scholars are proficient, self-ability and mental dexterity. "It should be noted that the pen should be sharp, the pen should be round, and the pen will be opened outward, forming a kind of internal sparse and dense body, then the word is open and empty, and the other side should pay attention to the changes of virtual and real.
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In the vast river of Chinese calligraphy, there are five brilliant pearls of seal, li, kai, line and grass. Each of these five fonts has its own characteristics, writing methods and structural styles. Below I bring you is a soft pen calligraphy line calligraphy, I hope you like it.
Soft pen calligraphy line calligraphy book appreciation soft pen calligraphy line book copy 1
Soft pen calligraphy line book 2
Soft pen calligraphy line calligraphy book 3
Soft pen calligraphy line calligraphy calligraphy 4
Soft pen calligraphy line calligraphy copybook 5
Selected posts and copying of books
Some friends practice calligraphy, like to sway freely, express to their heart's content, which is understandable in terms of creation, but practice words should not be so. Because the practice of calligraphy should be to learn from the good words of the predecessors, master it, make it into one's own skills, overcome one's own shortcomings, and also study any kind of knowledge should be taken attitude. Why do you want to practice?
I must be aware of my own shortcomings, but I still can't achieve my goal if I don't pay attention to the method when practicing. I often see some friends holding a post and writing for a long time, and the words have not changed much, and the reason for this is nothing more than the method of practice. It is common sense to write on the spot.
Pro is to compare the font on the copybook will be its pen method and the rule of knotting, if necessary, also use tissue paper to collect some words hook copy the shadow to memorize in mind, apply to the pen, so as to change their writing habits, not just copy the text content on the post, some comrades over and over again, wasted a lot of time and energy, in the end or their original appearance, and no progress, this is probably not the post but the result of copying the book.
In the practice of the post, for beginners or comrades who do not have a deep understanding of the original post, it is advisable to choose the word to enlarge, so that you can better and more clearly understand and analyze the penmanship and structure of the original post. For some people who have mastered the method of practice, it is advisable to use the original Datong, because for them, the penmanship and the rules of the knot are no longer a problem, and it is more important to experience the charm, chapter or charm and style of the original post.
For beginners, the appearance, size, dispersion, and correction of the original glyphs, as well as the lifting, retracting, length, angle, square circle, and echo of the strokes, should be carefully observed, analyzed, and experienced. My experience is to first select some structures and strokes are representative of the word, according to the above aspects of analysis, after having an impression you can start to write, after a comparison with the original word, find out the place that does not fit the original post and then compare with the practice, so repeated several times, gradually close to or similar to the original post, you can remove the original post, back again.
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Cursive is one of the most able to express the writer's temperament, and it can also be said to be the most difficult kind of calligraphy.
Hard pen calligraphy calligraphy calligraphy cursive appreciation Hard pen calligraphy calligraphy cursive **1
Hard pen calligraphy, calligraphy, cursive**2
Hard pen calligraphy calligraphy cursive **3
Hard pen calligraphy calligraphy script cursive **4
Hard pen calligraphy calligraphy cursive **5
Learn how to get started with cursive
Learn chapter grass first. There is a kind of character script that is a line of regular script and a line of cursive script, so that it can be compared and easy to recognize and remember. The first way to learn cursive characters is also the basis for learning grass. This post is easy to help discern the ins and outs of each word and each stroke.
From small grass to big grass.
Some grass can't be learned, that is possessed by gods, "Thousand Characters Wen Remnant Stone" can only be appreciated or analyzed by partial copying, so you can learn the grass first. Xiaocao emphasizes rationality and commonality, clarifies the basic calligraphy form and penmanship, and then expands to Dacao, as a resource for writing Dacao in the future, so that the creation of Dacao in the future conforms to the law. For example, like Wang Xizhi's "Seventeen Posts".
See "Song of the Grass".
The Song of the Grass Break can only be used as a reference tool, and cannot be copied for a long time, just like some people take a dictionary to copy, which is not advisable.
A simple distinction in cursive
Cursive in a broad sense: refers to the cursive writing style. It includes two scenarios:
First, in the ancient times when the characters were not uniform, there would naturally be no unified and standardized cursive, and the scribbled characters that appeared at that time belonged to cursive in a broad sense; Second, after the unification of the text, in the case of emergency, or when drafting the manuscript and recording the conversation of others, the pen is fast, the strokes are linked, omitted, and the non-standard scribbled words written by hand are difficult to use for communication, and even the person who writes is difficult to identify after a long time, and this kind of scribbled words belong to the broad sense of cursive.
Cursive: In order to facilitate writing, after a long process of convention, especially in the period of transformation from seal script to official script, the number of popular cursive characters gradually increased, and the writing method was gradually unified. Since the drafting of the draft law, it has been basically formed, and the conventional draft law has both the normative nature of the law and has great flexibility, and its basic content includes the following three aspects:
First, cursive is a style of writing with omitted strokes and a simple structure. Second, cursive script uses dot painting as the basic symbol to replace the side and a certain part of the character, which is the most symbolic style of calligraphy. The third is that the strokes of cursive script echo each other with each other, which is convenient for quick writing and easy to express the emotions of the writer.
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Xingshu is a font that developed and originated on the basis of regular script, which is between regular script and cursive script. What I bring to you below is a hard pen calligraphy line calligraphy copy, I hope you like it.
Hard pen calligraphy line calligraphy copy appreciation Hard pen calligraphy line book copying **1
Hard pen calligraphy line calligraphy copy**2
Hard pen calligraphy line calligraphy copy**3
Hard pen calligraphy line calligraphy copy**4
Hard pen calligraphy line calligraphy copy**5
Characteristics of the pen used for writing
Xingshu is a font between regular script and cursive script, which is produced to make up for the slow writing speed of regular script and the difficulty of cursive script. The characteristics of the pen of the line of calligraphy are: the pen is like Kai, the pen is like grass, the dot painting should be connected, the pen is broken, the main pen is calm, and the pen is light and thin.
First, when writing the pen, each dot has three processes: the pen, the pen, and the pen.
1. Writing: refers to the beginning of writing dot painting;
2. Line pen: refers to the middle pen of writing dot painting;
3. Closing the pen: refers to the pen used at the end of the writing dot painting.
Such as horizontal drawing, the left is the pen, the middle is the line pen, and the right is the pen. Such as vertical painting, the upper is the pen, the middle is the line of the pen, and the lower is the closing pen. Such as apostrophes and pinching, the head is the pen, the middle is the line of the pen, and the end is the pen. The pen is light and heavy, the pen is fast and slow, and the pen is back and dew.
Second, lift the pen and press the pen.
The pen of the book is very particular about lifting and pressing, which plays a role in the change of stippling thickness and rhythm.
1. Lifting the pen: that is, the pen is lifted from the paper. The pen should be light and the handwriting should be fine;
2. Press the pen: that is, the pen is pressed on the paper. Press the pen to be heavy and the handwriting to be thick.
For example, the short apostrophement of the word "Mao" and the oblique apostrophement of the word "collar", the upper right is thick, the lower left is thin, and they are all pressed first and then mentioned; For example, the flat pick of the word "pull" and the oblique pick of the word "steel", the lower left is thick, the upper right is thin, and it is also pressed first and then mentioned. Lifting the pen and pressing the pen are always used in combination with the pen.
3. Turning the pen and folding the pen, whether it is turning the pen or folding the pen, requires the pen to be slow and powerful.
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Regular script is one of the main calligraphy styles of Chinese calligraphy art, also known as Jinli, Zhenshu, Zhengshu, Zhengkai, etc., Kaishu is gradually formed on the basis of Lishu. Below I bring you the regular script soft pen calligraphy works, I hope you like it.
Regular script soft pen calligraphy works**1
Regular script soft pen calligraphy works**2
Regular script soft pen calligraphy works**3
Regular script soft pen calligraphy works**4
Regular script soft pen calligraphy works**5
Arrangement of regular script
Chapter is how to arrange the whole word method, the chapter of the European style regular script, there are many difficulties in research, Ouyang Xun wrote the four famous monuments we can see the rubbing, are cut and pasted re-arranged, if we can not see the whole stele of the whole paper rubbing, can not imagine the overall structure of the stele. Even if you can face the original monument of Ou Kai, but due to the influence of the political system at that time, Ouyang Xun did not completely deal with the whole chapter from the perspective of art, and after many years of weathering, some words have been peeled off by themselves, "Ouyang Xun Structure Thirty-six Laws" mainly talks about the structure of the word, but there are also ways to discuss the chapter, such as: small into large, small into large, small into large, small and large, phase management, should be connected and so on.
The structure of some words is actually related to the structure of the text, such as overlay, repetition, topping, etc. There are also some words that can be extended to the direction of the chapter structure of the whole character, such as: concession, avoidance, variation, filling in the blanks, meaning and so on.
If an independent character becomes a radical, it cannot still be written as an independent word, but must be large and small. Just like the "one" and "mouth" in the word, and the "巳" in the word "from".
On the contrary, some strokes are extremely rare, and some strokes should be enlarged to write, such as the "lonely" character of the lonely, the "Ning" character of the lonely hook, the "owed" character of the dot, and the "Ge" character. From the perspective of chapter law, many calligraphy theorists believe that small into big means "one point into one word, one word is the master of the whole text".
The book should pay full attention to the first word, especially the decisive role of the first pen. Although this stroke is small, it determines the size and thickness of the strokes written later, and even the size of the whole word.
Although the stroke is important, the other significant strokes are important and should not be overlooked. "A little loss, if the beauty is sick for a day, a painting loses momentum, like a strong fold of a share", a point of salient points will affect the overall situation of the whole work.
Of course, for the whole article, we must first pay attention to the layout. "The general character of the word, the wall of the friend of the house, the wall is destroyed, and the screen window embroidery household, this big into a small trend, must be known" (Ge Shouzhi). If the layout is messy, the whole article is extremely inappropriate, and even becomes a plate of loose sand.
Think big and start small, which is what you need to do to write a good picture.
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Excellent block calligraphy to help you make progress in block letters. The following is a calligraphy copy I have compiled for you, I hope it will be useful to you!
Appreciation of regular calligraphy calligraphy
Calligraphy **1
Calligraphy calligraphy**2
Calligraphy in block letters**3
Calligraphy in regular letters**4The development of contemporary regular scriptThere are some misunderstandings in the creation of contemporary regular scripts, relying on the classics for consideration. This misunderstanding is manifested in the creation of regular script in the field of stele science, which often lies in the mistaken use of the roughness of the brush and ink and the excessive exaggerated variation of the font as the expression of the majestic beauty of the stele system, and what is hidden behind it is the lack of subtle understanding of the calligraphy itself. Although Wei Shu has a work of great spirit, its essence is all implemented in the innocence and vigor, and the inner quality is quiet and difficult.
Behind the blind promotion of individuality in some contemporary creations, it is precisely the lack of confidence and the lack of real personality. As a regular script, when it completely loses the beauty of detail and tranquility, it actually loses the profound social and cultural background of the existence of regular script.
The regular script of the pure theology system is often confined to one family, pursuing a small mood and a small taste, with a feminine aesthetic tendency as the main feature, and its tone is too flowing, and its form is more than beautiful. However, if we consider it from a historical perspective and the historical responsibility of a calligraphy creator, this kind of regular script creation lacks the essential element of artistic creation: the element of innovation.
In such an era of great cultural development and prosperity, art creators must assume their due cultural responsibilities, so we should also maintain a clear understanding of the creation of such regular scripts, which can be the starting point of creation, but should never become the ultimate goal of creation.
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