What is Yan Zhenqing s representative calligraphy work?

Yan Zhenqing's representative calligraphy works are "Duobao Pagoda Tablet", "Persuasion Poems", "Yan Qinli Tablet", "Manuscript of Sacrifice to Nephew" and so on.

Yan Zhenqing's calligraphy is exquisite, and he is good at line and Kai. Chu Suiliang was a beginner, and then studied under Zhang Xu and obtained his penmanship. Its positive block is dignified and majestic, the line of writing is vigorous, and the regular script of "Yan Ti" is created, which has a great influence on later generations.

Together with Zhao Mengfu, Liu Gongquan, and Ouyang Xun, they are known as the "Four Masters of Regular Script". It is also called "Yan Liu" and Liu Gongquan, and is called "Yan Muscle Willow Bone".

He is also good at poetry and writing, including "Yunhai Mirror Source", "Rite and Music Collection", "Wu Xing Collection", "Luling Collection" and "Linchuan Collection", all of which are lost. The Song people have "Yan Lu Gongji".

Introduction to calligraphy. Yan Zhenqing's real book is majestic and dignified, and the knot has changed from the slender and long in the early Tang Dynasty to a square, with a centripetal force. The pen is strong and strong, good use of the center of the penmanship, there are muscles and bones, there is also a sharp edge, the general horizontal painting is slightly thinner, vertical painting, point, apostrophement and slightly thicker.

This style of writing is majestic, multi-forced, and has the atmosphere of the Tang Dynasty.

His cursive writing, strong and powerful, revealing his true feelings, calm structure, and flying dot paintings, opened a lifetime for cursive writing after the Wang School. Yan Zhenqing's calligraphy is vigorous and vigorous, this style also reflects the prosperous demeanor of the Tang Empire, and fits with his noble personality, which is a perfect combination of calligraphy beauty and personality beauty, so it is praised by later generations as "the second line of calligraphy in the world".

is more dignified and vigorous, and "Yan Qinli Monument" is also his work, but the thin strokes are not quite the same as other inscriptions. "Yan's Family Temple Tablet", calligraphy is rich, and it is also his proud work in his later years, which is more vigorous and atmospheric than his works in his early years, and is a representative work of his later years.

Yan Zhenqing's hand-me-down calligraphy works are engraved with the most inscriptions, and the regular script has "Duobao Pagoda Induction Tablet" and "Magu Immortal Altar Record".

Dongfang Shuo Portrait Tablet", "Yan Qinli Tablet", "Yan's Family Temple Tablet" and so on. The book has "Fighting for the Seat Draft", and the handwriting has "Self-Written Confession" and "Manuscript of Sacrifice to Nephew Ji Ming".

Among them, "Yan Qinli Monument" is more dignified and vigorous, but the strokes are thin and thin, and other inscriptions are not quite the same. "Gan's Family Temple Stele", calligraphy is rich, is one of his proud works in his later years, compared with his early works are more vigorous and atmospheric, is the representative work of his later years.

In addition, Yan Zhenqing's calligraphy works found in contemporary times also have some epitaphs, such as "Guo Xuji's Epitaph".

Wang Lin's Epitaph" and "Luo Wanshun's Epitaph" are mostly Yan Zhenqing's early works.

Yan Zhenqing's calligraphy works are more numerous, famous ink, regular script has "Zhushan Hall Couplet Poems", "Farewell Post"; The cursive script includes "Manuscript of the Sacrifice of Nephew Ji Ming", "Liu Zhong's Envoy Post", "Huzhou Post" and so on.

Among them, except for the "Manuscript of the Sacrifice of Nephew Ji Ming", which is recognized as authentic, there are still different opinions on the authenticity of the rest of the works, but they are all inkblots that have been circulated. "The Manuscript of the Sacrifice of Nephew Ji Ming" is a relic of the nature of a draft, written naturally, and the manuscript is full of alterations, but it shows the charm of Yan Zhenqing's calligraphy.

Yan Zhenqing's calligraphy, the teacher is very much, when he was a teenager, that is, from his great-grandfather Yin Lingming to learn calligraphy, all over the Wei and Jin dynasties and Tang Dynasty famous calligraphy, like Wang Xizhi, Chu Suiliang, Yan Zhenqing has learned, can be said to be a collection of the essence of the family in one.

And this 60 years of skill "self-written confession" is majestic, vigorous and strict, steady and heavy, and the aesthetic characteristics of the "muscle strength beauty" of the face are reflected everywhere between the lines, which can be described as the best in the calligraphy works.

But it is a pity that such a treasure that has been passed down for thousands of years has not existed in China, and after thousands of years of wandering, this masterpiece has been lost overseas, and the original remains are now in the Nakamura Fuori Calligraphy Museum in Japan for the world to enjoy.

Yan Zhenqing's calligraphy works include:

1, Luo Wanshun's epitaph:

Luo Wanshun's Epitaph" is the epitaph of Luo Wanshun, the wife of Yuan Daqian in the Tang Dynasty. The epitaph was written by the king of Tang Ruyang.

Li Xuan wrote the article, and Yan Zhenqing, who was the governor of Chang'an County at the time, wrote Dan. In 2020, "Luo Wanshun's Epitaph" was unearthed in Shaanxi Province. This epitaph is also considered to be the first epitaph written by Yan Zhenqing unearthed by archaeological excavations.

2, Yan Lu Gongwen Collection:

Yan Lu Gongwen Collection

It is a collection of essays created by Yan Zhenqing in the Tang Dynasty. Thirty volumes. Its collection can be found in the "Art and Literature Journal", including "Wuxing Collection" ten volumes, "Luzhou Collection" ten volumes, and "Linchuan Collection".

Ten volumes. to the Northern Song Dynasty all died. After the Southern Song Dynasty, there were successively compiled by Shen, Song Minqiu, Liuyuangang, and Wanli in the Ming Dynasty.

The publication of Sun Yunzuo, a descendant of Zhongzhenqing.

3. Yan Qinli Monument:

Yan Qinli Monument", the full name of "The Late Tang Dynasty Secretary Provincial Work Langkui Prefecture Governor Shi Hujun Yan Jun Shendao Monument", is a Shendao monument written and written by Yan Zhenqing for his great-grandfather Yan Qinli, and is a representative work of Yan Zhenqing's regular script in his later years.

4. Self-written confession:

Self-written "Regular script paper, where thirty-three lines, two hundred and fifty-three words, thirteen lines of small characters, passed on as the ink of Yan Zhenqing's book. It is now in the collection of the Nakamura Fuori Calligraphy Museum in Japan. The post is dignified and simple, vigorous and powerful, with a kind of ancient atmosphere and temple atmosphere, for its later years of style mature period of representative works.

5, Magu Immortal Altar:

Tang Yan Zhenqing Magu Immortal Altar Record.

It is a representative work of Yan Zhenqing's regular script inscription. The inscription is vigorous and simple, the bone strength is straight, the line thickness changes gently, the strokes are less twists and turns, and the "silkworm head swallowtail" is produced when the pen is used, and there are many seals and strokes.

The characteristics of Yan Zhenqing's calligraphy works: the structure is square and dense, the strokes are horizontal and vertical, the pen is strong, upright, open and majestic.

The distinctive feature of Yan Zhenqing's calligraphy is that it is strong and magnificent. Yan Zhenqing is accustomed to using the seal penmanship to compose books, regular script, line calligraphy, and cursive script all have a strong seal calligraphy. Yanti calligraphy starts with the reverse front, the line of the pen pays attention to the center, and the pen emphasizes the return to the front, this pen system pursues the roundness, simplicity and atmospheric tension of the calligraphy lines.

Yanti calligraphy strokes are almost the pen to hide the front, almost is the "hidden" without leaking traces, many strokes are hidden tightly because of the intersection of multiple dot paintings at the beginning of the brush, only the upper right "point" and the lower right "apostrophe", the reverse pen is clear, because of the reverse round shape, there is a blunt visual effect, we must not because of the "hidden" and dilute the face of the reverse peak of the pen action.

How to copy the face body:

1. Follow the trend.

This method is often to write a certain length of horizontal drawing when a slight lift, so that the pen edge gathers, homeopathic to the right down the pen Li to do the bureau and down Hu Tong with the pen. Such as the word "south".

2. Change the vertical drawing method.

In this method, the pen is lifted at the end of the horizontal drawing, and the vertical drawing is written downward against the front above the horizontal drawing. For example, the word "li", in the "Qinli Tablet", this kind of folding pen method is used more, and copying should be good at summarizing the rules.

3. Square fold conversion method.

This is the most common method in regular script, and it is widely used in regular script. At the end of the horizontal drawing, lift the brush slightly to the upper right, and then pause downward to the right to give the corners a square edge.

4. Hook method. The vertical hook of the Yanzi is also different from the way other calligraphers write it, which is often to return to the front before the hook and then hook it directly above.