The post 95 non genetic people who pinch noodles restore the classics of the Spring Festival Gala, w

There are a lot of excellent old crafts. For example, paper-cutting, painting, wood watermark, egg carving, black copper and silver, etc., are all excellent traditional old crafts in our country. Therefore, we must carry forward these crafts and protect China's intangible cultural heritage.

There are also paper-cutting, porcelain, embroidery, oil-paper umbrellas, and woodworking, which should be some of the more traditional old crafts in China.

There are also sugar oil, shadow puppetry, rock sugar gourd, paper-cutting, oil paper umbrella, ceramics, carving, glass, bamboo weaving, embroidery and so on.

On the Internet, there is a post-95 Lang Jiaziyu has recently become popular, it turns out that he is the third-generation inheritor of the intangible cultural heritage of the noodle man, in **, he himself used dough to pinch out the characters of the classic sketches of the Spring Festival Gala, and each dough became vivid after passing through his hands, very vivid, and also made netizens sigh with emotion, he used dough to restore Chen Peisi and Zhu Shimao's eating noodles, as well as Fei Xiang's demeanor when he sang, the degree of restoration is very high, After seeing it, netizens couldn't help but sigh, worthy of being a craftsman, it is really very powerful, and said that this craft cannot be buried.

Dough looks like a very simple thing, but in a pair of flexible hands can become a variety of characters, in the previous New Year, every time there is a candy man's arrival, it will attract a group of children to follow behind**, looking at a vivid Monkey King and Tang Sanzang, from the hands of craftsmen, but also let the children very curious, and a box and a stool is all these craftsmen, the kneading people were originally handed down from the Yellow River Basin, is used by people to sacrifice, Later, the noodle figure gradually became a kind of handicraft for ornamentation, and it was also very popular with everyone.

With the continuous development of society, these common things are now slowly disappearing, so the corresponding ** will also take some measures to protect these intangible cultural heritage, can increase publicity efforts to improve the recognition of intangible cultural heritage by the broad masses of the people, and let the people understand that the protection of intangible cultural heritage and China's culture is very important, and at the same time, corresponding laws and regulations should be established to protect intangible cultural heritage, and there must be specific protection measures, There are many regions that think they can use cultural gimmicks to attract tourists, but culture is never artificial, but a natural process.

Intangible cultural heritage is a very important cultural resource, if it disappears, there is no way to recover, it is not artificially made, so the inheritance of intangible cultural heritage is very important, although the folk intangible cultural heritage is very rich, but at the same time it is also very fragile, in the continuous development of economic globalization, many intangible cultural heritage are on the verge of extinction, and the most important thing to do is to mobilize the forces of society, including the use of ** policy, Protect the intangible culture and realize the cultural inheritance of the Chinese nation.

It is necessary to protect these intangible cultural heritages in daily life, and then the state can also introduce corresponding protection policies, and these courses can also be added to learning.

Connecting intangible culture and popular culture to re-empower intangible culture.

We can publicize more of these non-genetic cultures, and do more to understand them in ordinary times, so as not to let them be lost, which can play a protective role.

The protection of intangible cultural heritage requires us to act together, and the state should publicize intangible cultural heritage, and at the same time, it should also deliberately guide the younger generation to develop and inherit them, and the most important thing is to find the heirs who really love them.

The protection of intangible cultural heritage can be started from two aspects. On the one hand, relevant policies have been introduced at the national level to support the protection of intangible cultural heritage, and on the other hand, individuals should have the awareness of protecting intangible cultural heritage.

Recently, a section of the classic sketches of the Spring Festival Gala with dough has become popular on the Internet, and the protagonist Lang Jiaziyu is the third generation of "Noodle Lang". Ordinary dough seems to have life in the hands of this post-95 guy, and his smart fingers create lifelike noodles. While marveling at his craftsmanship, we can't help but wonder about biography

In the past two years, we have been advocating the "craftsman spirit", and under this call, we can always stir up some waves, reflecting that we should cherish traditional craftsmanship and attach importance to intangible heritage, but in actual operation, it is like waves, fleeting.

There is a long way to go to pass on the old craftsmanship. The rapid development of modern society, the continuous acceleration of urbanization, the rapid development of science and technology, and the emergence of new products have made many traditional handicrafts gradually at a disadvantage, facing the situation of no one inheriting them, and being in an endangered state, and many cultural forms have disappeared silently with time. Secondly, the traditional handicraft is very unstable, and its inheritance method is relatively fragile.

For example, the inheritance of folk culture is mostly passed down by word of mouth and from generation to generation. If the inheritor is gone, then an art form is gone. There is a folk saying that "the apprentice of the church starves to death the master", and when it is inherited, it will "leave a hand", resulting in the failure of some crafts to be passed on, and there are reasons such as "passing on the male but not the female", and the traditional craftsmanship is difficult to make a living, which makes it more difficult to pass on the inheritance.

This shows the urgency of the rescue and protection of traditional handicrafts.

As a witness of the times, the old craft has left too many precious memories to people, and at the same time, as the crystallization of the wisdom of the ancestors, it has very important historical research value and practical significance. The inheritance of old craftsmanship is imperative, of course, it is not enough to rely on the power of the people, which also needs strong support. For example, increase the support and publicity of such crafts and cultures.

Support and encourage inheritance activities, tap their economic benefits according to the actual local situation, develop them reasonably, drive culture with economy, and drive economy with culture, form a virtuous circle of culture and economy, promote social support for this kind of craft, and attach importance to traditional crafts. At the same time, it vigorously promotes traditional crafts, stimulates the enthusiasm of young people, and encourages learning. At the same time, craftsmen should also change their views, avoid being complacent, inherit and innovate, keep pace with the times, and change the closed concept of teaching in the past.

Chinese culture is broad and profound, China has a lot of non-cultural heritage, such as kneading people, shadow puppetry, Su embroidery, these are the old crafts handed down from ancient times, but with the slow advancement of time, many people have introduced foreign culture, so China's culture is slowly forgotten and no one inherits, so how should we pass on these old crafts and pick them up?

1.Focus on old crafts.

In this case, we should use the developed network to post these old crafts on the Internet so that everyone can pay attention to the trends of the old crafts, so that even if these intangible cultural heritage are forgotten, they can also be seen in different channels. I believe that many young people nowadays will be very interested in seeing the old skills of these noodle kneaders, and will find their provenance and learn from them. <>

2.Find the inheritor.

There are most of the old crafts, and the reason why the non-cultural heritage is lost is because in ancient times, there were old crafts that were passed down from generation to oneself, and they could only be passed on to their own descendants, even their own sons and daughters. But with the change of the times, I hope that these craftsmen can also change their mentality, distinguish the priority can not be postponed because of their ancient ideas and the inheritance of the craft, the most important task should be to pass on their craft, as long as you find people who cherish learning, cherish the heirs of learning, you can pass on your craft from generation to generation, and pass on the non-cultural heritage from generation to generation, until 100 years and a thousand years later, you can also see the figure of the cultural heritage, which is the most important thing. It can't be because of the idea that the male and female are different, which hinders his inheritance. <>

3.Let the next generation know.

I think that in addition to the above important issues, we should also let the next generation of post-00s and post-10s also learn about non-cultural heritage in the classroom. In areas where there is non-cultural heritage in special mountain schools, non-cultural heritage courses can be set up to let the next generation of post-00s and post-10s understand non-cultural heritage, and can also promote their better learning and pass on this craft from generation to generation. Not only let them understand, but also open courses when they can, and let them experience learning is the most important thing.

I hope that in the future, we will be able to see every intangible cultural heritage passed on. <>

I aspire to see the presence of non-cultural heritage in China and abroad in an era when we are all old. Let future generations see intangible cultural heritage.

Inheriting these old crafts should not be shouting slogans, but starting from interest, cultivating some people who are really interested in these cultures to inherit these old crafts.

Learn from the older generation of local artists, and with the support of the local **, you can pass on this craft to your children.

I think that these old skills can be passed on to some young people, and the corresponding interest classes can also be opened, and some related ** can also be posted on the Internet, so as to attract people's attention and pass on this old craft.

We should learn from these old traditions and teach them to our next generation, so that they can be passed on.

<> recently, Lang Jiaziyu, the third-generation successor of the post-95 "noodle man", used dough to restore the classic sketches of the Spring Festival Gala and became popular on the Internet. In his hands, the ordinary dough became lifelike and very smart.

He used dough sculpture to restore the character image of the classic program of the Spring Festival Gala. Through his hands, Fei Xiang in the pop song "A Fire in Winter" in the 80s, Chen Peisi, and Zhu Shimao in the sketch "Eating Noodles" were all portrayed vividly, just like the real thing.

Every detail is taken care of. He is a graduate student at Peking University and the third-generation inheritor of the intangible cultural heritage of Beijing. It is the first time that such a young inheritor of intangible cultural heritage has been seen, and now many folk intangible cultural heritage are facing disappearance.

Such ingenious works have also attracted many netizens to watch, and everyone has also praised traditional Chinese art.

According to the data, the dough kneader also said that the dough sculpture is a traditional folk handicraft that is simple to make but highly artistic. The art of dough sculpture in China has been recorded in writing as early as the Han Dynasty. It uses flour and glutinous rice flour as the main raw materials, plus color, paraffin, honey and other ingredients, and is treated with anti-cracking and mildew prevention to make a soft dough of various colors.

"Noodle people" is a branch of folk noodle flowers in the Yellow River Basin, which was first used for sacrificial flower offerings. In the Qing Dynasty, "noodle people" departed from the folk function and gradually became a folk handicraft integrating ornamentation and play.

Heze, known as Caozhou in ancient times. "Caozhou noodle people" has a history of thousands of years. Most of the famous dough sculptors come from Muli Village in the southwest of the city, which is known as "the first village in the world".

The kneading artist takes the materials according to the needs, pinching, rubbing, kneading, and lifting in the hands several times, and uses a small bamboo knife to dexterously point, cut, carve, and scratch, and shape the body, hands, and head, and put on hair accessories and clothes.

The noodle pinching person, now many non-genetic inheritances have been lost, young people have inherited the non-genetic heritage, and restored the classics of the Spring Festival Gala, his pinched noodle people are lifelike, and it is very good to continue to pass them on.

The works in his hands are of great cultural value and are the crystallization of ancient Chinese culture.

I think kneading noodles is a very good traditional culture, and the post-95 intangible cultural heritage inheritors can learn and inherit this skill and show us, which is a good thing and deserves our praise for him.

The works in his hands are China's intangible cultural heritage, the inheritance of Chinese history, and only he will carry it forward.

I feel that his works are very good-looking, and then the noodles that are pinched out are very godlike.

The charm of traditional Chinese art is even more wonderful than I thought

1. Shadow puppetry

Shadow puppetry is an ancient traditional art of Han Chinese folk, (one of Xiaoyu's favorite traditional Chinese arts) It uses the skins of donkeys and cows to be screened, colored, and lacquered to make various images and then performed manually. Shadow puppetry is a traditional Chinese puppet art, and there are also regional differences in shadow puppet modeling and performance styles in different places.

2. Embroidery

Embroidery is a kind of traditional folk art with a history of two or three thousand years in China, which is divided into four categories: Suzhou embroidery, Hunan embroidery, Shu embroidery and Guangdong embroidery. At the same time, it is also a type of art that includes Han Chinese and many other ethnic minorities. In the past, embroidery was a highly applied craft, such as the embroidery of official uniforms, but now, it is more like a delicate art used to appreciate and decorate.

3. Lacquerware

China was the first country to use natural lacquer, so lacquerware has become an important invention in ancient China that integrates chemical industry and arts and crafts. Chinese lacquerware, on the other hand, is a well-deserved work of art because of its use of a very brilliant and colorful lacquer, as well as some traditional techniques such as gold painting and gold. It also had a profound influence on the craftsmanship of Japan and other countries in the future.

Fourth, embroidered shoes

Speaking of the origin of embroidered shoes, there is a small story, it is said that in the Spring and Autumn Period and the Warring States Period, after Jin Xiangong of the Jin State became the monarch, he tried his best to expand the territory, annexed ten small princes in one fell swoop, and began to claim the king's hegemony. In order to let the people of the whole country always remember his martial arts, he ordered all the women in the palace to embroider the upper of the shoes of pomegranate flowers, peach blossoms, bergamots, grapes and other ten kinds of flowers and fruits, and also ordered that the common women of the whole country must use this embroidered pattern of "ten fruit shoes" as wedding shoes when they get married, so that all generations will not forget the great achievements of Jin Xiangong. In modern times, the embroidery theme of embroidered shoes is ** in life, as long as it can reflect folk culture and folk customs, many styles can be embroidered.

Fifth, change your face

The face change originated in the Ming Dynasty, popular in the Qianlong and Jiaqing years of the Qing Dynasty, every time the New Year's festival is celebrated, in the wine shop neighborhood in the Bashu area, Sheng, Dan, Jing, the end, and the ugly appear on the small stage of the teahouse, and gradually form a common style over time. There are generally three types of face changing techniques: "wiping the face", "blowing the face", and "pulling the face".

In addition, there is a kind of "luck" to change face.

6. The art of paper-cutting

Paper-cutting is one of the oldest Chinese folk arts, and has a history of 1,500 years since the Northern Dynasties (386-581) emerged from some archaeological remains. As a kind of hollow art, it can give people a visual sense of emptiness and artistic enjoyment. The paper-cutting art heritage has been approved to be included in the first batch of national intangible cultural heritage list.

The charm of these traditional Chinese arts is even more wonderful than I thought!