Lacquerware is one of China s intangible cultural heritages, how complex is its production process?

It is a complex traditional craft that requires many raw materials and tools. The raw materials mainly include wood, paint, cloth, brick ash, various natural mineral pigments, etc. Tools include professional paint brushes, scrapers, and tweezers.

All kinds of abrasives, woodworking tools, power tools, knives, sandpaper, charcoal, hair, and professional pens used to paint various thicknesses, etc.

The production process of <> lacquerware mainly includes design, making wooden tires, wrapping tires, plastering, sanding, shading, painting, making textures, sanding and polishing, etc. Huizhou.

Qixiu National Intangible Cultural Heritage.

The representative inheritance method of the project can produce the role of art and lacquerware, which is a difficult process, most of which are in the polishing process, such as grinding ash, grinding lacquer, polishing lacquer, polishing are all polishing, in fact, it seems that people are polishing lacquer, lacquer is polishing at the same time, to practice a person's spiritual things, how do you go to the heart, for many years patiently, consistently do one thing, and do one thing to the extreme is not easy. In fact, our society needs such a "craftsman spirit."

There are many types of Huizhou lacquerware, such as gold lacquer and mother-of-pearl.

Lacquer, gold and silver peeling lacquer, pile lacquer, etc., there are red carvings in ancient times, and there are bone stone inlays. Why should I choose Rhino Paint? The most important thing is that we have a history of Huizhou rhinoceros leather paint, but the rhinoceros leather paint process is gradually being forgotten and on the verge of disappearing.

I feel the need to inherit this skill, restore it, and do it well.

Do a detailed explanation of the problem for a detailed interpretation of the problem, I hope it will help you, if you have any questions, you can leave me a message in the comment area, you can comment with me a lot, if there is something wrong, you can also interact with me more, if you like the author, you can also follow me, your like is the biggest help to me, thank you. That's all for sharing, if you like me, please follow me. If you guys have anything to think.

The process of making this thing is very complicated, and the whole process requires a lot of manpower and material resources, even a month.

The process of making lacquerware is quite complicated, with the relevant scraping, tire making, lacquering, mounting, and decorative textures to be considered, as well as the corresponding grinding and polishing, which is particularly cumbersome.

This kind of production process is indeed more complicated, and in this case, they have more details.

Neolithic. Lacquerware has been used since the Neolithic period, not only for daily use, but also for sacrifices.

The craft of ancient Chinese lacquerware has appeared as early as the Neolithic Age, and the wooden lacquerware of the Xia Dynasty is not only used in daily life, but also used for sacrifices, and is often painted with vermilion and black. In the Yin Shang era, there was a lacquer art of "stone carving, carving and carving".

The craft of lacquerware appeared thousands of years ago, in the Neolithic period.

Ancient lacquerware appeared as early as the Mutadu culture, and lacquer bowls have been around for more than 5,000 years.

The traditional craftsmanship, the perfection of the technique, and the harmonious relationship between the painter and the sculptor are difficult to repeat. However, these skills are still passed down among the people, so let's inherit these traditional skills together! Pingyao push-light lacquerware is a kind of advanced craftsmanship large-scale lacquerware.

It is one of the traditional handicrafts in Pingyao, Shanxi. It is named after the luster of palms. Pingyao push-light lacquerware is a famous handicraft in Shanxi Province, the shape is simple and elegant, and the brilliance is dazzling.

Before <> 2000 BC, a tree called sumac was widely distributed during the Neolithic period. 3,700 years ago, Yu made a sacrificial vessel, lacquer repair liquid, dyed with ink on the outside and ink on the inside, proving that mineral pigments were used to prepare cinnabar lacquer decorations.

In Jinzhong, there is a famous saying: "Pingyao ancient city three treasures, lacquered beef dragon yam", in the ancient city of the three treasures, lacquerware ranks first. Yangzhou lacquerware is a specialty of Yangzhou City, Jiangsu Province, and is a national geographical indication product of China.

Yangzhou lacquerware is one of the traditional crafts with Chinese characteristics. It originated in the Warring States period, flourished in the Han and Tang dynasties, and flourished in the Ming and Qing dynasties. Its craftsmanship is complete, the skills are exquisite, the style is unique, and it is well-known at home and abroad.

As early as the Qin and Han dynasties, Yangzhou had a high level of painting and inlay lacquerware production technology. Early works of Yangzhou lacquerware include the Tianshan Han Tomb in the northern suburbs of Yangzhou, the Laoshan Han Tomb in Beijing, and the Mawangdui Han Tomb in Changsha. Yangzhou lacquer art in the Tang Dynasty was also introduced to Japan by the master of Jianzhen.

During the Ming and Qing dynasties, Yangzhou became the center of lacquerware manufacturing in China.

Do a detailed explanation of the problem for a detailed interpretation of the problem, I hope it will help you, if you have any questions, you can leave me a message in the comment area, you can comment with me a lot, if there is something wrong, you can also interact with me more, if you like the author, you can also follow me, your like is the biggest help to me, thank you. That's all for sharing, if you like me, please follow me. If you guys have anything to think.

Painting gold, luodian, point snail, gold and silver flat, carved lacquer; Pingyao in Shanxi, Yangzhou in Jiangsu, Nanchang in Jiangxi, Dafang County in Guizhou, etc.

Everyday utensils, crafts, and works of art made by applying lacquer to the surface of various utensils are commonly referred to as "lacquerware." Lacquer is a natural sap harvested from the sumac tree, which is mainly composed of urushiol, laccase, gum and water. It is used as a coating, which has special functions such as moisture resistance, high temperature resistance, corrosion resistance, etc., and can be formulated with different color paints, which is brilliant.

In China, the properties of lacquer have been recognized since the Neolithic period and used to make utensils. From the Shang and Zhou dynasties to the Ming and Qing dynasties, China's lacquerware craft continued to evolve and reached a very high level. Chinese handicrafts such as gold and gold painting have had a profound impact on Japan and other places.

Lacquerware is an important invention in ancient China in terms of chemical technology and arts and crafts.

Lacquerware has a long history, according to relevant records, as early as 4,200 years ago in the Xia Yu era has been used, the Warring States period was more developed. During the Han Dynasty, lacquerware was used as a daily utensil, and it became more and more common. There was also a significant development in the physical production of lacquerware in the Tang Dynasty.

After the Song, Yuan, and Ming dynasties, there were more than 20 kinds of lacquerware.

Lacquerware is a very widely used item in the daily life of ancient people; Because lacquer has the characteristics of acid resistance, alkali resistance, heat resistance, and anti-corrosion, it has been used by people for a long time. China is the earliest country in the world to use lacquer, "Han Feizi. Ten Passages" describes Yu Shun's food utensils, "flowing paint and ink on it."

Yu made sacrificial vessels, ink paint on the outside and Zhu painted on the inside. "Lacquer objects have been found in the ruins of the late primitive society. In ancient times, the cultivation of lacquer trees was quite common, and the great philosopher Zhuangzi of the Warring States period once held the official position of managing the lacquer garden.

Early lacquerware was generally painted on simple wood and bamboo tires, which could be used for both antiseptic and decorative purposes. With the development of lacquer technology, it gradually appeared on all kinds of utensils to paint, paint, gold, lacquer, etc., or paint to a certain thickness on the tire, and then carve patterns on it, and some inlaid with gold, silver, copper, luodian, jade teeth and precious stones on the lacquerware, in order to form gorgeous patterns, thousands of words, incomprehensible. The gold and silver of the Tang Dynasty, the one-color lacquerware of the Song Dynasty, the carved lacquer of the Yuan Dynasty, the hundred treasure inlays of the Ming Dynasty, and the reborn lacquerware of the Qing Dynasty are all representative characteristic famous products of each generation.

Chinese lacquerware craft is a dazzling pearl in the treasure house of ancient Chinese culture. Lacquerware is everyday utensils, crafts, and works of art made by applying lacquer to the surface of various utensils. Lacquer is a natural sap harvested from the sumac tree, which is mainly composed of urushiol, laccase, gum and water.

It is used as a coating with special functions such as moisture resistance, high temperature resistance, corrosion resistance, etc., and can be formulated with different colors and brilliance. Lacquerware is an important invention in ancient China in terms of chemical technology and arts and crafts. The process of making lacquerware is quite complicated, and the carcass must first be made.

The tires are made of wood, but occasionally they are made of ceramic, copper, or other materials, and some are carved directly with cured lacquer instead of tires. The carcass is completed, and lacquerware artists use a variety of techniques to decorate the surface. The main feature of lacquerware is that it can be polished to the point where it is comparable to porcelain.

The paint layer dries under wet conditions, is very hard after curing, and has the characteristics of acid resistance, alkali resistance, and wear resistance. Like ceramics and silk, Chinese lacquerware is a treasure of national culture.

When the ancients in China made lacquerware, they often mixed dry vegetable oil such as tung oil into the lacquer. In the manufacture of colored lacquerware, tung oil is mixed with various pigments or dyes to paint various patterns and patterns, forming a lacquerware craft with a unique national style.

Lacquerware products are durable and durable, with beautiful appearance and light physique, which are deeply loved by people. In the Spring and Autumn Period, China has attached great importance to the cultivation of lacquer trees. In the late Spring and Autumn Period, there were several lacquer paintings, cases, figurines, drums, harps, handles, tomb beasts, etc.

During the Warring States Period, craftsmen have initially realized the anti-corrosion and anti-corrosion performance of the paint film.

Many of the lacquerware are also painted with various colorful patterns. Lacquer painting includes red, yellow, blue, white, black and a variety of compound colors, and the pigments used are roughly cinnabar, stone yellow, realgar, orpiment, red clay, white clay and other mineral pigments and indigo and other plant dyes.

Chinese lacquerware has a long history, many crafts, and many immortal artifacts and distinctive lacquerware origins that have been handed down to this day. The works of different periods carry the living customs of the time and the inheritance of Chinese culture. In addition to the carcass, techniques and shapes, this kind of living paint not only keeps the utensils from insect erosion, but also the longer it is placed, the more transparent the color of the lacquerware is, exudes a charming luster, and the more it can make future generations feel its heavy and restrained temperament.

As early as 7,000 years ago, during the Hemudu culture period, lacquer bowls, barrel-shaped lacquerware and other items appeared. In the Yellow River Basin and the Yangtze River Basin 5,000 years ago, new fetal bones and new techniques appeared in lacquerware. During the Shang and Zhou dynasties, the more abundant the types, the later the lacquerware, the greater the changes in lacquerware, the more mature and diverse the production techniques, Chinese lacquerware is a treasure of national culture, as a heritage of national culture, carrying the cultural bearing of each period for 7,000 years.

It is also a kind of inheritance art.

Ancient people mastered the art of lacquer very early, 5,000 years ago Zhuangzi was a lacquer gardener, before Zhuangzi people will use lacquer technology, so it is said that lacquerware has been passed down for 7,000 years.

About 7,000 years ago, our ancestors were able to make lacquerware. According to the 1978 discovery of vermilion lacquer wooden bowls and vermilion lacquer cylinders in the Hemudu cultural site in Yuyao, Zhejiang, the coating is natural lacquer after chemical methods and spectral analysis.

The lacquer of ancient lacquerware is the natural juice of the lacquer tree. The lacquer tree is produced in China, and the sap can be cut to produce lacquer at about 10 years old. The process of making lacquerware is quite complicated, and the carcass must first be made.

The tires are made of wood, occasionally ceramic, copper, or other materials. There are also those that are carved directly with cured lacquer without a tire. After the carcass is completed, the lacquerware artist uses a variety of techniques to decorate the surface.

The main feature of lacquerware is that it can be polished to the point where it is comparable to porcelain.

Lacquerware has been around for 7,000 years, since it has been around for 7,000 years.

Because lacquerware is from the Shang Dynasty.

The craft of ancient Chinese lacquerware has appeared as early as the Neolithic Age, the wooden lacquerware of the Xia Dynasty is not only used in daily life, but also used for sacrifices, and the lacquerware has experienced the Zhou Dynasty, the Spring and Autumn Period, the Warring States Period, the Yuan Dynasty to the early Ming Dynasty, the Qin and Han dynasties, and the Southern Song Dynasty until today.

Lacquerware has been around since the Shang Dynasty.

Chinese lacquerware is an important invention in ancient China in terms of chemical technology and arts and crafts. It is an art that has also been passed down for many years.