The girl of the Chengni Yan family uses youth to inherit intangible cultural heritage, how should th

The girl of the Chengni Yan family uses youth to inherit intangible cultural heritage, how should the traditional craftsmanship be passed on? The inheritance of traditional handicrafts requires them to increase their learning, mastery and flexible use of traditional handicrafts, and on this basis, they should be given culture and boldly innovated to better highlight traditional culture, so as to better inherit traditional handicrafts. Specifically, it can be started from the following three aspects:

First, clarify the types and characteristics of traditional handicrafts, such as carpenter handicrafts, carving handicrafts, pottery handicrafts, paper-cutting handicrafts, embroidery handicrafts, antique handicrafts, etc., according to their own preferences and pursuits, choose specific handicrafts for in-depth learning and mastery, and realize the combination of theory and practice, so as to better learn handicraft operations. Among them, carpenter's handicraft and carving handicraft need to be honed for a longer time, and involve a wider range of knowledge and fields. It can be said that carpenter craftsmanship is one of the most representative crafts in traditional Chinese handicrafts.

Second, find a good craftsman to master thorough craftsmanship skills and professional knowledge theories, and further enhance the understanding of craftsmanship through online teaching and practical learning. In particular, it is necessary to strengthen the study of manual practical operation, understand and master specific technical practices, technical skills and areas that need to be improved from the specific operation, and further consolidate the ability of traditional manual operation.

Third, abandon the misunderstanding and disdain of traditional crafts by people who do not understand pedestrians, and correctly view the advantages, charm and cultural charm of traditional crafts. Distinguish and recognize the differences and respective advantages of traditional craftsmanship and mechanized production. For example, in the woodworking industry, wood sawing and drilling can rely on mechanized production to improve work efficiency, but hierarchical carving, installation and assembly, grinding and finishing still need traditional handicrafts to do better, and the final handicrafts are more three-dimensional, aesthetic and fine, and can better reflect the traditional carpenter handicraft culture.

To sum up, the inheritance of traditional Chinese handicrafts requires us to have a correct mentality, correct cognition, study hard, not afraid of hardship, not afraid of being tired, and constantly practice and consolidate, in order to better grasp the essence of traditional handicrafts, protect the ingenuity of a great country, and carry forward the traditional classic handicraft culture.

I think that traditional crafts have a long history, we should find a suitable heir, and at the same time, we should increase publicity, and then traditional culture into our lives, broaden our horizons, so that we can be aborted.

Dear, hello, the value of the Chengni inkstone in the Qing Dynasty is still very high, and it once sold for 1.4 million **. And friends are now worth more. Qing Qianlong's "Qianlong Emperor" imperial inscription poem Cheng mud inkstone was sold for 1.4 million yuan, and broke the world record of inkstone auction.

Since inkstones are no longer widely used in modern society, the historical value of Chengni inkstone is obvious, and what is worth collecting on the market are treasures that have been passed down from generation to generation. Judging from the current market, the inkstone collection is optimistic. As the "socks of the four treasures of the study", more and more enthusiasts pay more and more attention to the ancient inkstone, and the craft value of the ancient inkstone is more and more favored, so that the collection and investment value of the ancient inkstone is increasing day by day.

In the traditional Chinese pen, ink, paper and inkstone, although the inkstone is ranked last, the cultural content and collection value of the Chengni inkstone have always been in a leading position.

Dear, you have a good <>

The answer you are looking for: the value of the Chengni inkstone of the Qing Dynasty is high. The Qing Dynasty inkstone was worth 30,000 yuan.

The inkstone collection is heating up quickly, and many ancient inkstones have been auctioned very high. As one of the four famous inkstones, Chengni inkstone is the only pottery inkstone, and it has also risen. Although the Chengni inkstone gradually flourished in the Tang and Song dynasties, the mud quality of the Chengni inkstone in the Ming Dynasty was the best and the most dense, and the proportional use of various Jinsha medicinal powders was already perfect.

In 2011, in the "Treasure Hunting" column, a Tibetan friend held a Ming crack letter engraved with the inscription of "Wufeng Mountain Man" Wen Boren and Dai Cheng Ni Yan experts estimated that its value was about 300,000 yuan. Although the Qing Dynasty Chengni inkstone is not as dense as the Ming Dynasty in terms of mud quality, the clay carving process is extremely fine, which can be described as the "pinnacle work" of the various generations of Chengni inkstone. As far as the current market situation is concerned, the market price of Chengni inkstone in the middle and early Qing Dynasty is generally more than 30,000 yuan.

Yes, one of China's four famous inkstones, "Jiangzhou Chengni Yan", has been included in the national intangible cultural heritage list.

Jiangzhou Chengni inkstone is produced in Xinjiang County, Shanxi Province, and is the only pottery inkstone in China's famous inkstone. Its production can be traced back to the Western Han Dynasty, to the Tang and Song dynasties, and to the Ming Dynasty. Successive dynasties have enshrined the Chengni inkstone as a tribute.

Chengni inkstone is one of the traditional Chinese handicrafts and one of the traditional calligraphy utensils, which began in the Han Dynasty and flourished in the Tang and Song dynasties, and has a history of more than 1,000 years. Since the Tang Dynasty, Duan inkstone, She inkstone, Taohe inkstone and Chengni inkstone have been called the "four famous inkstones".

Chengni inkstone is an inkstone made of filtered fine clay material. It is not a stone, it is made of the mud of Chengjiang, smelted by precision, and it is also one of the famous inkstones in China. The production of Chengni inkstone originated in the Tang Dynasty and flourished in the Song Dynasty, with a history of more than 1,000 years.

The texture is hard and wear-resistant, easy to ink, does not damage and does not consume ink, and can be comparable to stone inkstone. In the Tang Dynasty, Yuzhou (now south of Lingbao County, Henan) has become a famous production area for making Cheng mud inkstone. The shape of Chengni inkstone is simple and unpretentious, and Shandong's Lu Yi inkstone belongs to a kind of Chengni inkstone.

Chengni inkstone began in Jiangzhou, Shanxi Province in the late Jin Dynasty and early Tang Dynasty, it is a hand-made pottery inkstone, and the production method has evolved from Qin bricks and Han tiles, and has been refined by countless improvements. The best product is more solid than stone, and it does not dry up and does not hurt at all. The color is mostly used as eel yellow, shrimp head red, vermilion red, mung bean green, etc.

The real Chengni inkstone method was lost in the early Song Dynasty because the ancients did not easily teach the secret recipe, and the later works were not good.

One of the four famous inkstones in China, as the name suggests, the Chengni inkstone is made of mud, and it is fired.

Good luck.

Chengni inkstone is made of precipitating thousands of years of Yellow River mud as raw material, smelted by a special furnace, the quality is hard and wear-resistant, the view is like jasper, the skin is like a child, the ink is not dry, the ink is not rotten, the cold is not icy, the breath can be studied, the pen is not hurt, it is not damaged, it is highly respected by the emperors and literati of the past dynasties, and the Tang and Song dynasties are all tributes. Wu Zetian, Su Dongpo, Mi Fu, Zhu Yuanzhang all have a bell, and write about it; Emperor Qianlong praised: Fu is like a stone, and he is born.

Its effect is comparable to that of stone inkstone, and this inkstone is a must.

Chengni inkstone is the superior color of "cinnabar red, envy closed round eel yellow, crab shell green, bean green sand, sandalwood purple, especially cinnabar red and eel yellow are the most precious. Huaxia Chengni inkstone does not apply color glaze, adopts scientific and careful raw material formula, carefully fumigation of the elder brother collapse, special furnace fire smelting, so that it changes naturally in the kiln, the Chengni inkstone in the same kiln is magical, the colors are different, all are ingenious, not only maintain the precious color recorded in the history books, but also fire out the flower and stone pattern that the ancient inkstone has never had, its pattern tells the reason, wonderful and colorful, breathtaking. After expert evaluation and confirmation, it fully has the characteristics of ancient inkstone, such as "Zeruo beautiful jade, hitting like a bell chime, easy to ink, not hurting the pen, not freezing in winter, not withering in summer, and not moth-eaten in writing and painting".

In 2015, Li Xiyang improved the ancient process and developed the "natural water-patterned inkstone", which is like a child's skin and a golden sound, which is loved by literati and ink writers, and has been collected by many collectors at home and abroad.