What are the old couplets of the ruthless years?

Shanglian: The ruthless years urge people to grow old.

Downlink: Intentional time to promote the birth of aspirations.

Shanglian: The colored years are like water.

Downlink: The ruthless years urge people to grow old.

Shanglian: The ruthless years urge people to grow old.

Downlink: Colored gold looks young.

The ruthless years make people old.

The limited number of years makes things difficult.

The phrase is not a poem, but comes from a couplet.

The years are ruthless and urge people to grow old" is common as the upper link, and the lower link can be to:

1. The years are ruthless and urge people to grow old, and the fragrance fades in an instant.

2. The years are ruthless and urge people to grow old, and the floating life is intentionally turbulent in the years.

3. The years are ruthless and urge people to grow old, and time is limited while they are young.

4. The ruthless years urge people to grow old, and they are like green silk and white heads.

5. The ruthless years urge people to grow old, and the spring breeze deliberately persuades the flowers to bloom.

The ruthless years urge people to grow old, and the morning is like a green silk twilight white head (sic).

But what I like is to look at the soldiers,,, look at the recent war between Russia and Ukraine, and the Taiwan Strait issue, only the military can solve these problems.

The complete poem of the ruthless years urging people to grow old is: The ruthless years urge people to grow old, and the morning is like a green silk twilight white head.

In the journey of life, everyone will be born, old, sick and die, they will reach the terminal, and they must get off the train, without exception, and cherish every day of the present.

The verses about the years are:

The deceased is like a husband, reluctant to give up day and night (Confucius).

Between the world and the earth, if the white horse passes through the gap, it is all of a sudden. (Zhuangzi).

If the golden year does not come again, it will be difficult to regain the morning in one day. Be encouraged in time, and the years will not treat others. (Tao Yuanming).

Tomorrow after tomorrow, tomorrow is so much, I live for tomorrow, everything will come to pass. If the world is tired of tomorrow, spring will go and autumn will come. Look at the water flowing eastward, and watch the sun fall in the west at dusk. A hundred years and tomorrow can be geometric, please listen to my song of tomorrow. (Wen Jia's "Song of Tomorrow").

Today after day, how little today! Not today, when is this happening! Life is a hundred years and today, and it is not a pity to be today! If you say that you will wait for the Ming Dynasty, the Ming Dynasty will have Ming Dynasty affairs. For you to talk about today's poems, please start today. (Wen Jia, "Today's Poems").

1. The years are ruthless and urge people to grow old, and the fragrance fades in an instant.

2. The years are ruthless and urge people to grow old, and the floating life is intentionally turbulent in the years.

3. The years are ruthless and urge people to grow old, and time is limited while they are young.

4. The ruthless years urge people to grow old, and they are like green silk and white heads.

5. The ruthless years urge people to grow old, and the spring breeze deliberately persuades the flowers to bloom.

The requirements for the couplet are as follows:

1. The number of upper and lower words should be equal;

2. The upper and lower couplets should be the same: that is, each phrase that makes up the upper couplet is a few words, and the corresponding phrases of the lower couplet must also be a few words.

3. The parts of speech of the upper and lower couplets should be the same; The so-called part of speech refers to the categorical nature of words, such as nouns, verbs, adjectives, and so on. The parts of speech of the upper link and the part of speech of the lower link, according to the order of the words, should be the same and relative. This kind of requirement is mainly for the purpose of using symmetrical artistic language to better express the content of thought.

4. The syntax of the upper and lower couplets should be consistent; Syntax is the method of sentence formation. In a couplet, the upper couplet is composed of several words with a total of several syllables, and the lower couplet must also be the same.

5. The upper and lower joints should be adjusted; The expression method of the couplet and the upper and lower couplets should pay attention to the relative sound rhythm, that is, the balance and harmony. This is mainly for the harmony of the sound, the ups and downs, the melodious, and the sonorous and powerful.

6. There are two main kinds of syllables in ancient poems, one is two words and one tone, which is called "two-tone step", and the other is one word and one word, which is called "one-tone step". The level of the two-tone step is mainly based on the second word, and the first word is not strictly required.

The years are ruthless and urge people to grow old, and the mountains and rivers intend to call me new.

...The years are relentless and urge people to grow old.

.Time is orderly and drifts with the wind.

Shanglian: The years are ruthless and urge people to grow old.

Downlink: The vicissitudes of life are full of poverty.

Shanglian: The years are ruthless and urge people to grow old.

Downlink: Life is expected to lead to longevity.

Couplet Forbidden Gassho:

Gassho refers to a pair of words and words that appear similar, similar, and similar at the same time as the year-on-year or up-down ratio, that is, words and words with repeated meanings.

Gassho means the repetition of the content of the upper and lower couplets, or the repetition of the contents of the elements of the upper and lower couplets, and the sentences and couplets are only relative parts of speech in the literary form, and their content is actually the same thing, not relative, but similar.

The original meaning of "gassho" refers to the same style and meaning of the upper and lower couplets, and there is not much difference between the upper and lower couplets. But just one or two words have the same meaning, and that doesn't necessarily mean gassho.

The reason why there is a gassho is that the purpose is to make the meaning of the coupling more distinct, the meaning of the expression broader, and to make the upper and lower couplings as distinct as possible, but not because of the overlap of one or two words, it is regarded as a big taboo. For some specific scenes, it is necessary to highlight the deep meaning through the repetition of the upper and lower couplets, if these words are replaced, the meaning is not so distinct, after all, the most important thing in the couplet is the content, not the form.

It is important not to determine whether or not to fit the hands of the same word or not, but to evaluate them according to whether the upper and lower links have different emphases or styles. When writing couplets, you can avoid gassho by changing the angle, changing the style, changing the emphasis, etc.

Don't let the so-called gassho shackle your hands and feet and inspiration, if you have too many rules, you will not be able to write good couplets. When composing a couplet, you can pay attention to whether you are in the palm of your hand, but don't dare to write anything because you take care of its existence; Or write back and forth, because of the fear of making taboos, only go around in a small range within a stormy snow, and dare not jump out, then it is really worth the loss.

Shanglian: The years are ruthless and urge people to grow old.

Downlink: Time drifts with the wind in an orderly manner.

The years are relentless and urge people to grow old.

Shaohua is fleeting and drifts in the wind.

The years are relentless and urge people to grow old.

Time is limited, and I am worried

Shanglian: The years urge people to grow old.

Downlink: Time is free.

The years are ruthless and urge people to grow old, and the next sentence is that when young people fight for learning, don't wait for old age to leave grudges.

The years are ruthless and urge people to grow old:

1. The affection between father and son is in the world, and the laughter of childhood recalls childhood. Now that the years are urging people to grow old, filial piety still needs to be in front of them.

2. Don't care about the world, don't care about other people's opinions, and don't need to be consistent with anyone and things, adhere to your own justice and pursuit, ideals and beliefs, live the life you want, hide love in your heart, show everything not for eyeballs and praise, don't argue, don't explain, don't ask for the best, but ask for no shame and no regrets, and slowly wait for the years to make people old.

3. Meteors at night and twinkling fireflies witness the passage of time. The wrinkles on the face, the sideburns like frost, bear witness to the traces of time. Time is urging people to grow old, and time has passed.

4. The years urge people to grow old, and they can only use the beauty camera to comfort themselves that they are still young.

5. The years are ruthless and urge people to grow old, and the fragrance fades in an instant.

6, the years urge people to grow old, fame and fortune are forgotten, a pot of turbid wine gets drunk on dreams, life and death are lonely, greedy for a hug, no matter whether he is sooner or later, let love go.

Shanglian: Hongchen has a dream to lead to a long ambition to be new, and the mirror is beautiful.

<> commonly used antiphonal words in poetry.

Adverb pairs: also to again, to will, occasionally to often, only to coincidence, must be right.

Conjunctions to: and to and, and to or, unless to if, although to even, because to if.

Prepositional pairs: with to, to be toward, to be toward, because of to, since to, in addition to to.

The particle is right: yes, yes, yes, oh, yes

Interjections: Hey yes, oh yes, hey yes, hey yes, hey, hey, hey,

Onomatopoeia pairs: boom to hum, dang to bang, ding dong to ping-pong, bang dang to flutter, sigh to bang.

Continuous pairs: Qian to Mo, Pi to Pi, bright to charming, 氤氲 to 滟潋, jade to glaze.

Commonly used pairs of dotted characters.

But Jue - He Zeng.

Just for—why?

It's already a value.

I just know who is the way.

What a - unbearable.

There is a wish - no fate.

Mandao - what is the fate.

Smell - I'm afraid.

Mo Dao - only fate.

A few times - too.

Still want to be in vain.

Unheard—the first faith.

Suddenly-suddenly.

But see—I don't know.

Self-why.

Vow - Hugh General.

Still--He Zeng.

Slowly—and happily.

Not necessarily—it's hard to do.

But - why.

A few places - whose house.

A few days - a bit.

Luckily – no.

Ren is - yes and right.

There is still - mercy.

Don't go - what's the matter.

That know—from now on.

Sometimes - and even more.

Where—here.

Right to borrow - to rely on.

Commonly used virtual and real pairs.

A: Fiction before reality.

One self - the end of teaching.

One goes - left alone.

One from - several degrees.

Ren is - not with.

Vain Order—See you in the end.

But yes.

It can be seen - sufficient.

Established - Convinced.

Who will - paved.

Pity --- want to cross.

It seems to listen - a few degrees.

Fortunately there were—but no.

Not because of that.

Who knows—it's here again.

Mo Dao - owned.

But the period is ashamed.

Ander - beckoned.

But see—I don't know.

Ken Yu - unbearable.

Xi Zeng - self-sufficient.

Even if it is, from the knowledge.

Every envy - set to see.

Mo Wei - a joint general.

If not, it will be to.

Smell - I'm afraid.

Self-care - empty knowledge.

Just ask - don't care.

An Neng - willing to borrow.

Desire to try - surprised.

But hate—like to see.

But stay - in exchange.

Even though it's still the same.

As expected—no.

Who will - Zhinon.

b: Real first, then virtual.

Secretly followed - one term.

Circumstance—Remaining.

I'm also—I did.

Excuse me all the time.

Yixi - who recovered.

Message - Moin.

Self-proclaimed - Anzhi.

It's like—what.

Don't be afraid - what a word.

He is a year—Mo Wang.

Just been taught.

Downlink, the red dust is unpredictable and stabilizes the mind, and the starry sky is bright.

Shanglian: The years are ruthless and urge the old child's heart to sleep, and the spring in the dream!

Downlink: Pure heart ignores the shortness of life, the sunset is picturesque, warm and calm.

Uplink: The spring on the road of life is bright and the sunrise is red, and the future is bright, and the downlink: The years are ruthless and urge the old child's heart to be untouched, and the spring in the dream.

Question: Shanglian, the years are ruthless and urging the old child's heart to be untouched, and the spring is in the dream! Seeking the next link?

"day" is a flat sound, and it should be a downward link.

Shanglian: Hongchen intends to promote the new, bamboo horse green plum, summer rhyme in words;

Downlink: The years are ruthless and urge people to grow old, the childlike heart is not lost, and the spring is in the dream.

Couplet: The autumn wind deliberately passes the winery, three cups are not drunk, and the sun and moon are in the pot.

Mountains and rivers are deliberately drawn new.

In addition, one more sentence: "The years are ruthless and urge people to grow old", "love" and "people" are both flat voices, and they are not replaced, which does not meet the requirements of the couplet, and should be changed to "ruthless years urge people to grow old", so as to be in line with the law.

The ruthless years make people old.

Colorful youth with me.

Note: The following couplet is a paraphrase from Du Fu's poem "Singing during the day must be indulged in wine,."Youth is a good companion to return home。Poetic).

Question: The years are ruthless and urge people to grow old, what is the next link?

Shanglian: The years are ruthless and urge people to grow old.

Downlink: I love to help customers lightly.

The years urge people to grow old, and the mountains and rivers remember the travel.

Uncle Huaiman in Xiangcheng Road.

I handed over the land as a captain, and looked south to drown.

The years urge people to grow old, and the mountains and rivers remember the travel.

Xiangcheng is not brave in the past, and it is more sad when encountering things.

Duxi Gao Yang is near, and Languang forces the horse's head.