What is the gold and stone culture of purple sand pottery carving art?

Purple sand pottery carving art: it is a kind of comprehensive artistry with strong characteristics"Pot on stone culture"。Purple sand pottery carving, according to records:

There were inscriptions at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, but there were only records, no written research. Zhan Tianyou wrote in a poem:"I received a purple clay pot (commonly known as a pot at the time) with five characters in cursive on it.

Ate tea and clear the field'。I know this is a relic of Master Monkey King. (Sun Gao's family, Sun Daoming, also known as the late Yuan Dynasty Qing Yin, was once to.)"and a place to eat tea"The name of his residence formed a precedent for purple sand inscriptions.

During the Wanli period of the Ming Dynasty, the carving style of the bottom of the purple sand ware became increasingly popular.

<> Ming Dynasty Dabin hexagonal pot, the bottom of the pot is engraved"Wanli Bingshen Dabin"Two regular scripts, as well"A forest is clear, and the spleen is clear"Dabin. The carving of the purple clay pot is recorded: there are inscriptions in the late Yuan and early Ming dynasties, but there are only records, no written research.

According to the Ming Dynasty Qi Si? "Zhiyuan Cong Tan records:"Yu Yubai got the purple clay pot (commonly known as the pot at that time)."And eating tea, Qing Ao", known as the relics of Sun Gaoshi, every tea making is quaint.

Sun Gaoshi was the late figure of Sun Daoming and Wang Shizhen in the Qing Dynasty. His residence was once called"and a place to eat tea", forming the earliest purple sand carved book. During the Wanli period of the Ming Dynasty, the carving style of the bottom of the purple sand ware became increasingly popular.

At that time, Dabin made a hexagonal pot, and the bottom of the pot was engraved"Wanli Bingshen Dabin"Two regular scripts, as well"A forest is clear, and the spleen is clear"Dabin. During the reign of the Emperor of the Apocalypse (1621-1644), Chen Ziqi's calligraphy was mostly in the Jin and Tang styles, and Shen Ziche's numismatic system was elegant and simple, and there was no lack of descriptions of the Jin and Tang pottery styles between the lines. But at the time, the inscription was limited to what the kettlemaker left at the bottom.

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It is a very unique culture, a relatively comprehensive culture, with a very deep history, there are some related cultural customs in ancient times, and many people like to carve at the bottom of the purple sand ware at the beginning of the Ming Dynasty, which has been passed down far to the present.

It is a culture on the pot, it is a very comprehensive art, and the level of the carver is very high, and it has a long history in our country.