Is panorama shooting easy to learn? What does it take to shoot panoramas?

Panorama shooting is still very easy to learn if there is a professional organization training, first tell you about the general panorama shooting process, you can understand what you need to learn:

Steps to shoot BAI to make a VR panorama:

1. Select equipment and take photos**

At present, in addition to the map and other large platforms that use panoramic cameras to shoot VR panoramas, most individuals or practitioners use SLR cameras + wide-angle lenses or fisheye lenses to shoot VR panoramas for enterprises that need them. The VR panorama is spliced together by multiple **, so there must be a part of overlap at all angles when taking pictures, so as to ensure better operation when splicing.

After finding a fixed spot when shooting, be sure to check the details such as the camera and gimbal scale when placing the tripod and gimbal, and then choose the number of shots for different focal length lenses.

2. Splicing and beautifying**:

All scenes can be exported after shooting**, and can be stitched directly in batches using the software, or manually processed for each scene and each scene individually.

At present, most of the software on the market is a Chinese cracked version,If you want to learn, choose one of them,Then take a look at the tutorial to practice familiarity,After splicing**The general requirement is 2:1 ratio, the minimum resolution4000*2000**,At this time, you can use ps to beautify the splicing after the completion of the splicing,Modify the flaws。

3. Select the VR panorama processing software platform

In the second step, after splicing and beautifying, the ** is not a real VR panorama, and it needs to be uploaded to a professional VR panorama processing software or platform to see the effect. In addition to providing smooth storage and sharing, the VR cloud panorama production platform also provides the most basic class production functions of VR panoramas, and has special requirements for VR panoramas, such as inserting viewing angles, hotspots, sand tables, masks, **, **, ** and other functions in the panorama, Jiushang VR cloud platform also provides these functions, which are incomparable to general free software.

If you don't know panorama and want to learn panorama, you can see here. Nanny-level tutorials.

First, the choice of focal length.

Different photographers have different personalities and different photographic tools. Why? Because only the right tool for you, the shot is good.

So, when different panoramic photographers shoot panoramas**, how do they choose the focal length? Is it the shortest focal length (the wide-angle end of a wide-angle lens or a zoom lens) with a large angle of view and a small amount of stitching? Or do you choose a mid-focus or telephoto end?

In fact, it is better to shoot at the medium or telephoto ends. Because, if you shoot with a wide-angle lens, the edges of the frame are easily distorted, which greatly increases the workload of stitching. However, shooting with medium or telephoto ends rarely shows distortion, and it is not advisable to change the focal length in the middle of shooting, so the current panoramic ** lens has EF35mm, EF50mm, EF85mm, etc.

However, there is also a benefit to shooting with a wide-angle lens, that is, ** will create a strong sense of perspective.

Second, ** parameters.

Unlike previous devices, most digital cameras now have a dedicated panorama mode, which automatically sets the parameters of panorama as soon as this mode is set. However, for cameras that do not yet have a panoramic function, we need to pay attention to the following points:

a. Use average metering when metering, use manual light acquisition or AE lock to lock ** parameters when holding light**, and cannot change aperture, speed, iOS, resolution and other settings during the shooting process of the same set of panoramas**;

b. Use fixed white balance, and the use of automatic white balance may cause inconsistent tones of different **.

3. Precautions when shooting.

When shooting in panoramic photography, shoot in a certain order (from left to right, from top to bottom, etc.), it is best to use a tripod to rotate smoothly, rotate the shooting to pay attention to the vertical axis of the shaft, pay attention to the camera height and angle when shooting around the shooting or point by point panning, generally do not use flash, the flash will cause near bright and far dark.

When taking panoramic photographs, it is also important to avoid moving objects at the junction. Although the choice of a clearly marked position as the articulation point is conducive to some automatic software identification and splicing, we still recommend choosing a part that is not clearly marked and easy to mix as the joint, such as the water surface and distant mountains, so that the seam is not easy to see when splicing.

Hope it helps.

Here's how to use panoramic shots:1. Find the camera on the desktop, as shown in the figure below

2. The panorama mode is on the far right, as shown in the figure below

3. Click the round photo button below to start, as shown in the figure below

4. Please keep moving when shooting panoramas, move a little slower, and align with a line in the middle, as shown in the figure below

5. The final panorama has been taken, as shown in the figure below:

Make clever use of the panoramic mode of the mobile phone to easily take interesting photos of the circle of friends.

How do you capture an attractive VR panorama**? This is the ultimate goal of every panorama lover, in fact, there are several very key factors in VR panorama shooting, as long as you grasp it well, you can make a stunning VR panorama.

The first is depth of field, and the second is interaction. Depth of field refers to a 360-degree land-based **, not a simple panorama, or at least a 360-degree 3D**. Interaction is the use of some interactive ways to affect the plot.

In the future, virtual reality can be incorporated into virtual reality films in a more immersive way.

The distinction between virtual reality movies and virtual reality games will become increasingly blurred. Users don't know if they're playing a game or watching a movie. The so-called game game refers to something that the user can manipulate, and if a movie also has these attributes, it can be considered a lightweight mini-game.

Third, there can be no slowdown or card situation, users watch a traditional**, such as watching 24 frames of movies or 25 frames of TV, if the number of frames is not too small, in fact, users feel that this** is still acceptable. If the user brings a head-mounted monitor **VR virtual reality video, the frame rate is lower than 60 frames or 25 frames, or the user's head turning action cannot be synchronized when the user turns his head, and the difference between the middle is more than 20 milliseconds, the user will feel that this scene is not real, and will feel that the feedback of this scene and the operation is not synchronized, and there will be dizziness and discomfort.

Therefore, to really create a better immersion for usersVR**, it certainly does not mean that content manufacturers can just produce better content, but largely depend on what equipment and means users use**This**or, hardware is actually a key part of the user experience.

The steps for panoramic shooting are as follows:

1. Prepare your camera and equipment to ensure that the camera has the function of panoramic shooting, or prepare a special panoramic camera. With a wide-angle lens, there is a large angle of view.

2. Determine the shooting point and use the three-legged reed holder to maintain stability. Determine the overall range you want to display, which can be measured using a mobile phone or camera measuring instrument.

3. Set the camera parameters, select the appropriate mode, you can use the manual mode to control the details. Set a small aperture high f-number to increase the depth of field and ensure that the entire frame is clearly visible. Set the appropriate ISO value and shutter speed to match the scene light conditions.

4. Choose the direction of the shot and start shooting from a specific starting point, usually the center of the panorama. Set the camera angle and spirit level according to the selected direction to ensure the level of shooting.

5. Start continuous shooting according to the selected shooting direction, keep the camera moving horizontally and overlap adjacent ones as much as possible. Lock the focus with manual focus or autofocus to maintain consistency throughout the shot.

6. Post-processing, adjust and balance colors, exposure and contrast to ensure consistency and smoothness throughout the panoramic image. Optionally, use appropriate panorama post-processing methods, such as removing distortion or repairing stitching marks.

Precautions for panoramic shooting

1. Choose the right scene, the scene of panoramic shooting usually requires a wide range of scenery and rich scenery. You can choose from mountains, city towers, lakes or beaches, depending on the photographer's personal preference. You must use a professional panoramic camera to capture high-quality panoramas**.

In addition to the camera, you will also need to have equipment such as a tripod, spirit level, and shutter control to ensure that the panoramic images captured are clear and error-free.

2. Pay attention to light and weather: Panorama shooting requires shooting from multiple angles, and the shooting process may take a long time, so it is best to choose a sunny and stable day to shoot to avoid weather changes from interfering with the shooting. It is also necessary to pay attention to factors such as the direction and intensity of the light, and the choice of golden hours.

3. Keep it level and flat top: The panorama needs to be spliced with multiple photos, and the camera should be kept as horizontal as possible when shooting, because if it is tilted, it will make it extremely difficult to stitch in the later stage. When shooting, you also need to make sure that the device has a flat top posture to avoid pixel distortion when shooting.

4. Pay attention to the overlap of shooting: When shooting panoramic shooting, you should pay attention to the appropriate overlap between adjacent *** to ensure that the quality of the later splicing is high and there is no lag point.

5. Post-processing: Panorama usually needs post-processing to optimize the light, color, sharpness and other attributes, and you can also use splicing software to stitch multiple photos into a complete panorama.

Here's how to take a panoramic shot:Tools: Honor 50, Magic UI.

2. Click the [Panorama] option.

3. After entering the panoramic shooting, click the shooting button below to shoot.

Tips for panoramic shooting1. Complete a large number of shots. Start shooting from the far left, then continue to the right, keeping the camera as level as possible.

2. Take photos in the studio. If you shoot against a well-lit and solid background, it is possible to create an unusual panorama in which a person moves from one part to another, the main thing is to create the frame correctly. Filial piety.

3. Change the ** settings. Don't change the settings between ** and take a quick photo.

4. Lighting condition setting. To shoot panoramas with a DSLR, it is important to measure the "scene" so that the picture does not brighten. Find the brightest spots, and by setting the manual mode, you can apply such settings or dim them slightly.

Here's how you can make a panorama:

1. Prepare equipment: In addition to tripods, panoramic heads and cameras, the equipment used for shooting may also include: laptops, uninterruptible power supplies, solar charging equipment, external focus controllers, etc.

Among them, there are two types of panoramic gimbals: automatic and manual, generally using automatic gimbals, manual gimbals can also be used, but only limited to the total number of shots is not more than a few hundred local **.

2. Parameters of the whole equipment of the splitting plexus: determining the shooting parameters is the key to the success of the shooting, the panorama is spliced together by multiple local **, and there needs to be a certain intersection area between adjacent **, at least 10%, in order to ensure the success of the puzzle, 25% to 30% of the cross rate is generally required. This is where mobopan's pixel calculation tool can be used.

3. Shooting: There is nothing to say about this, the automatic gimbal will help you. It should be noted that if you use a manual gimbal, you should pay special attention to the shooting speed.

4. Post-processing: When the shooting is completed, it is **splicing and post-processing, using ** software (such as: ptgui, autopano), the source state of the local **seamless combination into a complete panorama**, and then it's OK.