What was the development of classical Chinese aesthetics?

The woman is the one who pleases herself;

Wives and concubines should avoid wearing makeup;

When going out and meeting guests, you need to "crown" and "sleeve";

Get up early in the morning, sprinkle and sweep the dust, and make sure that the inside and outside are tidy;

It is better to eat without meat than to live without bamboo;

The moss marks are green on the upper steps, and the grass is green into the curtains;

two or three chrysanthemums, five or six madders;

Calligraphy and painting on the wall, and the golden scripture is written on the case;

Stand like a pine, sit like a clock;

Wait, wait.

Aesthetic cultivation is unified with people's moral cultivation and cultural cultivation.

I often see some people, the way they dress up, the form of interior decoration, and their identity is not coordinated, "painting a tiger is not an anti-dog".

Similar to the god without seeking to be like, and strive to be vivid and expressive, using yin and yang dialectical thinking, using a variety of cloth to achieve picture harmony

Traditional Chinese aesthetics believes that aesthetic activity is to construct a world of images outside the physical world, that is, the so-called outside heaven and earth, another kind of spiritual wonder", this world of images is the aesthetic object, that is, what we usually call "beauty" in a broad sense (including various aesthetic forms).

Traditional Chinese Aesthetic Categories I. Neutralization The most basic meaning of "zhong" is the middle of two opposing factors or two extremes, but not in the middle, but in a "suitable" position. For example, the location of the Taihe Hall in the imperial palace in the field of architecture, and the location of the Daxiong Hall in the Buddhist temple; In the landscape painting, it is set off by the peaks.

1. Aesthetic origin value.

Traditional Chinese aesthetics' understanding and views on the origin and essence of beauty, the great importance attached to the construction of aesthetic subjects, the pursuit of ideal personality construction and aesthetic life realm, as well as the way of thinking and characteristics of traditional Chinese aesthetics, and the rich category system, will have undeniable theoretical value.

2. Contemporary aesthetic and cultural values.

The significance of traditional Chinese aesthetics lies not only in its important theoretical significance and value for modern aesthetics, but also in its important practical significance for contemporary aesthetics and culture, society and life. As Ge Zhaoguang said: "Humanistic thought often points to the problems of people's own existence, and there will always be anxiety, tension, fear, and confusion in life, which always entangle people's hearts."

How people think from the bottom up is an old topic that people think about from ancient times to the present, and the thinking of ancient people is not necessarily shallower or simpler than that of modern people. ”

3. Spiritual comfort value.

Traditional Chinese aesthetics attaches great importance to and emphasizes the aesthetic pursuit of the ideal realm of life, and emphasizes the transcendence of human life while emphasizing the existence of human life. It attaches great importance to and affirms people, and it is by no means the biological and instinctive person emphasized by postmodernist culture, but the moral and cultural Mula people, emphasizing the construction of ideal personality, and these traditional aesthetic resources, after the creative modern transformation, should play a role in the construction of spiritual civilization and the construction of the spiritual world of modern Chinese Zhennaiqing people. Modern civilization is accompanied by an inner spiritual crisis, a pale soul and a burning soul.

Traditional Chinese aesthetics emphasizes the construction and cultivation of people's aesthetic mind, and emphasizes the spirit of clarity, quietness, and bathing in snow, which undoubtedly has the effects of detoxification, clearing heat, and awakening the brain of modern people with infinite expansion of material desires.

Harmony is still influenced by traditional culture.

There is also a certain cultural tradition of symmetry.

Not only aesthetics, but also many habits and customs in daily life are related to China's traditional Chinese culture, of course, such an influence can also highlight China's traditional culture, so that more people can remember China's traditional culture. , so that the culture itself has a certain degree of promotion.

The coexistence of mountains and rivers and the coordinated development are the epitome of the influence of traditional culture. Of course, it is precisely because of this microcosm that we can see the appearance of Chinese culture itself in every corner.

Chinese traditional culture and aesthetics are complementary to each other, they are all treasures of our country, traditional culture promotes the development of aesthetics, and aesthetics to a certain extent carries forward traditional culture.

The biggest influence is the connotation of aesthetics, I think traditional culture makes aesthetics more meaningful, so that aesthetics has a cultural heritage, more impactful to people's hearts, and cultivate people's sentiments.

The influence of traditional Chinese culture on aesthetics is very great, first of all, many works add traditional cultural elements, which are completely different at once, and add unique Chinese beauty!

What are the three major areas of classical mepixian? (limb only).

a.Language. b.Creation.

c.Aesthetic feeling. d.Morality.

The correct answer refers to the world: BCD