I want to practice false voice, but my voice is primitive

First, the soft palate is lifted to increase the oral resonance, and the vocal point is moved back from the lower tooth to the soft palate. During this period, there may be a eunuch voice, which may be due to a lack of support from the breath or excessive use of breath, and should be tuned until the breath is moderate. If there is a mother's voice, it may be because the voice is not behind.

Once the practice is stable and you can move on to the descending scale, which is the 17654321 in vocal music. When the pitch is lowered, there will be a very treacherous sound that is neither male nor female, this note point is the critical point, and then raise two or three scales at this critical point (depending on the situation, some people may mention one or two scales), will produce a very similar true female voice, grasp this sound point, and practice hard until it is stable.

Pseudophony is mainly a three-chamber resonance: nasal resonance, oral resonance, and thoracic resonance.

1. Nasal resonance.

Try to make a "hum" sound, the nasal cavity will vibrate, and this is nasal resonance.

2. Oral resonance.

When you try to make the "black" sound, your mouth feels like it is vibrating, and this is the oral resonance.

3. Thoracic resonance.

It's about trying to keep your voice down so that your chest feels the vibration.

4. Conclusion. The effect of false sound is to remove the resonance of the chest cavity and only use the oral resonance and nasal resonance.

6. Breath. If you can't make a girl's voice, you should take a deep breath and exhale at the slowest speed, which will make the breath soft, weak, and light.

Pay attention to the beginning of the practice, do not make too much noise, because it can't be made at all, and if you insist on it, it will damage your throat.

1. Open the throatWhen the throat is naturally opened, the laryngopharyngeal cavity and oropharyngeal cavity will be in a natural open state. When dubbing, keep the throat open and open at all times, and a good state of oropharyngeal and laryngopharyngeal resonance can be formed.

2. Keep the laryngeal cavity at a lower position after the head is kept low, and the laryngopharyngeal cavity will naturally lengthen downward, which not only increases the length of the pharyngeal cavity tube, but also stabilizes the expansion state of the pharyngeal cavity.

3. Lifting the soft palate, retracting the small tongue and retracting the soft palate, and retracting the small tongue will make the oropharyngeal cavity expand upward, which not only increases the space above the pharyngeal cavity, but also creates favorable conditions for the oropharyngeal cavity to connect the nasopharyngeal cavity upward.

4. The nasopharyngeal cavity is small when opening the nasopharyngeal cavity when speaking naturally, and it cannot meet the needs of pharyngeal resonance. Therefore, when establishing the resonance cavity in dubbing, it is necessary to emphasize the opening of the nasopharyngeal cavity, so that the nasopharyngeal cavity and the oropharyngeal cavity can be connected to form a complete resonance cavity, and at the same time, it can also ensure the transmission of oral and pharyngeal resonance to the cephalic resonance cavity, so as to obtain a rich cephalic cavity resonance effect.

Principles and techniques of pseudophonic pharyngeal cavity resonance:

1. The resonance cavity of the pharyngeal cavity is located above the larynx that produces the sound and connects the head cavity upward; Connecting the chest cavity down through a laryngeal canal; Outward and adjacent to the mouth. It is the "connecting part" and "relay station" between the upper resonance and the lower resonance, and the resonance sound produced by each resonance cavity during dubbing relies on the pharyngeal resonance cavity to coordinate and transmit.

2. When dubbing and vocalizing, maintaining a natural yawning state is equivalent to maintaining a good pharyngeal resonance cavity state, and dubbing in this state will obtain an ideal pharyngeal cavity resonance effect. From this, we can conclude that the most convenient and easiest way to form and maintain an ideal pharyngeal resonance state in dubbing practice is to maintain a yawning state.

As follows:

I'm in the middle of a voice change right now. It's better not to play with false sounds or something now.,Of course, hoarseness is also possible.,And then it's more likely that you can't find the previous pronunciation point.,Cause your own sound to not be able to find it back.。

Sometimes this thing is played for a long time and then it will cause an uncomfortable throat, as if something is stuck in the throat, which is really uncomfortable, and if you don't get used to it, you will lose your voice when singing. That's right, miserable.

Whether you are out of curiosity or fun or something, it is not recommended to learn during the voice change period, the voice will become unpleasant If you really can't help but want to try to play, it is recommended not to speak in a false voice for more than half an hour, otherwise it will affect yourself, which may lead to vocal cord congestion, laryngitis and the like.

Well, finally, please drink more hot water to moisten your throat, don't yell if you're fine, and be sure to protect your voice.

The voice change period specifically refers to adolescents aged 10-16, and the voice change period for boys is about 12-14 years old and can be completed by the age of 18; Girls are about 13-15 years old, and at the latest around 16 years old.

The growth of the larynx and vocal cords is accompanied by an unnatural voice, narrowing of the vocal range, vocal fatigue, local congestion and edema, and increased secretions, resulting in a period when speaking and singing that is different from that of childhood and lasts for six months to a year. The voice change period can be divided into the early stage of voice change, the voice change period and the late stage of voice change. The earliest voice change is about 9 years old, and the latest voice change is about 15 years old.

Stand up straight. When singing falsetto, you can try to read the lyrics aloud a few times first, keep smiling while singing, make the volume of the mouth larger, think about your nose, sing forward, feel that the trachea is completely clear, and the method is right.

Pinch your nose and put your tongue down in your mouth.

Despise the copying party. Take the beanie to practice. It's almost urgent.

False sounds can destroy the original sound. The effect of false sounds on the original sound: the boy's voice will become higher and higher, while the girl's voice will become lower and lower.

There may also be a situation where boys are getting more and more aggressive, while girls are getting more and more aggressive. However, if you can practice the method of pseudophony, the sound can be changed back by resonance. Find a good way to practice in the process.

Don't force it out. Take it one step at a time.

Pseudophonics practice method:

1. Abdominal breathing.

By breathing through the abdomen, you can make your breath sufficient, and you can provide enough breath to ensure that your voice will not be harmed.

2. Climb the scale.

Beginners who practice pseudotones can make the transition from a bass to a treble by making a "a" sound method.

1. Breathing exercises. Take a deep breath and sink the breath into your abdomen, then hold the breath as much as you can. The longer the time spreads, the better, and then exhale slowly and evenly, which must be practiced regularly.

2. Increase oral resonance. Do yawning movements, touch the teeth on both sides with your hands, and then the mouth is open to the greatest extent, practice this posture more, and bring this side crack habit into the speech.

3. Exercise of thoracic resonance to feel the resonance of the thoracic cavity. Yun Chang closed his mouth slightly, relaxed his throat, closed his vocal cords, and gently vocalized like a goldfish spitting bubbles, or hummed low, feeling the vibration of his chest.

4. Practice bubble sound. First, relax your throat and face sufficiently, your chest is relaxed, and your mouth is yawning. A faint wave slowly rose from the chest.

False sounds are much more difficult for girls than for boys.

If you're still in the stage of changing your voice, don't practice.

If you are new to false sounds, it is better to understand how to protect your voice first.

Then take a look at the tutorial more.,Station B.,Paste it or something.。

After learning about it, listen more, practice more, and ponder more. Record your own voice and listen more to improve. (It's actually important to figure this out for yourself.) ）

Of course, some tutorials may not be right for you.

I myself listened to the voices of the characters in the anime and practiced blindly. (When I practiced, station b seemed to have almost no pseudophonic tutorials).

Female pseudo-men are easy to practice bad voices. (If your original sound belongs to the cute girl or Lori sound...)It's hard to practice. ）

Female pseudo-men can start practicing from the royal sister sound, Zhengtai sound, and juvenile sound.

If you don't have any experience with pseudonyms before, it's better to start practicing with female pseudo-girls first. (To give you a general idea of pseudophony.) ）

The pseudo-sound is not in a hurry, and the pseudo-sound will be difficult to hear for a long time when you first start practicing. Don't be discouraged, everyone is the same, and when you get acquainted with it, you will progress quickly.

Learning is never a one-person thing, to have a partner who supervises each other, who needs to learn Japanese or is interested in learning Japanese, can add skirts, the beginning is nine three four, the middle is five zero four, and the end is seven seven five, according to the order of the combination you can find free access to information, learn together!

If you just start false sound, don't practice hard. Only practice for a short time every day, remember to drink more water (fat sea soaking water or something)! If you feel unwell, stop practicing immediately, even if it's slight!

Knock on the blackboard! This one is important! If you have a cold, don't practice when you're on fire.

Try not to sleep on electric blankets in winter).

Tell yourself. 1.When I first practiced, I struggled to practice pseudo-male voices for a while. And then suddenly one day I almost couldn't speak. It took a long time after that.

2.At that time, I had been practicing pseudophony for a while, and female pseudo-girls could basically control all kinds of voices. Then there was a period of time, how to fake and how not to work, a pseudo voice throat is still a little itchy and a little painful. Then I had to stop practicing. It took about two weeks to get better.

It's a miracle that I can still speak normally. ( It's not that you're practicing blindly by yourself, and you don't protect your voice (·Cause your voice to speak much lower now than before.)

In short, female pseudo-men must protect their voices!! It's easy to break down! (If you practice a lot of pseudophonics, you will change your original sound to a certain extent, and sometimes you don't know what your original sound is.) Anyway, how to talk comfortably. ）

emmmm, unconsciously said so much, I hope it helps you w

PS: Be sure to protect your throat! (This one is too important.) ）

There are many ways to learn pseudophony, each person's voice conditions are different, so the method suitable for their own practice is different, everyone should practice according to the method suitable for their own learning (such as screaming, dumb and other methods that have drawbacks and are eliminated do not need to practice, because this kind of mention requires you to squeeze your voice to pronounce the method is a basic mistake, in order to protect our voice, it is recommended that you do not choose this kind of method).

At present, the basic learning of pseudophony is to practice breathing, changing the pronunciation point, finding various resonance cavities and combining them with the basics. However, to protect your voice when practicing false sounds, here are some ways to protect your voice when practicing (personal advice). Practice pseudophony for voice protection and advice:

Do not eat cold, cold, or spicy food for 30 minutes before and after practicing pseudophony every day, and it is not recommended to touch carbonated drinks, tobacco and alcohol (other time periods are OK, but it is recommended to touch less for the sake of health).

About practice: On the premise that you don't stay up late, your voice is the most relaxed state when you just get up in the morning, and it is the best time to practice; Evening is the time when the body needs to rest, so it is not suitable to practice at night; In addition, the practice of breath should not exceed an hour a day, and the practice of sound should be 15-25 minutes a day, not more than half an hour.

Suggestion: It is best not to use your voice excessively or shout loudly during the practice of false sound, and it is best to have a special person to guide you. Under normal circumstances, you can't hear much difference by listening to your own recordings, but at this time, you can also find friends to practice together, practice each other's voices, and listen to sound changes.

To learn pseudophony, you must first learn Mandarin well, four songs, you deserve it!!

Then, just climb the scale, there is a tutorial on Bilibili, female pseudo-men be cautious, if you don't want to develop towards CV, just play it, you may lose your original sound.

Pseudophonic scum, it's okay to play games at ordinary times, it doesn't seem to be useful.