Jiangnan Spring depicts poetry, the poetry of Jiangnan Spring

"Jiangnan Spring" is a poem created by the Tang Dynasty poet Du Mu, and the whole poem is: "Thousands of miles of warblers cry green and red, and the water village mountain Guo wine flag wind." There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain. ”

This poem was written when Du Mu visited the south of the Yangtze River, and the meaning of the whole poem is: the sound of birds in the south of the Yangtze River, the green grass and red flowers reflect each other, and the wine flags flutter everywhere in the foothills of the waterside villages. There are more than 480 ancient temples left over from the Southern Dynasty, and countless buildings are all shrouded in wind and smoke.

"Jiangnan Spring" is a well-known poem about the scenery, it does not take a specific place as the object, but focuses on the unique scenery of the entire Jiangnan, which not only writes the richness and colorfulness of the spring scenery in the south of the Yangtze River, but also writes its vastness, depth and blur.

"Jiangnan Spring" is a poem composed by the Tang Dynasty poet Du Mu.

The meaning of the whole poem:In the vast south of the Yangtze River, warblers sing and dance everywhere, green trees and red flowers reflect each other, and the foothills of the waterside villages and cities are sleepy everywhere like shirts and wine flags fluttering. Many ancient temples left behind by the Southern Dynasty are now shrouded in this mist and rain.

The whole poem is as follows: thousands of miles of warblers cry green and red, and the water village mountain Guo wine flag wind. There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain.

Appreciation: This "Jiangnan Spring" has been famous for thousands of years. The four lines of poetry not only write the richness and colorfulness of the spring scenery in the south of the Yangtze River, but also write its vastness, profundity and blur.

Thousands of miles of warblers cry green and red, and the water village mountain Guo wine flag wind. "At the beginning of the poem, it is like a movie shot of a swift oak moving rapidly, sweeping over the southern land: in the vast thousands of miles south of the Yangtze River, the yellow warbler is singing happily, and the clusters of green trees reflect clusters of red flowers; The villages near the water, the castles by the mountains, and the wine flags waving in the wind are all in sight.

There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain. Judging from the first two sentences, the warblers and birds are singing, the red and green are contrasting, and the wine flag is waving, which should be a sunny scene, but these two sentences clearly write about smoke and rain, just because within a thousand miles, the clouds and sunny spots are different. However, it also needs to be noted that the poet used typical techniques to grasp the characteristics of the scenery in the south of the Yangtze River.

The characteristics of the south of the Yangtze River are that the mountains are heavy and the rivers are complex, the willows are dark and the flowers are bright, the colors are intricate, and the layers are rich and three-dimensional. While shrinking thousands of miles to the scale, the poet focuses on the beautiful scenery of the spring in the south of the Yangtze River. In the first two lines of the poem, there is a backdrop of red and green colors, a backdrop of mountains and rivers, a backdrop of villages and castles, a backdrop of movement and stillness, and a backdrop of sound and color.

But these alone don't seem to be rich enough, and they only depict the bright side of the spring scenery in the south of the Yangtze River. So the poet added a wonderful stroke: "There are four hundred and eighty temples in the Southern Dynasties, how many buildings are in the smoke and rain."

The splendid Buddhist temple with many houses originally gave people a deep feeling, but now the poet deliberately let it haunt and hide in the misty smoke and rain, which adds a hazy and misty color.

The vast south of the Yangtze River is full of warblers, singing and swallow dancing, green trees and red flowers reflecting each other, waterside villages, foothills, and city walls, and wine flags fluttering everywhere. Many ancient temples left behind by the Southern Dynasties, such as hidden disturbances, are now shrouded in this misty smoke and rain.

"Jiangnan Spring".

Don Dumu. Thousands of miles of warblers cry green and red, and the water village mountain Guo wine flag wind.

There are 480 temples in the Southern Dynasty, and how many buildings are in the smoke and rain.

Appreciation

In the first sentence, the poet imagined the entire land south of the Yangtze River from the spring scene in front of him, depicting a scene full of spring. The poet uses the technique of contrasting to match "red flowers" with "green leaves", and the word "reflection" in the poem highlights the scene of "Jiangnan Spring" from the perspective. The second sentence of the poem uses the rhetorical device of Liejin to describe scenes such as water villages, mountains, and wine flags.

From large to small, these objects not only show a certain spatial location, but also highlight the unique architectural characteristics of the "village" and "Guo" in the south of the Yangtze River.

The third sentence of the poem is modified with the imaginary number "four hundred and eighty", which corresponds to the "thousand miles" in the first sentence, and the more important thing is to express the prevalence of Buddhism in the Southern Dynasties era, and lay the foundation for the lyricism in the later concluding sentences. The fourth sentence combines fiction and reality, there is history in front of you, and I feel extremely emotional in my heart - history is always evolving and changing, and the replacement of dynasties is inevitable.

About the Author

Du Mu is an outstanding poet and essayist in the Tang Dynasty, Du Muzhi, known as Fan Chuan, and Li Shangyin are equally famous, and called "Little Li Du". Du Fu's poems, fu, and ancient texts have high attainments, and he advocates that all texts should be based on meaning, supplemented by qi, and guarded by words and sentences, so that he has a more correct understanding of the relationship between the content and form of his works. Because Du Mu lived in the late Tang Dynasty, he was concerned about national affairs since he was a child, and his poems showed his political ambitions, and when reading his poems, you can feel the poet's patriotism.