How color shapes 20, how color shapes

I'm here for this too... But what I see ... How is it all like this ... I tell you my experience ... 50-day unified examination college entrance examination dog. Just refer to it...

What I think of as shaping, is to add rich colors on the side of the structural line, which can be the inherent color of the object, or the environmental color, and can also add overweight colors, but pay attention to the brushstrokes, must be flexible, this should be practiced and experienced, and there is heavy color and bright color, must be on an object, so that the sense of volume can rise, pull down a slightly heavier color at the edge of the bright place, and add a slightly lighter color in the dark place, these can be shaped, but these are just methods of speaking, The most fundamental thing in shaping is to shape the body feeling, that is, highlights, bright sides, dark sides, reflections, projections, and the boundary between light and dark.

Color shapes the object, pay attention to the three-dimensional sense of the object, the direction of light, and the relationship between light and dark on the object.

The objects are projected and the highlights must be drawn with a pen, and the last thing that is particularly important is the environmental color of the object, that is, to make the picture unified and the color sensitive.

Pay attention to the shape and depth of the shadow, and remember that the shadow will also fall on other objects.

There are no shadow objects that are glued to the paper in this way, how three-dimensional.

Widen the difference between black, white and gray, find the junction line, leave blank while blackening all the pen with a pen, and draw meticulously on the basis of a black and white contrast.

Starting from the junction line, the junction line is the most detailed, and it is also the most contrasting.

Adjust the black, white and gray to see if the bright side is too gray, or the dark side is too bright, and the boundary line is not obvious enough.

Highlights appear next to the junction line.

When the junction line and the gray surface are not very obvious, remember to mention the highlight to help bring out the sense of space.

In general, the main color of the gray part of the object is the intrinsic color of the object, and the light source color is added to the bright part. The boundary between light and dark can be biased towards the complementary color of the highlights. At the same time, let it sink.

Dark reflections note the addition of some colors from other objects. In terms of the law of cold and warm of light and darkness of objects, the bright part is cold, the dark part is warm, and vice versa.

How to shape the color of the gods? What does this mean? It's good for you to make it clear!

You can shape it by looking at it with a fascination.

The same color can make people have different psychological feelings:

1 Warm vs. Cool:

Red, orange, yellow - are warm colors, symbolizing: sun, flame.

Green, blue, black - are cool colors, symbolizing: forest, sea, blue sky.

Gray, purple, white - intermediate colors;

The brighter the cool tones – the warmer they are, and the warmer the brighter the warmer tones.

2 Excitement and Silence:

Orange in shades of red and bright yellow - gives a lively, pleasant, excited feeling. Cyan, turquoise, cyan purple - it makes people feel quiet, calm, and solid.

3 Forward and Backward:

Color can give a person a psychological sense of distance. Yellow has the feeling of protruding the background forward, and cyan has the feeling of indentation; It is arranged as follows: red> yellow, orange> purple> green> cyan;

Warm colors are the forward colors - the feeling of swelling, closeness, snuggling. Bright Colors - Onward!

Cool colors are receding colors - calm, contracted, distant sensations. Dark Colors - Back Away!

In home renovation, smaller rooms should be used"Floors in dark tones"；It gives people the feeling of expanding the area. If you choose a floor with bright colors, it will appear cramped and oppressive.

4 Light and heavy:

Color can bring to the table"Light and heavy"feelings; White and yellow give a lighter feel, while red and black give a heavier feel. In home decoration, the top of the room (ceiling) is easy to choose light colors or brighter tones; The walls and floors can be appropriately weighted, otherwise it will give a top-heavy feeling. 5 Gentle vs. Tough:

There is no concept of the tonal relationship of the still life itself, the color scale of the still life is not opened, and the contrast of the style of the defined area of the intrinsic color, the light source color, and the ambient color is not grasped. The depth, volume, and texture of the still life are contrasted and deepened in many aspects. Painting color depends on the mutual support of feelings and theories in order to paint color paintings with feelings.

Your question is not about color, and it's not about how to go deeper; Instead, there is a problem with sketching, and it is recommended that you strengthen your sketching practice, and you will see what the problem is. The first two are also talking about sketching, but I guess you can't understand it, and you have to practice it yourself to understand. So.

Colors can only be drawn if you have a certain foundation in sketching. Your program is a bit messy.

Hello! Color shaping objects first have to pay attention to the relationship between light and shade of the object, that is, the three-dimensional sense, the direction of light, hit on the object has a relationship between light and dark, which needs you to observe well, and the objects are projected highlight, empty plums, etc., must be drawn with a pen, and finally the most important thing is the environmental color of the object, that is to say, to make the picture unified, the sense of color potato socks, to count the loss of excitement to learn well, you must observe more! Practice more!

Light and shadow, bright and dark sides, desperate picking.