What were the more important schools of poetry in the mid Qing Dynasty? What is the basic content of

Search: What factions of poetry and literature appeared in the Ming Dynasty? What are the main exponents and literary claims of each faction?

During the period from Chenghua to Hongzhi, the important influence in the literary world was the Chaling Poetry School

Retro Genre In response to the atmosphere of the Taige's humble and redundant style, Li Dongyang put forward the retro proposition of poetics in the Han and Tang dynasties.

Gong'an faction is a literary faction with considerable influence, and the main characters are the three brothers Yuan Zongdao, Yuan Hongdao, and Yuan Zhongdao, among which Yuan Hongdao's influence is particularly prominent. They put forward the "Theory of Sexual Spirituality", advocating the expression of the sexual spirit and not being eclectic. Emphasize the importance of truthfully expressing the author's personalized thoughts and emotions.

The public security faction takes "The Theory of Sexual Spirits" as the core of its literary proposition, and pays attention to the creation of feelings and direct writing. According to life experience and personal interests and hobbies, the writers of the public security school write lyrical scenes and assign things to them, pursuing a creative effect that is fresh and free, light and easy, and full of interest. However, the casual and light style sometimes makes some works too straightforward and vulgar, which destroys the artistic beauty of the works.

In addition to poetry, the prose creation achievements of the public security faction are also relatively high, especially travelogues and biographies, many of which are good.

The Jingling faction was influenced by the Gong'an faction in terms of literary concepts, and proposed to emphasize "true poetry" and "sexual spirituality". Pay attention to the personal expression of the writer's feelings, and value learning from the ancients. The Jingling School pursues a kind of literary aesthetic taste that is deep and strange, and lonely.

Advocating the spirit of learning from the ancients to enlighten the minds of the present and accumulate literary heritage objectively played a certain positive role in correcting the defects of the retro school in the middle of the Ming Dynasty. However, they led their creations to a strange, dangerous, lonely and cold road, narrowed the horizon of literary expression, and showed the decline of the radical and active spirit in the late Ming Dynasty.

The Jiangxi Poetry School is the first poetry school with an official name in the history of Chinese literature.

In the late Northern Song Dynasty, Huang Tingjian had a great influence on the poetry world, and there were many poets who followed and imitated Huang Tingjian, and gradually formed a poetry school centered on Huang Tingjian. During the reign of Emperor Huizong of the Song Dynasty, Lu Benzhong wrote "Sect Map of Jiangxi Poetry Society", believing that Chen Shidao and other 25 people were in the same vein as Huang Tingjian, because most of their origins were Jiangxi, so they called it "Jiangxi Poetry School".

At the end of the Song Dynasty, Fang Hui called Du Fu the "ancestor" of the Jiangxi poetry school because the members of the poetry school learned more from Du Fu, and called Huang Tingjian, Chen Shidao, and Chen Heyi the "sect" of the poetry school, and put forward the theory of "one ancestor and three sects" of the Jiangxi poetry school.

The poetry theory of the Jiangxi poetry school emphasizes "rebirth" and "turning iron into gold", that is, either inheriting the words of the predecessors, or inheriting the meaning of the predecessors; advocating a thin and hard poetic style; The pursuit of words has a source. In creative practice, "taking the old as the new" became the most influential poetry genre in the Song Dynasty. Its influence spread throughout the Southern Song Dynasty poetry circle, and its aftermath has been extended to modern Tongguang poets.

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The representative writers of the Chinese poetry trend in the middle of the Qing Dynasty were Yuan Mei, Zhao Yi, and Zhang Wentao. In terms of literary creation, he advocated direct reporting of "temperament", opposed the retro simulation trend, and emphasized the need to directly express people's sexual spirit and express real emotions, which has had a significant impact on the history of modern and modern literature. "Sexual spirituality" is an artistic creation proposition in ancient Chinese literary theory and poetry criticism.

A literary innovation trend that expresses real emotions and pursues individuality and style.

Briefly describe the representative writers of the spiritual poetry trend in the middle of the Qing Dynasty.

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The representative writers of the mid-Qing Dynasty were Yuan Mei, Zhao Yi, and Zhang Wentao. In terms of literary creation, he advocated the direct reporting of "sex and the dismantling of feelings", opposed the retro simulation trend, and emphasized the need to directly express people's sexual spirit and express real emotions, which has had a significant impact on the history of modern and modern literature. "Sexual spirituality" is an artistic creation proposition in the ancient literary theory and poetry criticism of our Orange Yu Kingdom.

A literary innovation trend that expresses real emotions and pursues individuality and style.

Characteristics of the creation and its poetic and historical significance.

Yuan Chazha Li Mei was a poetry critic in the prosperous Qianlong era of the Qing Dynasty, and the author of "Suiyuan Poems". In his poetry criticism, he put forward the "theory of sexual spirit" in defeat, which was the inheritance and development of the poetry theory of "singular lyrical spirit and non-conformism" represented by the public security faction in the Ming Dynasty. <>

<> Yuan Mei, Zhao Yi, and Zhang Wentao, and are known as the "Three Masters of the Qing Dynasty Sexual Spirit School".