Ask for the fingering table of the horse head qin, how to set the strings of the horse head qin

There is a lot of fingering, you want C key, F key or G key.

It's all different, and it's troublesome to say one by one!

I'll give you a C key.

Outer Bass 5 Inner String 1 Tone:

1:do 2:re 3:mi 4:fa 5:so 6:la 7:xi fingering:

0: Open String 1: Index Finger 2: Middle Finger 3: Nameless 4: Little Finger.

It will change depending on the situation, so be flexible.

People want fingering. What is the answer given by one of your experts? Hypocrisy.

The method of setting the strings of the horsehead violin is as follows:

The outer string of the horse-head qin is set for the small character group G, the inner string is set for the small character group C1 (that is, **C), its outer string is the bass, and the inner string is the high tone. The horse-head fiddle is a two-stringed stringed instrument with a handle carved into the shape of a horse's head and a trapezoidal body, and is a favorite instrument of the Mongolian people.

The horse-head qin has two strings, the inner string is the treble, the outer string is the bass, the inner string is a small group of C1 (that is, **C), and the outer string is a small group G. The horse-head fiddle is a Chinese Mongolian folk stringed instrument.

The horse-head piano sets the standard key.

There are two strings of the horse-head qin, and the string on the left hand side is the outer string, which is in the key of **G; The string on the right-hand side is the inner string, which is in the key of **C. There are two shafts on it, the left shaft is screwed backwards and the right one is screwed forward. Listening to the tuning of the strings, being able to listen with the ear, identifying the timbre and tuning the strings will make the performance more subtle, different woods, strings, spaces, sound points, etc. will make the timbre change greatly.

Horse-head piano string formula.

The horse-head piano is not pressed on the strings, but with the fingers to top the strings, first of all, the left hand of the tiger's mouth is naturally opened, the thumb is slightly holding the stem, in the low position, using the index finger, the middle finger of the nail root of the top string, the ring finger, the little finger is used to use the fingertip top string, the little finger is very important in the performance, it is usually from under the outer string into the top of the inner string.

The fingering diagram of the horse-head fiddle is as follows:

The left hand is naturally open, the thumb slightly holds the stem of the piano, in the low position, with the base of the nail of the index finger and middle finger to top the string, the ring finger and the little finger use the fingertip to top the string, the little finger is very important in the performance, it often extends from under the outer string into the top of the inner string; In the high position, due to the small distance between the notes, each finger is pressed with the fingertips. When holding the bow in the right hand, the bow handle is clamped with the tiger's mouth, the index and middle fingers are placed on the bow shaft, and the ring and little fingers control the bow hair.

The horse-head fiddle is a two-stringed stringed instrument with a trapezoidal body and a handle carved into the shape of a horse's head, which is a favorite instrument of the Mongolian people.

The horse-head fiddle is a Mongolian folk stringed instrument. In Mongolian, it is called "Chaoer".

The body is wooden, about one meter long, with two strings, the resonance box is trapezoidal, the sound is round, the low rotation is high, and the volume is weak.

Legend has it that a shepherd made a two-stringed piano in memory of the pony by taking its leg bones as pillars, skulls as tubes, and tail hairs as bowstrings, and carved a horse's head in the shape of a pony on the top of the handle, hence the name.

Guo Xiaochuan's poem "The Story of the King of the Open Hearth": "The people in the pastoral area heard that the steel flowers were sprayed, and the yurt played the horse-head qin. ”

After years of inheritance, the matouqin has also undergone a number of reforms with the development of the times. At the beginning of the 21st century, the form of horse-head fiddle performance has also slowly changed, from the previous rigid performance to the art of visual phenotyping.

After years of refinement, a perfect form of performance has gradually formed. Subsequently, many horse-head fiddlers gradually imitated and changed to standing playing, making the horse-head fiddle more widely spread.

The state attaches great importance to the protection of intangible cultural heritage, and on May 20, 2006, the Mongolian Matouqin was approved to be included in the first batch of national intangible cultural heritage list.

In April 2009, the Mongolian horse-head qin was approved to be included in the first batch of national intangible cultural heritage list. Brin is the heir to the Mongolian horse-head fiddle.

Left-handed hand shape and fingering.

First, let's talk about the left-handed hand type:

Left-handed hand is similar to the "OK" gesture in life.

It should be noted that:

1.The thumb should be parallel to the index finger in a straight line.

2.The thumb is from the fingertip to the palm of the hand, and the first joint is tested to be pressed against the back of the stem of the horse-head violin, by analogy in Figure 1.

3.The palm of your left hand should be held up as if you were holding an apple, and the palm of your hand should not be pressed against the stem.

Second, let's talk about fingering.

That's what the left hand of the horse-head harp is called.

Index finger - one finger -

Middle finger - two fingers -

Ring finger – three fingers –

Pinky finger – four fingers –

The first column, which doesn't need to be explained, is what we call it in our lives.

The second column is the name of each finger of the left hand when learning the horse-head fiddle.

The third column is the annotation of the score corresponding to each finger when learning the horse-head qin.

Next, the picture above looks like when each finger under a shirt of celery is pressed on the string (not so much pressing the string, but actually the top string).

1.Let's talk about the first position of the outer string first: the hand shape when the left hand presses the string (the other handlebar positions have the same hand shape), and the outer string is one bit and one finger is pressed on the string.

The outer chord is a three-fingered hand type.

The outer chord is a four-fingered hand.

The outer chord is a four-fingered hand.

2.Let's talk about the first position of the inner string, the elimination of the middle hand when the left hand presses the string (the rest of the handlebar hands are the same), the inner string, one position, one finger press the string, front view, side view.

The inner chord is a one-finger hand shape.

The inner string is a four-fingered hand.

This is the hand shape when playing the empty strings of the horse-head harp and the notes of each position.

1. The finger use of the horse-head qin: the fingers are pinned and pressed by the strings, the horse-head qin is the top string of the index finger and middle finger nail from left to right, the ring finger, the little finger is to use the fingertips from left to right to top the string, and the little finger extends from the bottom of the outer string to the top string. Fingers rise and fall, fingers are not easy to lift too high in the performance, otherwise it will affect the speed of the performance, the position distance of the horse-head qin sound is relatively wide, especially the first position, to keep the fingers relaxed, naturally open otherwise the sound of the note can not be found to be trapped, the strength of the fingers affects the sound quality and pitch of the horse-head qin, in the practice to focus on the strength of the palm of the model to hold the fingers and press the strings.

2. The bow application of the horse-head qin: the horse-head qin is divided into the tip of the bow, the rain in the bow and the bow root. The strength of these three parts is different, the strength of the bow base is strong, the strength of the tip of the bow is weak, and the strength of the bow is moderate.

The horse-head fiddle is played with a full bow from the bow to the bow tip, and is usually played with accents or a strong crescendo, and the bow tip is pulled to the bow for a weak beat or played with a weak crescendo. The horse head qin bow method is divided into, divided bow, continuous bow, toning bow, shaking bow, broken bow, jumping bow, and fast bow. The arm holding the bow should be kept relaxed, do not shake back and forth, pay attention to the strength of the bow when pulling the strings, the volume is small if the strength is small, the bow is too tight and easy to cause noise, when the bow is carried by the big arm to drive the small arm, the small arm drives the wrist, the wrist can not be stiff, when holding the bow in the hand, pinch the rod with the index finger and thumb, and the middle finger and ring finger and little finger support the bow hair.

3. The method and application of changing the handle of the horse-head qin: portamento changing the handle: it is not only a Mongolian style, but also a method of changing the handle, which is divided into fast and slow.

Skip tone change, this change is mostly used for octave and octave more than the use of jump tone change, one is to directly jump tone change, the second is to play the finger when the jump tone change. Do not leave the strings with your fingers when changing the strings, and do not make other noises, and remember not to clamp the wrist and fingers too tightly when changing the handle, otherwise it will affect the speed and pitch of the change.

The introductory version of the horse-head piano is taught, sitting posture and the correct posture of the piano:

1. First of all, the correct sitting posture of the chair is to sit on the chair 2 1 part.

<>6. Place the bow on the strings, and put the four fingers of the left hand together on the strings to change the fingering "kneading, playing, plucking, and sliding the strings".

7. Hold the bow with your right hand, keep your arms parallel, slowly raise your arms upwards, keep your wrists parallel forward, hold the bow between the thumb and index fingers, and put the four fingers of your left hand together and place them on the strings, as shown in Zheng Qin.

The introductory version of the horse-head piano is taught, sitting posture and the correct posture of the piano:

1. First of all, the correct sitting posture of the chair is to sit on the chair 2 1 part.

<>6. Place the bow on the strings, and put the four fingers of the left hand together on the strings to change the fingering "kneading, playing, plucking, and sliding the strings".

7. Hold the bow with your right hand, keep your arms parallel, slowly lift your arms upwards, keep your wrists parallel forward, hold the bow between your thumb and index fingers, and put the four fingers of your left hand together and place them on the strings, as shown in the figure.