The artistic conception expressed in Jay s Orchid Pavilion Preface ?

Jay Chou uses traditional cultural elements that are no longer classical porcelain, and its ancient charm is not reduced, but expounds classical calligraphy in a popular way.

This time, he used the flowing water of the book to describe the delicate ancient woman pushing the door under the moon and moving lightly, and then also described the peerless beauty of the woman no one can imitate and compare, this "Orchid Pavilion Preface" is really a poem, the rhyme, the artistic conception is elegant and affectionate, the rhyme is graceful, and finally the erhu accompaniment interprets this beautiful and sad, tactful and heart-wrenching artistic conception perfectly. It's a classic.

The central idea: things are born and die, and there is happiness and sorrow; From birth to death, from happiness to sorrow, the time is very short, and suddenly, just like the gap between a white horse; The length of life is not subjective, it depends on the creation of nature; Criticize the ideas of advocating Lao Zhuang, talking about metaphysics, not being practical, thinking nihilistic, sending love to mountains and rivers, and smiling at the mountains and wilderness.

The preface to the Lanting Collection describes the beauty of the mountains and rivers around the Lanting Pavilion and the joy of the party, expressing the author's feelings of impermanence and impermanence. It embodies Wang Xizhi's outlook on life of actively joining the WTO, and forms a sharp contrast with the inaction advocated by Lao Zhuang's theory.

The article depicts the scenery of the Lanting Pavilion and the fun of the gathering of Wang Xizhi and others, and expresses the author's lament that the event is not frequent, and that "the shortness is shortened, and the end is over".

The author is happy and sad, happy and sad, and the article also changes with his feelings from calm and agitated, and then from agitation and calm, with the beauty of ups and downs, and the beauty of ups and downs, and frustrations, so "Lanting Collection Preface" has become a masterpiece.

The Preface to the Lanting Collection is written by Wang Xizhi, a sage of the Jin Dynasty in China.

The relevance is as follows. "Lanting Preface" is a book written by Wang Xizhi when he was 47 years old, which describes the event of Xizhi and his friends gathering in Lanting (now Lanqing, southwest of Shaoxing, Zhejiang). It is rumored that Li Shimin, Taizong of the Tang Dynasty, loved his calligraphy and thought that the "Orchid Pavilion Preface" was a "perfect" work, and buried it in the mausoleum after his death.

Although the Lanting Preface is not as cursive as the cursive script in the Wangshu, it is an elegant, shuangyi, and chic style of the times that no one can surpass or match it. The kind of sparse and orderly layout, the beautiful and beautiful Fengshen, the varied brushwork, and the vertical and horizontal momentum make later generations of scholars feel that they are facing an ordinary and mysterious city tower, and they can't enter the door.

Just look at the richness of its pen, there are Tibetan front, ornament, hanging pen back to the front, drawing, reflecting the belt, from the square to the circle, from the circle to the square and other wonderful changes, some horizontal and wave pick and with the will of the book, unpredictable, when the new healing, peace in the strange longitudinal.

The Orchid Pavilion Preface mainly expresses the following central ideas:

1.Things are born and perish, and there is joy and sorrow; From birth to death, from happiness to sorrow, the time is very short, and suddenly, just like the gap between a white horse; The survival and extinction of the length of life is not subjective, it depends on the creation of nature.

2.Criticize the ideas of advocating Lao Zhuang, talking about metaphysics, not being practical, thinking nihilistic, sending love to mountains and rivers, and smiling at the mountains and wilderness. Argue.

In short, "Orchid Pavilion Preface" expresses the author's love for life, friendship, freedom, and natural beauty, but also expresses his antipathy and criticism of nihilism, impetuousness, and utilitarianism.

Jay Chou's "Orchid Pavilion Preface" is based on Wang Xizhi's Orchid Pavilion Preface, borrowing from the past to cherish the present. The calligraphy in the "Orchid Pavilion Preface" is used to compare the peerless beauty of the person he loves, so as to achieve the incomparable nostalgia for the woman he loves expressed in the song.

"Orchid Pavilion Preface" was created by Wang Xizhi at a party.

"Orchid Pavilion Preface" is also called "Orchid Pavilion Collection Preface". Background:

On the third day of the third lunar month in 353 A.D. (the ninth year of Emperor Yonghe of Jin Mu), Wang Xizhi held an elegant gathering with 41 people including celebrities Xie An and Sun Sui in the Lanting of Huiji Shanyin. The participants wrote poems, each expressed their arms, transcribed into a collection, and everyone publicly recommended the convener of the gathering, the respected Wang Xizhi wrote a preface to record this elegant collection, that is, the "Lanting Collection Preface".

"Orchid Pavilion Preface" is the most reputable, the most widely circulated and the most influential work among all kinds of calligraphy and law that Wang Xizhi handed down to later generations.

On March 3 of the ninth year of Yonghe in the Eastern Jin Dynasty (353), Wang Xizhi, who was then the internal history of Huiji, and 41 people including Xie An and Sun Sui presided over the purification ceremony in Lanting, Shaoxing, Zhejiang, and presented poems to it. It is said that Wang Xizhi was in the middle of drinking when he wrote this poem, and when he wrote this poem later, it was not as good as the original.

It is Wang Xizhi's ability to wear at the party, on March 3, Wang Xizhi stopped the rain in the auditorium on the first floor of Jinsha and the celebrity Gao Shi'an.