In which dynasty did the notation of writing originate

In China, for example, there are many notations that have been used in ancient and modern times. It is said that as early as the Warring States Period, the ** division under Wei Linggong was called Shi Juan, and he could use a certain notation method to record notation. According to written records, in the Sui and Tang dynasties of China, there were gongzhi notations and minus character notations (for guqin), and in the Song Dynasty, vulgar character notations were produced.

The staff staff staff has undergone several changes, and it is still used by folk artists. However, in modern and modern times, the most common use in China is the simple notation and the staves, especially the most people who use the simple notation. Worldwide, the most commonly used is staves.

In the course of historical development, a variety of notation methods have arisen due to the different content and needs of music. For example, the guqin score for the guqin, the gong and drum score for gongs and drums, as well as the staves, simple notations and ruler notations that are commonly used in Chinese folk applications are the same as those used in China. Although various notation methods have been constantly perfected in their development, by the 21st century there is no notation in the world that can be recorded flawlessly**.

For example, the subtle differences in pitch, dynamics, and speed, as well as the articulation of many ornamental notes, need to be analyzed and dealt with by the performers according to their different understandings. Correct notation is very important for creation and performance, and everyone who learns notation should have a good grasp of notation, especially for those who learn composition, which is of more important significance.

Textual spectrum. The pitch of each note is represented by words, numbers, etc. The notation of rhythm, which is used as an aid to express rhythm, has been around since ancient times.

For example, in ancient Greece**, two different sets of text symbols were used for vocal and instrumental notation. The notations that are still visible are numerical and alphabetical notations, which appeared in the early 19th century. Countries in Asia, including India, Japan and China, use different scripts.

Unique to China are the Gong Shang Spectrum, the Lvlu Spectrum, the Gong Ruler Spectrum and the Gong and Drum Spectrum.

1. Dunhuang music score.

A four-string four-phase pipa finger notation with 20 cleves. It represents the 20 phonemes of the lute. This spectrum was found in the Mogao Grottoes in Dunhuang, Gansu Province, in a "Tibetan scripture cave" that stored Buddhist scriptures mainly in the Northern Song Dynasty.

2. Twenty-eight tuning of folk music.

A system of fixed tonal properties, and the characters used to express the notation of pitch are also fixed tonal properties. It may be the "Yanle half-character spectrum" of the Tang Dynasty. It is recorded in "Liao History, Lezhi" and "Mengxi Writings".

In the book "Dream Creek Writings", there is also a detailed record of the 28-tone pitch characters.

3. Sound twists and turns.

A method of recording tunes when singing poems in the Han Dynasty, and its specific form is not known for some reason. After the 7 articles of "Henan Zhou Song Poems", there are 7 articles of "Henan Zhou Song Twists and Turns"; After the 75 articles of "Zhou Song and Poems", there are 75 articles of "Zhou Song and Poetry Twists and Turns".

4. Textual spectrum.

A notation method that describes the fingering, string sequence, and phonemes of the guqin in writing. The only existing text spectrum in our country is "Jieshi Tune Youlan", which was passed on from Qiu Ming of the Liang Dynasty of the Six Dynasties, and the original score is a hand-copied volume of the Tang Dynasty. Due to the complexity of the text and the inconvenience of use, many pianists in the Tang Dynasty reduced it, and it was later established by Cao Rou as a reduced character notation.

5. Subtract the word notation.

It was developed from the literal spectrum and was founded by Cao Rou in the Tang Dynasty. It is a kind of notation that only remembers the phoneme and fingering without remembering the name of the note. It is characterized by "simple and meaningful, concise and sound".

Subtractive notation is a major reform of the notation of characters, an ancient notation that has been used for thousands of years and has been replaced at the end of the year.

Alice gave a brief introduction to the basic music theory of notation and the distinction between long and short notes, as well as writing.

1. There are basically thirteen kinds of traditional Chinese notation, namely: Gong Ruler Notation, Qin Notation, Yan Music Half Character Notation, String Notation, Pipe Color Notation, Vulgar Character Notation, Rhythm and Lu Character Notation, Grid Notation, Yale Notation, Curve Notation, Central Shift Notation, Chaba Notation, and Gong and Drum Classic.

2. "Gong Ruler Spectrum" is to use the seven words of Shang, Ruler, Gong, He, Six, Five, and B to represent such as modern many, come, rice, hair, so, pull, and west, and add a single person next to the word "Gong Ruler" to express the treble (亻), and use the last stroke of the word to add an apostrophe, to represent the bass.

3. The score is to record the stringing method, playing technique and syntax division of the guqin music in words.

4. Most of the symbols used in Yanle half-character notation resemble half a Chinese character, and they are mostly used to record Yanle! Hence the name!

5. The string notation is a kind of finger notation, and the principle is similar to that of today's guitar finger notation. It is still lost!

6. Pipe chromatography is a phonemic spectrum that may have originally been an evolution of the fingering notation of wind instruments.

7. The vulgar character spectrum is the predecessor of the ruler spectrum. The "side score" used in Jiang Baishi's "Baishi Taoist Song", the "tube color should refer to the word spectrum" in Zhang Yan's "Etymology", and the "tube color fingering spectrum" in Chen Yuanliang's "Shilin Guangji" all belong to the vulgar character spectrum. The popular character score and the Tang Dynasty music score developed and merged together to become the Ming and Qing dynasty ruler scores.

8. The lyric character notation uses the twelve rhythmic names to record the pitch of each sound in the tune. Our country used to record Yale. It is still widely used in Japan and South Korea.

9. The grid score is a list of twelve rhythms from low to high, and the rightmost line of the diagram is annotated with the word Lu, each grid represents a semitone, and each grid from left to right represents a relatively equal length time value unit.

10. Yale notation is the form of music notation used in the Ming Dynasty to record the worship of Confucius.

11. Curve notation is a score that uses zigzag lines to write down tunes.

12. The central music score is a music score used in Tibetan Buddhism, which is a kind of music score composed of various curves drawn on seven parallel lines.

13. Chaba score is a kind of music score that draws curves in a square.

14. Gong and Drum Sutra is a kind of percussion score. It is also called "Gong Sutra", "Gong and Drum Spectrum" and "Dharma Instrument Spectrum".

1. Sheet music: A musical score that uses Arabic numerals as musical notes. Notation refers to a simple notation, which has two types: alphabetical notation and numeric notation;

2. Text notation: the notation method that uses words, numbers, etc. to express the pitch of each note in front of the liquid, and uses other auxiliary means to express the rhythm, has appeared in ancient times;

3. Guqin score: Guqin score was first recorded in words, which is a text score. Notation is a notation method that uses words to describe the fingering, string sequence and phoneme of the guqin;

4. Phonemic spectrum: according to the fixed line, the height of the phoneme is recorded in different positions, which was first seen in ancient Greece;

5. Musical score: use words, numbers or other marks to indicate the performance method of the instrument, not the specific pitch of the instrument;

6. Image spectrum: the method of using images, marks and words to notation;

7. a grid spectrum; It is the Taituan law that lists the twelve rhythms from low to high, and the rightmost line of the sound diagram is annotated with the word Hulu Lu, each grid represents a semitone, and each grid from left to right represents a relatively equal length time value unit;

8. Regret Sail Neum notation: Later, it evolved and developed into a measured notation, and gradually became a stave in the 17th century, becoming a common notation in the world.

Music theory knowledge class - notation, learn from the teacher, and master a lot after reading.

The traditional Chinese notation methods basically include gong ruler notation, qin notation, Yanle half-character notation, string notation, pipe chromatography, vulgar character notation, rhythmic character notation, grid notation, Yale notation, curve notation, central shift notation, chaba notation, and gong and drum notation.

The traditional notes are: Gong, Shang, Jiao, Zheng, and Yu.

The most amazing notation I know is the subtractive notation commonly used in the guqin.

Gong ruler notation, piano notation, Yan music half-word notation, string notation, pipe chromatography, vulgar character notation, Rhythm and Lu character notation, grid notation, Yale notation, Curve Pu, Central Shift Notation, Chaba Notation, Gong and Drum Scripture, Simplified Notation, Phonemic Notation, Sonata, Image Pu, Neum Notation.

Uh··· Nope.

1. Textual spectrum.

Text notation is a kind of notation that describes the fingering, string sequence and phoneme of guqin playing in words, and is a reference for playing guqin repertoire. Written notation is the musical notation recorded in ancient China in the form of words.

The earliest surviving pedigree can be traced back to the 7th century A.D., which is the Tang Dynasty's "Jieshi Tune Youlan", which was passed down by Qiu Ming in the Liang Dynasty of the Six Dynasties, and the original score is a hand-copied scroll by the Tang Dynasty. It is now in the collection of the Tokyo Museum, Japan.

2. Subtract the word notation.

Subtraction notation, also known as fingering notation, is a notation method commonly used in ancient Han guqin characterized by writing fingers and left and right hand playing techniques. Because it is a combination of the fingering and terminology of the guqin character notation and the more characteristic parts of it, it is called "minus the word notation".

The guqin notation founded by the late Tang Dynasty pianist Cao Rou was a reduction from the text notation. This notation uses subtractive characters to spell out some kind of symbol to record the fingering of the left hand and the fingering of the right hand, it is a notation that only records the performance and pitch, and does not record the name and rhythm of the sound.

Subtractive notation is a major reform of the notation of characters, and it is an ancient notation that has been used for thousands of years and has not been replaced. Despite this, it was largely lost during transmission.

3. Ruler spectrum.

Gongzhi notation is one of the traditional notation methods of the Han nationality in China. It originated from the Tang Dynasty in China and later spread to Japan, Vietnam, the Korean Peninsula, the Ryukyus and other regions where Chinese characters were used.

It was widely spread in ancient times, but today only the singers and learners of traditional opera still use gongji notation to sing or notate. Modern Chinese orchestras have generally switched to simple notation or staves. Traditionally, the ruler has been written in a straight line from right to left, like a text, but now it can also be written horizontally.

4. Lyric character spectrum.

The lyric character notation is a notation method that records the pitches of each note in the ** tune with the name of the twelve rhythms. In the string notation, Xiong Peng's "Pseudo-Se Score" of the Yuan Dynasty also used this notation to record the string pitch of Se.

The earlier one is the genealogy of Zhao Yansu, a Jinshi of the Southern Song Dynasty. Later generations of Yale songs were mostly written in the lyrics.

5. Gong and drum scripture.

Gong and Drum Jing is a percussion notation method commonly used in traditional Chinese instrumental music and opera, also known as "Gong Jing", which mainly uses the sound of drums, boards, large gongs, small gongs, cymbals, tanggu and other percussion sounds to combine into a variety of different rhythms, in order to set off the different emotions and atmospheres of solemnity, leisure, lyricism, tension, intensity and panic on the stage.

The Gong and Drum Sutra is actually a gong and drum score that is recited orally. Various percussion instruments are combined in different ways and played through various rhythmic forms to form a set of gongs and drums. The oral recitation of various gongs and drums according to their actual sound and rhythm is called the Gong and Drum Sutra.

Abbreviated as Gong Sutra. Gong and Drum Sutra plays an important role in the training and rehearsal of Chinese opera, and is a means that opera artists must be familiar with.