What are the characteristics and types of drama? Please be simple

Drama is a comprehensive art, and playwriting, directing, acting, choreography, lighting, and commentary should be said to be indispensable. What is even more indispensable is the object of receiving this art——— the audience. In Shakespeare, of course.

In the era, there were fewer factors in drama. One of the most important reasons why drama has endured in Europe for hundreds of years is that it has cultivated generations of audiences, and the organic combination of thinking and entertainment has promoted the development of drama.

Features] Drama art has the following basic characteristics:

First, theatricality. Ancient and modern Chinese and foreign drama performances are completed with the help of the stage, the stage has a variety of styles, the purpose is twofold: one is to benefit the actors to perform the plot, and the other is to benefit the audience from all angles.

Second, intuitiveness. Drama is first of all performed with actors' postures, movements, dialogues, monologues, etc., which directly affect the audience's visual and auditory senses; And use makeup, costumes and other means to shape the characters, so that the audience can directly appreciate the appearance characteristics of the characters in the play.

Third, comprehensiveness. Drama is a comprehensive art, which is characterized by the need and adaptation to the needs and adaptation of shaping specific artistic images on the stage and directly showing the social life scene to the audience.

Fourth, dialogue. The feature that distinguishes drama from other types of drama is that it uses a large number of stage dialogues to the frontal plot, the creation of characters and the expression of themes. There are monologues of characters, dialogues with the audience, and the content of the drama is completed in a specific time and space.

Drama refers to a form of drama that focuses on dialogue. Although a small amount of **, singing, etc. can be used in the drama, the main narrative means are the actors' unaccompanied dialogues or monologues on stage. Drama is a comprehensive art, and playwriting, directing, acting, choreography, lighting, and commentary are all indispensable.

Traditional Chinese dramas are not considered drama, and some traditional Western dramas, such as ancient Greek dramas, are not considered strict dramas because of their extensive use of singing troupes. Modern Western stage dramas are generally dramas if they are not noted as ** dramas, operas, etc.

7 Sep 00:24 The Difficult Journey of Modern Drama.

Section 1 From imitation to innovation.

1 "Ibsen's fever" and "Nora's" new women. Guo Moruo's historical dramas "Zhuo Wenjun", "Wang Zhaojun" and "Nie Yan".

2 Problem dramas with social themes and "Ms. Youlan" and "King Zhao Yan".

3 Ouyang Yuqian's creative path. "Pan Jinlian" dares to be the first in the world.

4 Yuan Changying's "Peacock Flying Southeast" on the "widow complex".

5 Tian Han's creative path. A series of "artist" images in Tian Han's early plays. After the 30s, the two major themes of Tian Han's plays.

Van Ao Ling and the Rose". "Rainy Season" and "Song of Rejuvenation". "One Night in a Coffee Shop", "The Night of the Tiger" and "The Death of a Famous Person".

6 Ding Xilin's uniqueness in the history of Chinese drama. Features of Ding Xilin's one-act play and "Drunk".

Section 2 Cao Yu: A Symbol of the Maturity of Chinese Drama Art.

1 Cao Yu's life and work.

2 Sunrise's understanding and questioning of modern urban society in China.

1 The influence of Western theatrical concepts and creative methods such as Ibsen's play "Social Tragedy", Shakespeare's "Tragedy of Character", and ancient Greek drama "Tragedy of Fate" on Thunderstorm.

2 The structure of "Thunderstorm". The image of Zhou Puyuan, Su Yi and Shi Ping. "Thunderstorm" is a special contribution to modern drama.

3 Changes from "Thunderstorm" to "Sunrise". A change in structure and a change in creative intent.

4 The legend and sense of rebellion in "The Wilderness".

5 Chen Bailu, a new woman in the "Nala style", and the ideal in the author's heart. Pan Yueting, Li Shiqing and Huang Xingxing constitute a "three-stage" chain of characters.

Section 3 From the Small Theatre to the Grand Theatre.

1 "Theater Drama" and the Maturity of Chinese Drama.

2 Xia Yan's life and drama creation. "Sai Jinhua" and "The Legend of Qiu Jin". "Under the Eaves of Shanghai" is a "polyphonic" technique, political leanings and an easy-to-be style.

3 Hong Shen's work was influenced by the left-wing drama movement. "Rural Trilogy": "Wukui Bridge", "Fragrant Rice" and "Qinglong Pond".

4 The characteristics of the "Beijing School" of Li Jianwu's dramas. "It's Just Spring", "Liang Yunda" and "Lead by Example".

The art of drama has the following basic characteristics:

First, the stage.

The characteristics of cross talk, one is easy to understand, bright and beautiful, 2 the specific image is vivid and lively, 3 the words are wide and colorful.

At the beginning, there is a time, a place, and a person.

It is mainly dialogue-oriented.

The opening scene explains the stage background and the activities of the characters.

Explain the demeanor of the characters in parentheses.

The main characteristics of the drama include:

At the beginning, there is a time, a place, and a person.

It is mainly dialogue-oriented.

The opening scene explains the stage background and the activities of the characters.

Explain the demeanor of the characters in parentheses.

Hope it helps