After returning to the countryside, Tao Yuanming expressed his chest directly after drinking, and wh

The truth in the poem means frankness and nature.

This poem is a very good poem, he began by saying that "the knot is in the human realm, and there is no noise of cars and horses", and he built his house in the world, but he can't hear the noise of cars and horses, so there must be "noise of cars and horses" in the human realm, why is there no "noise of cars and horses"? He asked himself, "How can you ask you", that is, I ask you what is the reason for reaching such a point? Next, he replied, "Picking chrysanthemums under the east fence, leisurely see Nanshan."

This is Tao Yuanming's very famous Yongju poem, "picking chrysanthemums under the east fence" is a down, "leisurely seeing Nanshan" is a look, in "picking chrysanthemums under the east fence" inadvertently raised his head to look at Nanshan, the beautiful Nanshan is Lushan, his hometown of Lushan, and suddenly rushed into his eyes. So the word "see" is used very well, Su Dongpo once said: If this "see" Nanshan is changed to "look" Nanshan, then all the spirits will be lost.

Next, he said that "the mountain is beautiful and the birds are in harmony", that is, the natural landscape in the mountains is very good in the morning and evening, and in the evening, the birds call their friends to return together, and the birds return to the bird's nest in this natural atmosphere. Then from such a very natural and very frank artistic conception, Tao Yuanming felt a certain situation in life. However, such a very delicate situation is difficult to express in words, and it can only be understood but not spoken, so "I have forgotten to argue".

This poem is a very good poem, its good lies in the fact that the feelings are very frank, everything is natural, especially "ask the king how can he be, the heart is far away from itself", "the heart is far away from itself" is not without inspiration for us today, that is, we live in a very modern and very noisy society today, and it is impossible for us to live in seclusion in the mountains and forests like in the Tao Yuanming era. In this very lively reality, as long as each of us is far away from some fame and fortune, some material pursuits, and some worldly officialdom, then the place where we live will become remote, and our mood will become quiet. We will also overcome some impetuous emotions, so that we can become very peaceful, which is very beneficial to the cultivation of our own life and the tranquility of our society.

The knot is in the human realm, and there is no noise of cars and horses. Ask you how you can be, and your heart is far away. Picking chrysanthemums under the east fence, leisurely see the South Mountain.

The sun and sunset in the mountains are beautiful, and the birds are returning to each other. There is a true meaning in this, and I have forgotten to distinguish it. How many modern people who live in the city do not envy, yearn for, and revel in Tao Yuanming's pastoral life?

In recent years, people have flocked to the pastoral "retreat" life, and in the steel forest of the city, it seems that it is difficult for us to find a real sustenance, more to live for the sake of living. Returning to the countryside and returning to a natural and simple way of life has become our heart's desire. There are several reasons for this:

First of all, it is an avoidance of anger in real life.

In the modern society, where everything must be said and people look at the value of use, the desire for money makes people have an illusion: before doing anything, they must first weigh whether the thing can bring benefits to themselves or how much they will bring benefits. Relatives and friends are ruthless for the sake of monetary interests abound, and a person's family status, social status, and the recognition of others are all measured by money.

Poor in the downtown no one asks, rich in the mountains have distant relatives" is the truest and most helpless portrayal. In this way, people's hearts are impetuous. The consequence of impetuousness is endless anxiety.

We want to control our emotions and avoid this anger. How? The first thing that comes to mind is to return to the countryside.

Perhaps, the rural life in reality is not what we imagined, but in everyone's heart, there is a silver wax pastoral: there is picturesque, simple life, harmonious neighbors, and kind people.

Second, the inertia of traditional consciousness.

China has been an agrarian society for thousands of years, and it has not been a long time since China transformed from an agrarian society to an industrial society. There is a saying that "if you count up to five generations, everyone is a peasant", especially the parents and grandparents who were born in the fifties and sixties have extremely deep feelings for the countryside. Tang Bohu, a famous literati in the Ming Dynasty, has a poem "Song of the Peach Blossom Temple".

Peach blossom nunnery in Peach Blossom Dock, peach blossom fairy under Peach Blossom Nunnery. The peach blossom fairy planted peach trees, and folded peach blossoms for wine money. When you wake up, you only sit under the flowers, and you need to sleep when you are drunk.

Day after day after flower, drunkenness and sobering year after year.

Finally, some people's yearning for an idyllic retreat is a renunciation of self.

All kinds of pressure in real life are really overwhelming. Most people choose to face difficulties and live strongly; There are also a small number of people who choose to retreat irresponsibly, or even give up on themselves. Give up and need reason to comfort yourself.

The so-called "retreat" is the best excuse.

We have nowhere to retreat, peace of mind is pastoral. I believe that all of us will find our original intentions, find our own prosperous Jinyuan, and live the life we yearn for. We have nowhere to retreat, peace of mind, and it is idyllic.

In Tao Yuanming's poem "Drinking" (the fifth), the poet expresses the triple realm of the poet's retreat to the countryside, which are "forgetting the world", "forgetting oneself" and "forgetting words".

The first is forgetfulness, that is, the quiet and forgetful mentality of being in the "human realm" and detached from the world. The knot is in the human realm, and there is no noise of cars and horses. At the beginning of the poem, the author says that although he lives in the world, he has no worldly interactions to bother.

Where is the human environment without the trouble of traffic and horses? Because "the heart is far away from itself", as long as the heart can be far away from the shackles of the world, then even in a noisy environment, it is like living in a secluded place.

The second is self-forgetfulness. That is, through the scenes written, you can feel the author's feeling of not knowing where he is. Picking chrysanthemums under the east fence, leisurely see the South Mountain.

The mountain air is beautiful, and the birds are still in harmony", these four sentences describe the leisurely demeanor of the poet after his retreat, when the spiritual world and the natural scenery fit together. Picking chrysanthemums casually on the edge of the east fence, I occasionally looked up and saw Nanshan. In the evening, the scenery of Nanshan is very good, the mist peaks are swirling, and the birds return together.

The poet thought of his own retreat from the beautiful scenery of Nanshan, and realized the philosophy of returning to simplicity and truth.

The third is forgetfulness. The poet's feeling of sublimating his feelings can no longer be expressed in words. There is a true meaning in this, and I have forgotten to distinguish it.

In the last two lines of the poem, the poet said that he understood the interest of life from the beauty of nature, and expressed the tranquil mood of pure nature. The "this" in the poem can be understood as the edge of the autumn sunset, or it can be understood as the entire pastoral life. The so-called "forgetting to say" actually means that the idyllic and peaceful pastoral life is your real life, and the joy of this life can only be understood, not spoken, and there is no need to narrate.

This fully embodies the noble character of the poet who is happy with the poor and happy, and who is inspirational and observant.

These three realms go deeper and deeper, gradually making the theme profound and vivid. The poet writes about the autumn evening scene in plain language, describes the joy of retreat, and the philosophy of life, which is not only full of interest, but also full of reason, and achieves the unity of emotion, scenery and reason.

The fifth expression of drinking alcohol is the calm style of returning to the seclusion.

The theme of Tao Yuanming's "Returning to the Garden and Pastoral Residence (Part 3)":

The first half expresses the author's love for pastoral life, and the second half expresses his determination to live in seclusion.

The poem vividly describes the poet's life and feelings after his retirement, and expresses the author's happy mood and the joy of living in the countryside after his resignation and retirement, thus showing his love for rural life and the joy of laborers. At the same time, it also implies a sense of disgust with the dark and corrupt life of officialdom. It shows that the author is unwilling to go along with the dirt and is willing to endure the hardships of life in the fields in order to maintain a complete personality and noble sentiments.

The author Tao Yuanming actually wrote that the garden and pastoral residence are his ideal former residence.

To sum it up:

The author's lightness and pleasure about fading out of officialdom.

The author's leisurely and joyful retreat to the countryside.

essence) disgust with the decaying and turbulent society of the time.

Essence) is unwilling to follow the crowd and pursue a noble life.

Short answer: The author is willing to hide in the countryside rather than be exiled to the corrupt and dark officialdom, he yearns for a better life in his heart, but he can't realize it, so he has to hide and hate.

Summary. The first four sentences are written "quiet" from the front. The poet got rid of.

After the official life of "not sleeping in the middle of the night", he returned to the remote countryside, where there were very few secular social entertainments, and there were very few chariots and horses -- Chinese people visited, so he said very easily: "The wild is rare, and the alleys are widowed." It is precisely because there is no disturbance from the mundane and the laity that "the day is covered with thorns, and the empty room is never thought."

The empty wood door, the quiet room, has abandoned all the hustle and bustle of the world, all mundane thoughts. --The poet's body and mind are still. In these four verses, the poet repeatedly uses the phrase "wild" for poor alleys.

Jing Fei repeatedly emphasizes the poverty of the countryside, hinting at his noble heart of poverty and will.

How does "Returning to the Garden and Pastoral Residence II" + "Drinking Fourth" reflect the poet's hermit feelings and return to the true life aspirations.

The first four sentences are written "quiet" from the front. The poet got rid of. After the official life of "not sleeping in the middle of the night", he returned to the remote countryside, where there were very few secular social interactions, and there were very few chariots and horses -- Chinese people visited, so he said very easily:

There are few people in the wilderness, and the poor alleys are widowed" He finally gained his own tranquility again. Because there is no disturbance from the vulgar people, Zheng Maohu "covers the thorns during the day, and thinks about the dust in the empty room." The empty wood door, the quiet room, has abandoned all the hustle and bustle of the world, all mundane thoughts.

--The poet's body and mind are still. In these four sentences, the poet repeatedly uses the phrase "wild stuffy eggplant outside the barricade" poor alley. Jing Fei repeatedly emphasizes the poverty of the countryside, hinting at his noble heart of poverty and will.

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