Ma Ta Feiyan asked why the relics were amazing after they were unearthed15

The craftsmanship is exquisite, the shape is beautiful, showing the level of bronze casting technology at that time.

Marvel at the beauty. Gorgeous moments. The spiritual civilization of the ancients is rich and amazing.

"Horse Stepping Feiyan" This cultural relic was unearthed in Wuwei City, Gansu Province.

The tomb of Lei Taihan on the territory. This Leitai Han tomb is an ancient tomb of the Eastern Han Dynasty, and it contains a total of three tombs. The reason why this ancient tomb is named "Lei Tai" is that it was built under Lei Tai. The so-called "Lei Tai", that is, the earthen platform used to worship the Thunder God, was built in Qianliang.

Period. The discovery of the tomb of Lei Tai Han can be traced back to 1969, when local villagers in Wuwei stumbled upon the existence of this ancient tomb while digging an air defense tunnel.

After the discovery of the Lei Taihan tomb, the villagers dug up many funerary goods, including bronze figurines, gold, jade and pottery. After digging up these burial goods, the villagers did not divide and sell them without authorization, but collectively handed them over to the brigade headquarters. When the secretary of the commune learned of the incident, the secretary reported the matter to the higher authorities in order to protect the funeral goods.

At the end of 1969, the relevant departments of Gansu made a final decision, and all the burial goods excavated by the villagers were sent to the Gansu Museum.

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As one of the funerary objects of the Lei Taihan Tomb, the "Horse Stepping Feiyan" actually did not receive much attention in the early days of its appearance. It wasn't until September 1971 that its value was really discovered. At that time, Guo Moruo.

The Chinese who accompanied Cambodian visitors to the northwest were on a tour of Gansu, which happened to be one of their visiting stops. After arriving in Gansu, they came to the Gansu Museum for a visit. During the visit, Guo Moruo saw the "horse stepping on the flying swallow" and praised it.

After that, this "horse stepping on Feiyan" was strongly recommended by Guo Moruo, and then participated in the national exhibition of unearthed cultural relics held in Beijing. With this exhibition, "Horse Riding Feiyan" has completely aroused heated discussions in the cultural relics and academic circles, and the originally ordinary "Horse Riding Feiyan" has since become a "priceless treasure". <

The reason why "Horse Riding Swift" has attracted a lot of attention is because of the exquisite craftsmanship of its production. "Horse Stepping on Feiyan" is bronze texture, showing the state of a horse galloping. It is 45cm long and 13cm wide, and weighs about.

According to research, the production of "Horse Stepping on Feiyan" is to first cast each part separately, and then cast these parts together one by one. This galloping bronze horse has only one point of focus on its whole body, that is, its right hind hoof. The horse's hooves are resting on top of a bird, with gravity-increasing cores sandwiched between its legs to maintain the pegasus' balance.

Horse stepping on Feiyan", the real name is actually the copper galloping horse.

There has been controversy about this artifact, and whether the object under the horse's hooves is a delphinium. It is precisely because of this that the name of this artifact was finally set as the copper galloping horse. In addition to the controversy surrounding the birds under the horse's hooves, there are also many theories about the "true body" of this horse, including the "Tianma Theory" and the "Tianxi Theory".

It was unearthed in the city of Wuwei in Gansu Province, and it is a bronze that is now in a museum in Gansu Province.

"Horse Stepping Feiyan" was unearthed in Wuwei City, Gansu Province. At the same time, it has also been loved by many people, and many people have traveled to the local area.

Unearthed in this place in Gansu Province, Ma Ta Feiyan is a very valuable cultural relic of our country, very historical, and this cultural relic is very valuable.

In Wuwei City, Gansu Province, there are three kinds of tombs in this place, and different cultural relics have been unearthed, which has promoted scientific research.

In the tomb of Lei Taihan, Ma Ta Feiyan is an antique, this thing is very valuable for research, and you can see the culture of that society at that time.

The horse steps on the Feiyan to find the center of gravity for the Feiyan, causing stability. The reason why the galloping horse in "Horse Stepping on the Swift" can step firmly on the delchium with one hoof is because the vertical line of the horse's center of gravity can pass through the delphinium.

The horse can support the whole body at rest when it lands on one foot, and the horse's center of gravity must pass through this foot

The object is at rest or in a state of uniform linear motion, and the object is subjected to the action of the equilibrium force The density and volume of the handicraft, according to m= v, find the quality of the handicraft Know the mass, find the gravity, the handicraft is stationary on the horizontal table, and the pressure on the horizontal ground is equal to the gravitational force of the object

Know the pressure and force area of the tabletop, and find the pressure on the tabletop according to the pressure formula

I really don't know about this, you can consult some masters.

The Horse Riding Feiyan is an important cultural relic in ancient Chinese art, and its history can be traced back to the Eastern Han Dynasty (25-220 AD). The artifact is a set of copper-gilded gilt silver-shaped horseshoe-shaped ornaments with a group of three delphiniums. It is considered one of the masterpieces of ancient Chinese bronze art and one of the important symbols of traditional Chinese culture.

The performance of the cultural relics of the horse stepping on the Feiyan mainly reflects the following aspects:

The combination of technology and art: the cultural relics of Ma Ta Feiyan are exquisitely made, and the carving skills are superb, not only in the bronze production technology has reached a high level, but also in the artistic expression has also reached the extreme, reflecting the exquisite skills and excellent artistic level of ancient Chinese art.

The integration of culture and tradition: The cultural relics of Ma Ta Feiyan are one of the important symbols of traditional Chinese culture, and its Qifeng production background and cultural connotation are closely related to the history, culture and religion of ancient China. Through the art form of horse stepping on the swallow, people can feel the breadth and profundity of ancient Chinese culture, and draw nourishment and inspiration from it.

The exchange of art and aesthetics: As a representative of ancient Chinese artworks, Ma Ta Feiyan has been baptized by thousands of years of time and has undergone many periods of changes in artistic aesthetic style, and can still arouse the appreciation and admiration of modern people. It is not only a cultural treasure of the Chinese nation, but also the common wealth of human culture, and an important medium for exchanges and blending between different cultures.

It's the horse stepping on the swallow, not the flying horse.

Copper galloping horse, also known as "horse stepping on Feiyan", "Ma Chao dragon sparrow", etc., is the Eastern Han Dynasty bronze, national treasure level cultural relics, unearthed in October 1969 in Gansu Province Wuwei City Lei Tai Han Tomb, now in the Gansu Provincial Museum, for the treasure of the Gansu Provincial Museum.

The copper galloping horse is centimeter high, 45 centimeters long, centimeters wide, weighs kilograms, the shape is vigorous and exquisite, makes the head high, gallops at a gallop, shows a kind of heroic ambition to move forward, is the symbol of the great early and fierce temperament of the Chinese nation.

The moment when the galloping horse took off with three legs and overflew the birds, the birds looked back and looked at the birds, and enhanced the momentum of the galloping horses moving forward rapidly, and the focus of the whole body was focused on the one foot that surpassed the birds, accurately mastered the balance principle of mechanics, and had an excellent level of technology and technology.

In 1983, it was identified as a tourism symbol of China by the National Tourism Administration; In 1996, it was identified as a national treasure by the expert group of the State Administration of Cultural Heritage; In 2002, it was listed by the State Administration of Cultural Heritage as one of the first batch of precious cultural relics that were forbidden to be exhibited abroad.

Artifact features. The copper galloping horse is centimeters tall, 45 centimeters long, 13 centimeters wide, and weighs kilograms. The horse neighs with its head held high, its torso is strong and its limbs are slender, its legs and hooves are light, and its three legs are soaring and galloping forward, and one foot is a flying swallow.

A large horse stepped on the back of a galloping dragon sparrow, and the little dragon sparrow looked back in surprise, showing the majestic posture of the horse soaring in the air and galloping.

Production techniques. The casting process is divided into different casting, that is, the body of the horse, the leg of the horse and the bird under the hooves are cast, and then the overall shape is completed, and the iron core is sandwiched in the leg of the horse to enhance the support and strength, and the casting process was very advanced at that time.

Ma Ta Feiyan, unearthed in 1969 in the tomb of Lei Tai Han in Wuwei City, Gansu Province, is stored in the Gansu Provincial Museum.

Horse stepping Feiyan is also known as Ma Chao Dragon Sparrow, Copper Galloping Horse, Horse Attacking Crow, Eagle Trapping Only Sweeping Horse, Horse Stepping Flying Falcon, Lingyun Galloping Horse and other Yunxin, for the Eastern Han Dynasty bronze, height 34, Wang Xianpei 5 cm, body length 45 cm, width 13 cm. Since its excavation, it has been regarded as a symbol of the superb foundry industry in ancient China. In October 1983, Ma Ta Feiyan was identified as a Chinese tourism symbol by the National Tourism Administration.

In 1985, the Bronze Galloping Horse was identified as the graphic symbol of China's tourism industry by the National Tourism Administration under the name of Ma Chao Dragon Sparrow, and has been used ever since.

A bronze artifact from the Eastern Han Dynasty (25 220 AD) was unearthed in Wuwei, Gansu Province in 1969.