Li Bai, a great poet in the history of Chinese literature, is the author of .

1. Poetry. Li Bai's poetry creation has a strong subjective color, which is mainly manifested in the emphasis on expressing heroic spirit and passionate feelings, and rarely making detailed descriptions of objective objects and specific events.

Li Bai composes poems, often running through with unrestrained qi and vertical accompaniment, paying attention to galloping vertically and horizontally, in one go, with the characteristics of grabbing people with qi, such as "Shang Li Yong": "Dapeng sails Zen with the wind in one day, and swayes up to 90,000 miles." He said that his poems are "happy to put pen to shake the five mountains, and the poems are laughing and arrogant Cangzhou".

2. Language. The language of Li Bai's poetry, some of which is as fresh as spoken language, and some of which are bold, uninhibited, and close to prose, are all unified in the natural beauty of "clear water out of hibiscus, natural carving". This has to do with his conscious pursuit of natural beauty.

He inherited the literary proposition of Yu Jiao stupid Chen Ziang, and took the restoration of the poetry tradition as his responsibility, and once said, "Since Liang Chen, Yan Bo Si Ji, Shen Xiuwen is still in the rhythm of sound, and will retro Tao, who is not me?" (Meng Di, "Poems of Ability, Gao Yi").

He advocates "halal", satirizes the ugly girl who "carves insects and loses innocence", and is a toddler in Handan. The natural beauty of his poetic language is also the result of his careful study of folk songs to understand the characteristics of popularity, which is as clear as words and popular and vivid.

3. Word endowment. There is still no consensus on whether Li Bai created words, but if they are not authentic or whether they can be classified into the body of words, there are about 20 poems, such as "Bodhisattva Man" and "Remembering Qin'e".

In terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very lofty position in the history of words. This status is similar to the status of ancient Greek mythology in Western art, as an "unattainable" norm, Li Baici has become an eternal idol in people's minds. Li Bai has made significant contributions to the formation of the text pattern and the creation mode of words.

In fact, since the end of the Tang Dynasty and the Five Dynasties of the "Flower Collection", all the anthologies and general collections of Tang and Song Dynasty words will not forget Li Bai in specific operations, at least mention a sentence in the preface. As the first great lyricist in the history of literature, although there are only a few poems whose authorship is often questioned, no one has ever expressed any dissatisfaction or criticism against him. If the world's first lyricist is selected, Li Bai will undoubtedly be elected as the "king of words" by unanimous vote.

The Tang Dynasty poet Li Bai was most deeply influenced by Taoist thought throughout his life.

Li Bai created the peak of ancient romantic literature, the style of song and the seven uniques, reaching the high surplus school that is difficult for later generations to reach. The character of romanticism has created poems such as "Raise a glass to invite the bright moon, and the shadow becomes three people", "I send my sorrow and the bright moon, and follow the king until the night is long", Li Bai's vertical poems have a kind of clear water hibiscus as bright and fresh beauty.

Although Li Bai yearns for fame, he also has his own principles, that is, he must maintain his independent personality and dignity; Otherwise, he would rather give up than accept the "food that comes to him", which is the influence of the Taoist idea of pursuing absolute freedom and contempt for everything in the world on Li Bai. The Mianzhou region, where Changlong is located, has been a place where Taoism has been active since the end of the Han Dynasty. Therefore, since Li Bai was a teenager, he often went to Dai Tianshan to find Taoist priests to talk about Taoism.

Introduction to Li Bai

Li Bai, the word is too white, the name Qinglian layman, also known as the "envy brother and the immortal", the great romantic poet of the Tang Dynasty, was praised as the "poet immortal" by later generations, and Du Fu was called "Li Du", in order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "little Li Du", Du Fu and Li Bai are also called "big Li Du". According to the Book of the New Tang Dynasty, Li Bai was the ninth grandson of the Xingsheng Emperor Li Wei, and was the same ancestor as the kings of Li and Tang. He is hearty and generous, loves to drink and write poetry, and likes to make friends.

Li Bai has "Li Taibai Collection" handed down, most of the poems are written when drunk, and the representative works include "Wanglu Mountain Waterfall", "Difficult to Travel", "Shu Road Difficult", "Will Enter the Wine", "Early White Emperor City" and many other poems. Li Bai's lyrics have been bigraphed by the Song people (such as Wen Ying's "Xiangshan Yelu" volume), and in terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very high status.

Influence and status: Li Bai's poetry is magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains and rivers of the motherland and the beautiful natural scenery, and his style was majestic and unrestrained, handsome and fresh, full of romantic spirit, and achieved the unity of content and art.

He was called "the immortal" by He Zhizhang, and most of his poems mainly describe landscapes and express inner emotions.

Li Bai's poetry has a lofty position in the development of romantic poetry. Li Bai's poetry, inheriting the achievements of the previous generation of romanticism, with his rebellious ideas and bold style, reflects the optimistic creative spirit of the Tang Dynasty and the potential power of dissatisfaction with the feudal order, expands the field of expression of romanticism, enriches the techniques of romanticism, and reflects the combination of romanticism and realism to a certain extent.

Li Bai was a great romantic poet in the Tang Dynasty of China, known as a poet.

Li Bai (701-762), zd character Taibai, called Qinglian Jushi, also known as "Qi Xianren", is a great romantic poet of the Tang Dynasty, known as "poet immortal" by later generations, and Du Fu is called "Li Du", in order to be with the other two poets Li Shangyin and Du Mu that is, "little Li Du".

The difference, Du Fu and Li Bai are also known as "Big Li Du".

He is hearty and generous, loves to drink and write poetry, and likes to make friends.

Li Bai was deeply influenced by Huang Lao Liezhuang's thoughts, there are "Li Taibai Collection" handed down, most of the poems are written when drunk, and the representative works include "Wanglu Mountain Waterfall", "Difficult to Travel", "Shu Road Difficult", "Will Enter the Wine", "Liang Fuyin", "Early White Emperor City" and many other poems.

Li Bai's lyrics have been bigraphed by the Song people (such as Wen Ying's "Xiangshan Yelu" volume), and in terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very high status.

Li Bai was a famous romantic poet of the Tang Dynasty.

Li Bai (701-762).

The word Taibai, called Qinglian Jushi, also known as "Qi Xianren", is a great romantic poet of the Tang Dynasty, known as "poet immortal" by later generations, and Du Fu is called "Li Du" Dao, in order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "little Li Du", Du Fu and Li Bai are also called "big Li Du". He is hearty and generous, loves to drink and write poetry, and likes to make friends.

Li Bai is deeply influenced by Huang Lao Liezhuang's thoughts, there is "Li Taibai Collection" handed down, most of the poems are written when drunk, representative works include "Wanglu Mountain Waterfall" back, "Difficult to Travel", "Shu Road Difficult", "Will Enter the Wine", "Liang Fuyin", "Early White Emperor City" and many other poems.

The lyrics written by Li Baida have been bigraphed by the Song people (such as Wen Ying's "Xiangshan Yelu" volume), and in terms of its pioneering significance and artistic achievements, "Li Baici" enjoys a very high status.

To put it simply, Li Bai's status is not as high as what we have learned, and his influence is not so great.

We can find the above conclusion from the praise of Li Bai's contemporaries and the indifference of later generations to Li Bai.