What is the status of nineteen ancient poems in the history of Chinese poetry, as the title Thank yo

"Nineteen Ancient Poems" is a group of unknown poets in the late Han Dynasty to create a lyrical short poem, "Ancient Poetry Mirror" in the evaluation is: called the wind surplus, called the mother of poetry. Its content mainly reflects the suffering brought to the people by the social turmoil in the late Han Dynasty, and it inherits the tradition of realism since the Book of Songs, and absorbs the nutrition of Han Yuefu folk songs in terms of expression.

Nineteen ancient poems focus on lyricism and blend things with emotion; Secondly, in terms of structure, Yuefu folk songs generally take the order of development of things themselves as clues, and the works in the nineteen ancient poems are mostly based on the ups and downs of feelings. In terms of language, later generations commented on Yuefu folk songs: quality but not disdain, shallow and deep, near and far. On the nineteen ancient poems are:

Rhyme with the words, and rhyme with the fun. It is known as "Xiucai speaks of common words". In terms of artistic conception, the folk songs of Yuefu can be said to be profound, and the 19 ancient poems can be said to be far-reaching.

Nineteen Ancient Poems has the characteristics of both Fengyu and the mother of poetry, which shows that it is in a pivotal position in the major transformation of classical poetry from pre-antiquity to medieval (with the Jian'an period of the late Han Dynasty as the boundary). From an aesthetic point of view, the poems of the pre-ancient period, whether they are the Book of Songs, the Ci of Chu, or the Han Yuefu, are the natural expression of the author's voice, and from the perspective of literary works, they can be said to be unconscious literary works. Tang poet monk Jiaoran called it in his "Poetic Style".

Heaven is innocent, and the speech is self-exalted. Another great feature of "Nineteen Ancient Poems" is that it feels very real and comfortable to read. Unlike some later poems, which are so contrived, as Baogong 2004 said, they are the natural expression of the author's voice, and in terms of literary works, they can be said to be unconscious literary works.

Tang poet monk Jiaoran called it in his "Poetic Style": Heaven gives authenticity, and speech is arrogant.

"Nineteen Ancient Poems" has an important position in the development of five-character poems, and it is also of considerable significance in the history of Chinese poetry. Its artistic style also influenced the creation and criticism of poetry in later generations. As far as the actual situation of the development of ancient poetry is concerned, it is not too much to call it "the crown of five words" and "the ancestor of five words through the ages".

In the history of poetry, it is believed that "Nineteen Ancient Poems" is the power of the five-word ancient poems, for example, Wang Shizhen of the Ming Dynasty said that "(Nineteen Poems) is not as good as "Three Hundred Articles", and the subtle words are tactful, broken and foot-in-hand, and they are the ancestors of the five words through the ages." Lu Shiyong Zeyun "(19 poems) is called the wind and the mother of poetry".

The status of the nineteen ancient poems is as follows:

Nineteen Ancient Poems", the name of the group of poems, five-character poems, is a significant symbol of the literati of Yuefu's ancient poems. It was selected by Xiao Tong of the Southern Dynasty from the anonymous "Ancient Poems" and compiled into the "Zhaoming Anthology" (also known as the "Anthology"). The philosophical conception of Taoism and Confucianism is expressed everywhere.

Nineteen Ancient Poems profoundly reproduces the disillusionment and sinking pursued by literati in the period of great social and ideological changes in the late Han Dynasty, as well as the awakening and pain of the soul. In art, the language is simple, natural, scattered and ingenious, the description is vivid and real, and it has a natural artistic style. At the same time, "Nineteen Ancient Poems" expresses several of the most basic and common emotions and thoughts in life, which are often read by readers throughout the ages.

Liu Xian's "Wenxin Carving Dragon" calls it "the crown of five words". "Nineteen Ancient Poems" is a significant symbol of the literati of Yuefu's ancient poems. The literati of the late Han Dynasty paid attention to the value of individual survival, which enabled them to establish a broader and deeper emotional connection with the social and natural environment in which they lived.

In the past, those related to external deeds, such as the temple sacrifices of emperors and princes, cultural and martial arts, hunting and recreation, and even the palace rooms of the capital, once dominated the subject matter of literature, and gave way to the poet's real life, spiritual life, and closely related to the entry and exit, friendship and love, and even the streets, fields, phenology, and solar terms, and the themes, styles, and techniques of literature have undergone tremendous changes.

Post-cavity influences

"Nineteen Ancient Poems" is a significant symbol of the literati of Yuefu's ancient poems. The literati of the late Han Dynasty paid attention to the value of individual survival, which enabled them to establish a broader and deeper emotional connection with the critical social and natural environment in which they lived. In the past, it was associated with external deeds, such as the temple sacrifices of emperors and princes, cultural and martial arts, hunting and recreation, and even the palace rooms of the capital.

Once dominated the subject matter of literature, it gave way to the poet's real life, spiritual life, and the entry and exit places, friendship and love, and even the streets, fields, phenology, and solar terms, and the themes, styles, and techniques of literature have undergone tremendous changes.

In the Tang Dynasty, the poets represented by Li Bai and Bai Juyi wrote poems that were either enthusiastic and unrestrained, or wrote scenes and events, and many famous works were catchy to read, reflecting the unique style of the times during that period.

The form and style of Tang poetry are colorful and innovative. It not only inherited the Han and Wei folk songs and Yuefu traditions, but also greatly developed the style of singing and singing; Not only inherited from the previous generation.

5. Seven-character ancient poems, and developed into a long-form masterpiece of narrative romance; It not only expands the use of five-character and seven-character forms, but also creates a particularly beautiful and neat style of near-body poetry.

The creation and maturity of near-style poetry was a major event in the history of the development of poetry in the Tang Dynasty. It has pushed the artistic characteristics of syllable harmony and concise words of ancient Chinese poetry to an unprecedented height, and found the most typical form of ancient lyric poetry, which is still particularly popular with the people.

However, because of the strict restrictions of the rhythmic poems, the content of the poems is easy to be hidden and bound by the movement, and cannot be freely created and played, which is a big defect brought about by its strengths.

The impact of "Nineteen Ancient Poems" on later generations is still very, very large, and this cannot be too laborious to produce one by one here.

There are thousands of ancient poems, all of which are the ideas of the ancients, and in this era, there is no money to be made, so we can only create new inventions.

Do you see that there are 19 poems that have had a great influence on later poets? That's the boilerplate.