Quatrain ancient poems second, quatrain second Tang poetry appreciation

Two quatrains. Tang] Du Fu.

In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.

The mud melts and flies the swallows, and the sand warms the mandarin ducks.

The river is more than white, and the mountains are blue and flowery.

This spring has seen and passed, and when is the return year?

Quatrain: Jiang Bi Bird Exceeds White" was written by Du Fu after he entered Shu, expressing the emotion of detaining himself in a foreign land. "The river blue bird is more than white, and the mountain blue flowers are about to burn", this is a landscape painting inlaid in the mirror frame, describing the beautiful scenery in the late spring, full of ink on the paper, and applying strong color in the picture, which has a dazzling charm. The artistic special point of this poem is to write sorrow with music, and only when it is extremely harmonious in spring can it be compared to the poet's earnestness.

It does not let the sentimentality of Sigui be directly revealed from the scene, but uses the difference between objective scenery and subjective feelings to contrast the poet's deep homesickness, which has a unique rhyme.

Two quatrains, two songs

The river is more than white, and the mountains are blue and flowery.

This spring has seen and passed, and when is the return year?

Translations

The turquoise of the river makes the white feathers of the waterfowl appear whiter, and the verdant mountain peaks reflect the flowers as red as a burning fire.

This year's spring is about to pass again, and I wonder when I will be able to go home?

Comment

Desire: Like. Yet: Burning.

Over: In the past. DH: What.

Connoisseurship

"The river blue bird is more than white, and the mountain blue flowers are about to burn", this is a landscape painting inlaid in the mirror frame, describing the beautiful scenery in the late spring, full of ink on the paper, and applying strong color in the picture, which has a dazzling charm. The blue waves of the river are rippling, revealing the white-feathered water birds, sweeping the wings of the river, a pleasant scenery. The mountains are verdant, and the flowers all over are extremely red, just like a burning fire, very charming, very splendid.

With the white of the river bi lining the bird's feather, the blue and white digging edge hands shine brightly; With the red of the mountain green lining flowers, the green and red are each other's beauty. The word "exceed" will be borrowed by the blue background of the river water to show the whiteness of its feathers, and the writing is deep and reasonable; The word "desire" is endowed with dynamic and swaying flowers in anthropomorphism. Two poems of four scenes of rivers, mountains, flowers and birds, and respectively apply four colors: green, green, fiery red and white, the scene is fresh and pleasing to the eye.

However, the poet's will did not judge this, and then the pen took a steep turn, and sighed.

This spring has seen and passed, and when is the return year? In the sentence, the three words "see and pass" are directly pointed to the time to write the poem.

The scenery of late spring and early summer is not beautiful, but it is a pity that the years go by, and the return date is far away, which not only does not arouse the interest of playing, but instead arouses the sentimentality of wandering. The artistic characteristics of this poem are to write sorrow with music scenes, and only when it is extremely harmonious in spring can it be compared to the poet's earnestness. It does not let the sentimentality of Sigui be directly revealed from the scene, but uses the difference between objective scenery and subjective feelings to contrast the poet's deep homesickness, which has a unique rhyme.

The two quatrains of the ancient poem are as follows:

Two quatrains (one of them): The late days are beautiful, and the spring breeze is fragrant with flowers and plants. The mud melts and the swallows fly, and the sand warms the sleeping mandarins.

Two quatrains (the second): Jiang Bi Bird is more than white, and the mountain blue flowers are about to burn. This spring has seen and passed, and when is the return year?

Data Extension:

Du Fu, whose name is beautiful, is self-named Shaoling Ye Lao, a great realist poet of the Tang Dynasty, and Li Bai is collectively called "Li Du". Born in Gong County, Henan Province, he is originally from Xiangyang, Hubei. In order to share with the other two poets Li Shangyin and Du Mu, that is, the "Little Li Du" area, Du Fu and Li Bai are also known as "Big Li Du", and Du Fu is often called "Old Shen Code Du".

When Du Fu was a teenager, he traveled to Wu Yue and Qi Zhao successively, during which he went to Luoyang to fail to act. After the age of thirty-five, he first took the exam in Chang'an and fell behind; Later, he gave gifts to the emperor and nobles.

The officialdom was unwilling and witnessed the extravagance and social crisis of the upper class of the Tang Dynasty. In the fourteenth year of Tianbao (755), the Anshi Rebellion broke out, Tongguan was lost, and Du Fu traveled to many places successively. In the second year of the Qianyuan Dynasty (759), Du Fu abandoned his official position and entered Sichuan, although he avoided the war and lived a relatively stable life, he still cared about the common people and had national affairs in mind.

Du Fu created masterpieces such as "Ascending", "Spring Hope", "Northern Expedition", "Three Officials" and "Three Farewells". Although Du Fu is a realist poet, he also has a wild and uninhibited side, and it is not difficult to see Du Fu's heroic spirit from his famous work "Song of the Eight Immortals in Drinking".

The core of Du Fu's thought is the idea of benevolence, and he has the grand ambition of "to the monarch and Yao, and then to make the customs pure". Although Du Fu was not famous during his lifetime, he later became famous and had a profound impact on both Chinese and Japanese literature. A total of about 1,500 poems by Du Fu have been preserved, most of which are collected in the "Du Gongbu Collection".

In the winter of the fifth year of the Great Calendar (770), he died of illness at the age of fifty-nine. Du Fu's influence on classical Chinese poetry is very far-reaching, and he is known as the "Saint of Poetry" by later generations, and his poems are called "Poetry History". Later generations called it Du Shiji, Du Gong Department, also known as Du Shaoling, Du Caotang.

1. Meaning. The rivers and mountains are bathed in spring light, how beautiful, and the spring breeze sends the fragrant spring jujube fragrance of flowers and plants.

Swallows are busy building their nests with rough mud, and pairs of mandarin ducks are sleeping on the warm sand.

2. Original text. In the late days, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and plants.

The mud melts and flies the swallows, and the sand warms the mandarin ducks.

3. Author. Tang Dynasty poet Du Fu.

Extended Materials. 1. Creative background.

This set of five-character quatrains is an early work of the poet wandering in the southwest, composed in the late spring of the second year of Guangde (764), when Du Fu was in the thatched cottage of Sichuan.

2. Appreciation. At the beginning of the first poem, he writes from a large area, depicting the clear and gorgeous spring scenery in the Huanhua River area under the bright sunshine of early spring, with a concise pen and rich colors. "Late day" means spring.

It is used here to highlight the early spring sunshine to capture the whole story. At the same time, the word "beauty" is used to dye the "rivers and mountains", showing the beautiful scenery of the spring sunshine, the green of the four fields, and the stream reflecting the sun. Although this is a broad stroke, the bottom of the pen is spring.

In the second sentence, the poet further uses the warm spring breeze, the first flowers, the grass, and the rich fragrance to show the bright and good spring. Because the poet organically organizes the spring breeze, flowers and plants and the fragrant fragrance they emit.

In the third line, the poet chooses the most common and characteristic dynamic scene of early spring to depict. The spring flowers are blooming, the mud is melting and the soil is wet, and the swallows that return to spring in autumn are flying around busily, building nests in the mud.

This vivid description makes the picture more vibrant, full of spring, and a kind of dynamic beauty. Du Fu's observation of swallows is very detailed, "mud melting" is closely related to the first sentence, because spring returns to the earth, the sun shines before "mud melts"; Ziyan is newly returned, making a nest in the mud and flying non-stop, showing a spring mood.

The fourth sentence is to outline a static scene. The spring is melting, the sun is beautiful and the sand is warm, and the mandarin ducks should also enjoy the warmth of this spring, sleeping quietly on the sandbar by the stream. This also corresponds closely to the first sentence, because the "late day" is warm, and the sand is warm attracts pairs of mandarin ducks out of the water, bathed in the bright sunshine, which is so leisurely and comfortable.

This five-character quatrain has a bright and far-reaching artistic conception and a fresh style. The whole poem is neat, but it is natural and smooth, and unpolished; The depiction of the scenery is beautiful and beautiful, without a trace, which is a unique style chapter in Du Zhong.