How can I improve my styling ability? How to improve your modeling ability in painting

First of all, you need to do a lot of copying exercises, to experience this type, to feel how the author did it, copying not only to draw its type, this is the basic requirement, but also to paint its spirit, this is an advanced requirement.

Then you need to grab the sketch, compare and observe more in the process of sketching, your eyes are your pen, and your hands are your eyes! That is, observation is the foundation of sketching.

You'll need a lot of sketching practice, which is key to improving your styling abilities. There is no master whose sketches are not unique. Sketching is the language of art.

Finally, you can do it with a picture in your chest, that is, a silent writing. This is the last step, and being able to paint a picture of what you have in mind is naturally the highest level.

There are generally two kinds of modeling ability, image shaping ability and image creation ability. The ability to shape the image is mainly determined by the training of sketching, which involves the ability of observation, hand-eye coordination, basic hand-drawing ability, and artistic expression ability.

The ability to create images is rooted in the ability to shape images and the control of image integrity and artistic beauty in creation. Image shaping ability is the foundation of modeling ability. To train the ability to observe, it is necessary to understand the specific structure of the image, to be familiar with the overall and local changes of the structure, and to learn to understand the various changes and connections between the "invisible" structure (that is, the structure contained in the form and not directly displayed in the picture) and the "visible" structure.

Through the understanding of the structure, grasp the basic modeling rules.

Hand-eye coordination training is to learn to use the eyes to control one's own pen (not completely relying on the brain, or skipping the stage of brain analysis, similar to using direct "perceptual understanding" to face the sketching object and picture), the whole and part of the structure observed by the eye, directly expressed with the brush in the hand (sculpture with a sculpture knife), learn to achieve "eye to pen", to be able to complete and accurate (not exactly the same, but to express the correct understanding of the structure) to represent the object.

Basic hand-drawing ability, in fact, can also be said to be the basic brushwork ability (sculpture majors or other art majors are similar), basic techniques are definitely needed. However, the use of basic techniques needs to be adjusted in the face of different images, which is a comprehensive ability to use basic techniques. There must be a distinction between delicate and rough structures in terms of expression (it is certainly not appropriate to use the same method of depiction when drawing different textures of young women, old people or animals), and it is necessary to use them rationally in relatively well-trained basic techniques to create a complete image.

Artistic expression ability, which also represents a certain creative ability, is that in sketching or creation, there must first be an artistic effect expectation, and then use observation, repeatedly ponder the final picture effect of the work, clarify their creative intentions, and comprehensively use various professional skills to deal with the main and secondary reality that the work needs to express, the strength and weakness, so that the image they draw is more artistic.

The ability to create an image needs to learn to create a complete image from sketching after a large amount of sketching training (sometimes it can also be appropriately supplemented with sketching material references), so that one (or more) "out of nothing" image conforms to the basic modeling rules, and shows complete and correct structural characteristics, and at the same time, under the combination of basic skills, the overall shape of the image is both reasonable and artistic, and has a certain sense of beauty.

This kind of creative ability training not only relies on sketching, but also needs to learn their artistic concepts, creative thinking and observation angles from the advantages of others, and the so-called "standing on the shoulders of giants" is also the same thing. In particular, the training of creative ability cannot be done behind closed doors, and must be constantly studied in many ways. In general, more practice is the right thing.

If you can't find the line accurately, you can spend a day or two to practice drawing horizontal lines, vertical lines and diagonal lines, to be fast and accurate, to spend good animation, this is the basic skill, (1 2 days can be practiced very straight).

You also talked about the problem of proportion, right, first of all, when you see this object, first find its shape, and then mark it on the drawing paper, of course, you can't see the shape with your eyes, you have to take a thing to compare, the pencil can be, find his general shape after the first frame out, be light, in order to modify, after the frame to see the overall effect, for example: whether the painting is on the top or down, if there is a timely modification, so that there will be no more proportional errors, as for the problem of love to rub when painting,It may be that you don't have a skilled hand always love to paste on the picture quality.,So it's easy to get the picture dirty.,When drawing, you should correctly grasp the posture of holding the pen.,Stand up the pen.,It's good to get used to it.,Next, if you want to draw a good anime character, the most important thing is the shape of the character.,And whether you can grasp its shape and demeanor,Then you have to strengthen the exercise sketch.,Sketching is an indispensable course for drawing good anime characters.,Come on,As long as the kung fu deep iron pestle is sharpened into a needle,!

First of all, we must practice more, and we must work hard to practice.

What you usually see and draw something.

Keep drawing under your hands, and in your head you want to make a three-dimensional image of the object being drawn.

Take a closer look at the deep drawing.

And so over time, your abilities will increase.

Understand the structure of the object, this is the most basic and the most important, I understand that is to use the thinking of modeling to paint, many people mistakenly think that painting is perceptual and whimsical, in fact, it is a big misunderstanding, modern art Western art is rational, pay attention to modeling ability, that is, commonly known as art skills, no modeling ability to do the basis of painting are graffiti, plane, no sense of body and volume, this can only rely on more practice and thinking summary.

Be observant. Get in touch more.

The shape is mainly grasped.

Overall proportions. Spatial sense.

The proportions are made by the clump method.

Start with the whole.

Simplify the physical object into a combination of clumps.

Take people as an example, first look for dynamic lines.

Separately framed in clumps.

Cranial, thoracic, pelvic.

Several large cavities. Then there are the hand-leg joint points.

Then the lines connect.

Refine slowly. Spatial sense.

It is reflected by the intensity of the reflection in the direction of light.

Reflected in the picture is the color or the depth of the lead.

Note the highlights, gray sides, dark sides, and reflective ones.

Relationship. It is also to grasp the whole first.

Finally, the type is closed. Definitely some details.

and lines. Don't be broad and unspecific.

It feels like there's no detail.

That's what people often say.

Painting floats. Painted floating.

Practice your feel more on weekdays.

Be observant of the things around you.

Hexagonal prism is a very good way to practice modeling ability.

Take a look at your work. Who knows if you are already the phoenix among people and seeking a dragon.

In this part, what kind of products can be done, everyone can talk about their own successful experience!

1. In order to improve the modeling ability of painting quickly, it is necessary to observe and grasp the case as a whole, combine the methods of one point, two lines, and three sides and use them flexibly. At the same time, it improves artistic expression ability, observation ability, and hand-eye coordination ability. 2. The training of artistic expression ability should first have an expectation of artistic effect, and then use observation to repeatedly ponder the picture effect of the work, clarify the creative intention, and comprehensively use various professional skills to deal with the main and secondary reality that the work needs to express, so as to make the image more artistic.

3. Observation ability training, to understand the specific shape of the structure, familiar with the structure of the bird with the whole and local changes, learn to understand the changes and connections between the invisible structure and the visible structure. Through the understanding of the structure, grasp the basic modeling rules. 4. Hand-eye coordination training, to learn to use the eyes to control the pen, the eyes to observe the whole structure and part, with the brush to express directly, so that the eye to the pen, can be a complete and accurate representation of the object.

1. In order to improve the ability to quickly improve the source modeling of the source ruler rock painting, it is necessary to observe and grasp the case as a whole, combine the methods of one point, two lines and three sides and use it flexibly. At the same time, it improves artistic expression ability, observation ability, and hand-eye coordination ability.

2. To train artistic expression ability, we must first have an expectation of artistic effect, and then use observation to repeatedly ponder the picture effect of the work, clarify the creative intention, and comprehensively use various professional skills to deal with the main and secondary reality that the work needs to express, so as to make the image more artistic.

3. Observation ability training, to understand the specific body structure, familiar with the overall and local changes of the structure, and learn to understand the changes and connections between the invisible structure and the visible structure. Through the understanding of the structure, grasp the basic modeling rules.

4. Hand-eye coordination training, to learn to use the eyes to control the pen, the eyes to observe the structure of the whole and part, with the brush to express directly, so that the eye to the pen, can hail complete and accurate representation of the object.