Why did Fan Zhongyan write the Drunken Man Pavilion, the similarities and differences between Fan Zh

Background: In the fifth year of Song Renzong's Qingli (1045), Fan Zhongyan and others, who participated in political affairs, were slandered and resigned, and Ouyang Xiushang defended them and was demoted to Chuzhou as a governor for two years. After taking office, he was depressed in his heart, but he was still able to play the style of "being lenient and simple without disturbing" and achieved some political achievements.

The Legend of the Drunkard Pavilion was written during this period. The article describes the deep and beautiful natural scenery in Chuzhou, the peaceful and quiet life of the people in Chuzhou, especially the author's pleasure of enjoying the feast and drink in the mountains and forests. The whole text runs through the word "music", which contains more complex and tortuous content.

One hints at the feelings of a feudal local governor who can "enjoy with the people", and the other hides unspeakable hardships behind the love landscape. At the age of forty, he called himself a "drunkard", and he often traveled, coupled with his various performances of "drinking less and getting drunk" and "being depressed", all show that Ouyang Xiu is using the joy of mountains and rivers to relieve the boredom of living in the house.

The Drunkard Pavilion was written in the sixth year of the Qingli of Song Renzong (1046 AD), when Ouyang was appointed as the Taishou of Chuzhou. Ouyang Xiu came to Chuzhou from the fifth year of Qingli who was demoted. Before being demoted, he served as the Taichang Cheng Zhiyuan, the Right Zhengyan Zhizhi, and the Hebei Metropolitan Transit Envoy.

The reason for the demotion was that he had always supported Han Qi, Fan Zhongyan, Fu Bi and others to participate in the Northern Song Dynasty reform movement that implemented the New Deal, and opposed the conservative Lu Yijian, Xia Zhu and others. Han Fan and others had been demoted as early as January of the fifth year of Qingli, and in August of this year, Ouyang Xiu was added to the charge that someone in his relatives had committed a crime and was implicated in the matter, and he was removed from the court and demoted to Chuzhou.

Ouyang Xiu implemented lenient politics and developed production in Chuzhou, so that the local people lived a peaceful and stable life, with abundant years and abundant resources, and there was an intoxicating landscape, which made Ouyang Xiu feel extremely happy. However, at that time, the entire Northern Song Dynasty was politically dim, treacherous and evil, and some people who were interested in reform and striving for strength were hit one after another, and he could not help but feel heavy worry and pain when he saw that the country's accumulated shortcomings could not be eliminated and the scene of decline and decline was growing day by day. This is his mood when he wrote "The Story of the Drunkard Pavilion", sad and joyful.

These two aspects are combined and expressed in his work.

It is "The Story of the Drunkard Pavilion" written by Ouyang Xiu

Why did Ouyang Xiu write the story of the Drunkard Pavilion?

Fan Zhongyan. Possessing both civil and military skills", "being resourceful and resourceful", and not being in charge of the government, being in command of the border, are all related to the safety of the country and the great hope of the time.

His improvement of certain military systems and strategic measures made the western frontier stable for a considerable period of time; The Qingli Reform Brigade Movement led by him was only implemented for one year, but it opened the Northern Song Dynasty.

The first of the reform atmosphere became Wang Anshi's "Xining Reform."

Prelude; Even when he was a magistrate, he did his best and did his best.

Fan Zhongyan was not only a famous politician and military strategist in the Northern Song Dynasty, but also an outstanding writer and educator.

As the founder of Song Xue and the leader of Shilin, he was the first to open up the atmosphere, and the article discussed that Confucianism must be benevolent and righteous; And with his personality charm, he taught by word and deed, and devoted his life to preaching and teaching, carefully cultivating and recommending talents; Even in his later years, "the countryside has not been established", there is no fixed place to live, and the dying "Last Form" does not say a word about private affairs.

The idea of "worrying first and then being happy" advocated by him and the discipline of people with lofty ideals have set a new benchmark for the enterprising spirit in Confucianism and are the shining spiritual wealth in the history of Chinese civilization.

The so-called "high mountains look up, scenery and line stops, the ancients also said that "the saint has no merit, the god has no name, and the man has no self", Fan Zhongyan is the "big self" standing between heaven and earth. This "I" is above all fame and fortune in the world, and is an ideal personality that shines in the annals of history and shines through the ages.

As a generation of great politicians, thinkers and military strategists, Fan Zhongyan has surpassed the aesthetic psychological stereotypes and aesthetic habits of ordinary people in aesthetic photos, that is, he has surpassed the aesthetic psychology and aesthetic habits of ordinary people in aesthetic photos, that is, he has surpassed the aesthetic transplantation psychology of ordinary people of "joy with things, sadness with things" and "sadness with oneself, joy with joy".

Don't be happy with things, don't be sad", with a natural, plain and constant heart to look at the changes of nature in the four seasons of nature and the gains and losses, progress and glory and disgrace in social life.

Fan Zhongyan's greatness lies not only in the fact that he surpassed the melancholy and optimism of ordinary people in terms of aesthetics, but more importantly, he surpassed the ideological and cultural psychological model of the ancient literati and doctors at a higher level, "if you are poor, you will be good to yourself, and if you are good, you will help the world", and established a positive, optimistic and broad ideological and cultural psychological model of "worrying first and then being happy", and created a great realm of life of "greatness, selflessness and altruism".

Fan Zhongyan automatically leaned towards the ancient people with high moral character in thought, and expressed his ambition euphemistically in the form of questions, and was glad that this "ancient benevolence" in the world would eventually be passed on, hoping that his friend Teng Zijing could also become such a person.

One derogatory, two landscapes, three realms. Whether life is good or bad, it is always on the road, rather than suffering from gains and losses, or being complacent, it is better to smile at the wind and clouds, treat others with a generous heart, be strict with yourself, follow yourself, and pursue noble aspirations and sentiments, so no matter what kind of situation you are in, you can live your true self. Einstein.

He said, "There is nothing more beautiful in the world than a few friends who are upright and upright in their hearts." ”

So let's take Fan Zhongyan as a friend and forge ahead!

In the text, Ouyang Xiu implied the love of "enjoying with the people" in the description and narration, without saying a word, but writing music in drunkenness, and drunkenness in music, so he left the famous sentence "The drunkard's intention is not in wine, but between mountains and rivers", indicating his disappointment in politics and turning to the landscape. After comparing the joys and sorrows of the career of the "emigrants", Fan Zhongyan directly expressed his "not to be happy with things, not to be sad with himself", and with the wise words of "the worries of the world first, and the joy of the world after the world", he showed his high-spirited and bright mood of taking the world as his own responsibility, and still optimistic and open-minded about his exclusion.

The point is, the former is disappointed, the latter is optimistic.

Although Fan Zhongyan wrote the story of Yueyang Tower at that time, because he had no other more famous works, he still could not become the eight masters of the Tang and Song dynasties at that time.

Because Zeng Gong is no worse than Fan Zhongyan, and even better than Fan Zhongyan in prose, Fan Zhongyan's prose is not good.

Because the eight masters of the Tang and Song dynasties must be the central figures of the ancient literature movement in the Tang and Song dynasties, although Fan Zhongyan has very good achievements in prose, his achievements in the ancient literature movement are far less than those eight knowledgeable people. Another reason is that the number of prose creations by Fan Zhongyan is too small. Although the poems he wrote are all fine, there are too few works.

His political achievements overshadowed his literary achievements. Fan Zhongyan was a famous politician, thinker, military strategist and writer in the Northern Song Dynasty. If he can devote himself to literary creation, it should be easy for him to make a name in the history of literature with his talents.

Zeng Gong was a representative of the Linchuan Literary School, and he was well-known in the literary world at that time, and he wrote many classic essays, which were highly respected at that time.

The titler only knows "The Story of Yueyang Tower", but does not know Zeng Gong's works, so to make a comparison, it shows that the reading of ancient texts is extremely low. To make waves here is also ignorant and fearless.