How to express the zipper in the sketch, how to express the texture in the sketch

First draw from its structure and modeling characteristics, and then start from the details to cut out a few prominent structural points to highlight the level of the zipper.

From the big aspect, you look at it as a geometric combination, the small aspects draw the details one by one, rigid is that the details are not drawn well, no matter how small the surface is also light and dark, don't ignore it, observe first! Keep every detail in mind and draw later! In particular, some man-made traces can improve the sense of realism!

The results are guaranteed to be different!

The metal is smooth and hard. Therefore, when using the pen, it is necessary to be decisive and crisp, and not to delay. In addition, the metal is smooth, so it has strong reflections and bright highlights.

The cloth is coarse and soft. Therefore, use the pen flexibly to draw the direction of the cloth. Its reflections are weak, and the highlights are not as bright as metallic.

Zipper, first draw from its structure and modeling characteristics, and then start from the details to cut out a few prominent structural points to highlight the level of the zipper, don't cut it to death!

Its practical text expression is a bit difficult, I think the specific or the real place under the pen a little heavier, a little more accurate, and the virtual place on the pen is not so dead, it is best to use the pen, and hands, to control the ......

Start by drawing a general outline of the zipper.

If you want to draw a rough picture, you can show the boundary between light and dark and the projection, and other general generalizations.

The details should be more careful, more detailed, and don't use the pen to buckle too hard.

The zipper also has a structure and a relationship between light and shade.

You can start by painting the zipper in gray, and then use the eraser to bring out some highlights, and avoid raising every tooth. Then deepen the dark part, and don't portray them one by one. Draw something close to you, or an important part, that can improve the picture.

Painting is technically a practice of using a surface as a support surface and adding color on top of it, which can be paper or cloth, and the tools for adding color can be a brush, brush, sponge, or strip of cloth.

At the level of artistic terminology, the meaning of painting also includes the use of this artistic act plus graphics, composition and other aesthetic methods to achieve the concept and meaning that the painter wishes to express.

Painting is the majority of fine arts.

Practice with the zipper.

Texture can only be expressed through chiaroscuro strokes. But pay attention to the relationship between light, such as painting a glass glass or a stainless steel knife. It's better to draw a leather jacket and zipper.

First of all, we have to analyze the object you are drawing, different objects, the material reflects the light differently, so it gives me a different feeling, when we paint, we should form a sense of the material according to the reflection of the light of the object we are drawing.

Secondly, pay attention to the texture, start with the details, first draw the structure of the material, and set the position.

Again, it is the upper tone, this upper tone, from the local painting, but when observing, you also need to pay attention to the whole, the whole and the local adjustment, control the depth of different places, so that after the painting, there is a texture, and at the same time there is space.

Finally, it should be noted that the upper tone, sometimes, to adjust according to the need, many times, along the structure of the object texture to draw, the texture is easier, do not according to the teacher said to draw the line to diamond staggered, you draw each diamond staggered painting, the diamond staggered painting is a basic line drawing method, specific time, to change according to different materials.

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Figurative, abstract, textual signs.

1. Figurative type Figurative sign refers to the direct use of representative objects to express meaning. This technique is straightforward and self-explanatory, making it easy to understand and memorize quickly. For example, the logo of the education industry is based on the image of a book; The symbol that expresses the railway transport industry is the image of a locomotive, and so on.

2. Abstract abstract signs refer to the use of rational and pure abstract graphics composed of points, lines, planes, and bodies to express meaning. This kind of logo has a lot of room for play in the modeling effect, and has a strong sense of modernity and symbolism. For example, the logo in the middle below, which is the logo of an Israeli gallery, uses very abstract lines to represent it, with a strong sense of symbolism.

3. Text-type signs Text-type signs refer to signs whose logo image is mainly text-based. Word-type signs can be divided into Chinese character signs, letter signs and numeric signs according to different types of graphics.

If you want to pursue details, this can weaken the bright part, deepen the dark part, wipe it with a paper towel, and then use the oblique staggered lines to hit it again, and then raise the light, and then repair the highlight to a matte finish.

Kraft paper can refine the texture, in order to highlight, wool blanket to first play a layer of heavy bottom, and then wipe it with a paper towel, and then first heavy and then light with a pen along the direction of the wool to draw on the line, pay attention to the performance of the bright and dark parts, white wool do not hit a heavy bottom, to hit the gray bottom.

This term is difficult to understand with you, and the expression texture is even more difficult to understand, I suggest that students still find some better art books to copy the local effect is better.

The shade of color is very important, but the most important thing is:

Contrast of shades of color.

If the contrast between black and white is obvious, it can express a strong spatial effect, if it is too black or too gray, the expression effect is not strong and appears too simple.

Hello! Let's learn to draw! Didn't the teacher teach? I'm here to guide you:

In sketch painting, the so-called representation of space must draw the sense of distance of the object, that is, the sense of space.

On a daily basis, we observe objects or natural scenes, and come to the conclusion that the law of visual perception is "clear in the near and blurry in the distance".

Sketching is based on the scientific laws of conscious feeling.

1.The contrast is strong at near and weak at distance.

2.In perspective, the near is large and far small.

3.Near real and far virtual.

4.In the distance, there is a hazy and hazy image that reaches a cloud of ash.

Good luck!

Depending on the thickness of the line.

Light and dark gray and bright.

The direction of the projection.

Perspective, light and shade, virtual and real.

1. Perspective: When we learn to draw lines in interior design, we can only use lines to express it, and the most important thing is perspective (near and far).

2. Light and dark relationship: This is the easiest way to express the sense of space, first find the relationship between black, white and gray, and then find the key part to depict.

3. Virtuality and reality: Virtuality is a foil and a sub-scene, and a few simple expressions can be done. It is really what you want to stand out the most, and it needs to be depicted in detail, usually in the center of the whole picture.

The texture of the object is reflected in the highlights and reflections, but it is not affected by it, it is determined by its own structure.

In fact, a large part of the depiction of texture is reflected in the correct expression of body proportion, perspective, structure, inherent color, volume sense and spatial relationship, which is the focus of sketching.

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How to draw the texture of metal utensils in oil painting You will know it when you look at this.

It's important to get the highlights right, because the metal reflects a lot of light, and the environment around it needs to be noted, and in addition, it's good to be bold and painted.

First of all, you should know that the reflection of metal is very strong, so the highlight and reflection are inseparable, the dark side is not easy to grasp, you need to deal with the position and transition of the light and dark by yourself, it is more difficult to master, it is best to go to the touch point or the observation point, and then go to the drawing.

1. Generally speaking, the surface density of metal objects is large, the light transmittance is weak, and the reflection is strong, so it is extremely sensitive to the light source. Specular is the most important visual feature of glossy objects, and the height of the specular is generally strong, but due to the physical characteristics of the object. The difference in brightness of the inherent color, etc., so there are subtle changes in its height, shape, and relationship between virtual and real, and these changes are closely related to the shaping of the form and the expression of texture.

2. Metal objects with high finish have high reflective properties to light, and they can fully reflect the astigmatism of the light source or the environment, so that highlights may appear in both high and dark parts, and their shape, position and brightness are also different, but they are still the strongest reflection on the light source. On the whole, it still has the general law of light and dark changes, and the color levels are often clearer. When depicting in depth, hard pencils are the main ones, and the lines should be delicate and powerful.

Metalwork with a low finish has a rough texture, a sense of weight, and weak highlights, or even no highlights.

Delicate brushstrokes, clean picture. That's all I can say for you. The contrast between black and white is widened! Leave the shine on the spot. It is recommended that you find a pan painting to copy it and understand