Zhen Shiyin and Jia Yucun in Dream of Red Mansions are real things are hidden .

It was Zhen Shiyin who hid the truth, "borrowing the theory of 'psychic'", he borrowed Jia Baoyu to hide the truth.

The author said at the beginning: Because he had experienced a dream, he hid the real thing, and wrote this book "Stone Record" by means of "psychic". Therefore, it is called "Zhen Shiyin".

This is to say "Zhen Shiyin", which means to hide the real thing. How did he go into hiding? "By the saying of 'psychic'", he borrowed Jia Baoyu to hide the truth.

If the truth has been hidden, then what the author writes must not be "true". He wrote all the stories of "the other skirt" that made the "dignified eyebrows not as sincere", and they were no longer "real".

Let's talk about "Jia Yu Village" again. "Why not use the fake village dialect to perform a story, and you can also make the boudoir ......The author is a perfunctory story with "fake language" and "village dialect", that is, lies or pretenses, and unfounded words from the old people in the countryside. This "fake village dialect" is by no means the meaning of "pretending to say 'village dialect'", because there is a "use" in front of it, he is "using the fake village dialect", it is impossible to put the two verbs "use" and "fake language" together, indicating "using the pretense to say the 'village dialect'", it is unreasonable, there is no need to use "pretending to say" and "use".

Zhen Shiyin was ruined by the accident at the beginning, which implies the author's general direction of the story of "Dream of Red Mansions", he wants "Dream of Red Mansions" to just become a "dream", which means that the people in it have not realized their "dreams" at all, and will eventually be like Zhen Shiyin, going into ruin. Zhen Shiyin's story can be seen as an "introduction" to the whole book. Regardless of whether it is Gao E's continuation of the last forty times, he gave hope to the declining nobles again, which is not in line with Cao Xueqin's original intention; However, he finally let Jia Baoyu become a monk, which can be regarded as taking care of the "introduction" in front of him, because Zhen Shiyin is the final monk.

Jia Yucun was not dilapidated, and he further participated in the surging floating world. The author uses his "fake language" and "village dialect" to enter the narrative of the story. Jia Yucun is well versed in officialdom and has great ambitions.

The author's title "Zhen Shiyin's Dream Psychic Jia Yucun Wind and Dust Huai Xiu" points out the intention. Zhen Shi knew psychic and saw the "psychic treasure", Jia Yucun listened to Leng Zixing's speech about Rongguo Mansion and knew the "lady show". The two of them each lead to the male protagonist and the women.

One is in the way of dreaming, which means that "Tongling Baoyu" comes from dreams, and the other is in the way of talking, which means that "boudoir" is a worldly thing. However, there is a metaphor here, Zhen Shiyin's "psychic" means that he has the foundation of enlightenment, and Jia Yucun's "Huai Boudoir" means that he has the idea of entering the WTO. In addition, this "lady show" does not only refer to the aristocratic lady, but may also imply that it refers to the maid Jiaoxing of Zhen Shiyin's family.

At the beginning of "Dream of Red Mansions", there is a saying that "the real thing is hidden and the false words are kept". and then wrote the protagonist into the characters Zhen Shiyin and Jia Yucun in the book. At the end, Zhen Shiyin was used to "explain in detail", and Jia Yucun "boiled down".

From the analysis of the author's phantom pen, these two characters can be regarded as the phantom body of the author's Honghui. Especially Jia Yucun, although he only made an official appearance in the front, he didn't show up much later. This is the author who has changed his stand-in and no longer uses Yucun to play the protagonist.

The author has created different stand-ins in different environments at different times. It is precisely because of the frequent replacement of stand-ins that you can make up for the history of your life. At the same time, it can also prevent the leakage of heavenly machines. Hope.

From acquaintance to love, the author can't get rid of the shackles of the feudal power family, the author is through the two of them, first introducing the four major families and the two mansions of Rongning from the outside, which is the role of foreshadowing, and also hints at the tragic ending of the story, which sets a tone for the whole book and also lays the groundwork. Jia Yucun is a fake thing, and Zhen Shiyin is a real thing.

Zhen Shiyin wrote in contrast to Jia Yucun, and the author clearly stated in the first paragraph of the opening book that he wrote the meaning of these two names. The purpose of writing Zhen Shiyin is to write about a character who has experienced the separation of flesh and blood, the fire at home, and the ups and downs of the second half of his life. He may be a shadow of the author himself, and at the same time a clue to the theme of the whole book.

Grandma Liu shed tears to say goodbye to Sister Feng and went to Guazhou, and met the fourth lady on the road who cherished spring clothes and begged for food, but refused to recognize Grandma Liu, and the cloud and dust relationship was broken, and I didn't know whether it was true or false. Grandma Liu sighed, and the old tears were rampant.

It turned out that Sister Qiao was sold by her uncle and became a prostitute, and Grandma Liu ransomed it, and the bustard's mother deliberately raised the price to force Grandma Liu to sell up all she had, and finally ransomed Sister Qiao. At that time, Sister Feng was in prison, and her body was wrapped in grass by the three or five jailers, and hastily buried in the heavy snow.

With the efforts of Jia Yun and others, Jia Baoyu was finally pardoned. After being released from prison, he happened to go to a well-off home, and the person who opened the door turned out to be his old friend Jiang Yuhan. He had married Baoyu's maid and raider.

Baoyu Fang knew the whereabouts of Baochai after the attack. The next morning, the attack attracted Baochai, but Baoyu had already said goodbye.

In the white expanse of snow, Baoyu walked hesitantly. Facing a prisoner car, the prisoner turned out to be Jia Yu Village, which had raided the Rong Mansion and was prominent for a while. Baoyu walked into the distance, and the heavens and the earth were connected into a white expanse, boundless.

All appeared. Zhen Shiyin, who has become a monk, is the old man wearing a Taoist robe standing on the river when Baoyu sees a small boat passing by the river in the last episode.

In the last episode, Jia Yucun is locked in a prison car by the disciple who helped him (that is, the little novice in the gourd temple) who helped him, and also passes by Baoyu.

Jia Yucun was convicted and was raided by Menzi (that is, the little novice in the gourd temple).

Zhen Shiyin had become a monk with a lame Taoist before. I think the old man on the boat that Jia Baoyu saw standing by the river in the last episode should be Zhen Shiyin, but the strange thing is why it is a regular uniform instead of a Taoist uniform?

Zhen Shiyin's story ended in the early stage, and he followed the leper monk. Jia Yucun was denounced by Xiao Shami and became a prisoner.

Zhen Shiyin did not appear, and Jia Yucun appeared but had been reduced to a prisoner.